My Journey

The Beara Peninsula, Co Cork. My New Favourite Place in Ireland.

I hope my blogs on Ireland aren’t getting too boring. Each time I discover or rediscover a new place I can’t stop scraping up the superlatives.  I’ve blogged recently on the magic of Glencolmcille and south west Donegal, on the spirit of Achill Island, on the beauty of Doughmore in West Clare and West Connemara and many places in between. Recently I visited the Beara Peninsula again for the first time in twenty years. And I’m sorry but I have to regale you with more resplendent words yet again.

The Beara Peninula is one of those wonderful headlands that define West Kerry and West Cork, jutting prominently into the Atlantic and adding a whole lot of extra kilometres to the Wild Atlantic Way.  Many have well known and evocative connotations. The Iveragh Peninsula, better known as the Dingle Peninsula,  and the famous Ring of Kerry are the prime destinations for visitors and do not fail to disappoint. Less well known are the Beara Peninsula, Sheep’s Head and the spectacular Mizen Head.

The attractions of the Beara Peninsula are however becoming better known and I am told by the locals that this summer it was crowded with visitors. I chose to visit in late October. The weather was good (in Irish-speak that translates to ‘no rain’) and it has to be the perfect time. At the western end, the roads are almost deserted and you feel you have this magnificent landscape to yourself.

An obvious draw of this place is that it is more compact than the Ring of Kerry but there is so much variety, so much of interest and so much to fill the shortening autumn days that it was hard to leave.

So what does this little treasure offer?  For a start magnificent vistas are around every corner. You can approach from the Northern Road or the Southern Road but my strong recommendation is you find time to do both.

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And sometimes you see something that you know could not be replicated anywhere else in the world.  The patchwork quilt and stone walls that say Ireland, Ireland, Ireland.

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There are a number of mountainous rocky passes. I explored the Caha Pass this time, which links Kenmare with Glengariff. Here there is stunning scenery and four remarkable tunnels (known as Turner’s Rock Tunnels) built in the 1840s when they decided to go through the rock rather than over it. Quite an engineering feat for its day and very unique for road construction as most tunnels in Ireland were built for railways. Indeed the railway construction boom did not start until the 1840s so these tunnels predate any rail tunnel in Ireland.   From this impressive road there are craggy mountains, magnificent pasture and grasslands, and sweeping panoramas. Next time I will do the Healy Pass.

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Elsewhere you will see wild, coastal panoramas, verdant forests, jagged islands or houses perched on grassy knolls with staggering views or nestled into rugged rocky cliffs.

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The drive to the end of the Peninsula and Dursey Island is not to be missed. But be prepared for perhaps a little disappointment. Ireland’s only cable car which links the island to the mainland and at this time of the year only runs between 9.30am and 11am was ‘fully booked’ and not operating for transport of people. It was being used for the day by the local farmers to transport hay across the narrow channel. Where else would tourists be turned away, some mind you who had travelled especially, in favour of bales of hay? Only in Ireland. But somehow it didn’t matter, there was so much else to do and it will be there (possibly) next time. You’ve got to admire the ingenuity of the farmers here. I saw an old ‘retired’ cable car in a yard being used as a chook house. Love it.  And love the little insect houses thoughtfully provided by one farmer.

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Then there is the colourful palette of the charming village of Allihies, which single-handed may be responsible for keeping alive the paint pigment industry in Ireland. Purples, pinks, indigo and every other colour merged harmoniously into the greys, greens and reds of its rocky backdrop.

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And towering over the town is the architectural masterpiece of the Engine House of the Mountain Copper Mine built around 1810. Maybe you think masterpiece too strong a word  but it is at least the equal from a heritage perspective of the megalithic ruins or the monastic abbeys that populate the tourist guide books.   This is the finest example of an historical mine building I have seen in this remarkable condition. It speaks of the confidence and wealth that the mine brought to this remote outpost as it became one of the jewels of European copper mining during its heyday from 1810 to its closure in the 1920s. There are plenty of reminders of the mining period; old shafts and adits, mine workings, two other engine house ruins, stone walls and in places the tell-tale green and blue staining of copper carbonates.

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Mountain Mine engine house

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Chasing the copper

 

There is a museum which gives a very good account of the mining story but unfortunately it is a bit expensive which turns some away. All aspects of the story are covered including the geology, mining technology and social impact.   As a geologist it was of course fascinating. And even more so for me having met the next generation of miner there, young J and his mum Frances, locals who had come to see if they could find any copper. As it happened I had seen some workings with strong copper on the way up the hill, so I offered to show them and took them there. J’s wide eyed fascination and enthusiasm was enough reward.  Maybe I have helped kick start another geologist’s career.

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Still on copper, I stopped at Puxley Manor near Castletownbere. Actually the site of the mansion is right near the ruins of Dunboy Castle but more on that later. It would seem that the location is well cursed having witnessed a number of tragedies over the past 4oo+ years.

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Puxley Manor around 1910

When I first saw the Puxley mansion it was 20 years ago it was a shell of a ruin. It had been the home of the Puxley family since the 1700s. They pretty much owned the copper mining industry here and ended up fabulously wealthy.  As the industry declined so did the Puxley wealth and when his wife died in childbirth Henry Puxley, the last owner, abandoned the castle. Worried that the British Army would take over the abandoned house, the IRA torched it in 1921, destroying it and its contents. The shell was sold at auction in 1927 but remained a forlorn ruin as this photo shows.

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Puxley Manor in the 1990s

This is what it looked like when I saw it in 1996. It was sold to a developer in 1999 and the Celtic Tiger roared. It was to be transformed into a luxury 6-star resort hotel, the only one in Ireland. Massive restoration and conservation work was carried out and all progressed swimmingly with a soft opening in 2007. That was until the money dried up in 2008 with the GFC. By 2010 the project was abandoned and a mesh fence erected. The bats returned but not the visitors.  This is how it appears today. The rotting hull of a large boat sits in the harbour as if to reinforce the tragedy.  Such a grand vision. The restoration did not however extend to the gate house which stands impressively ruinous.

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Puxley Manor.  restored but empty

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Puxley Manor

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Gatehouse.  Puxley Manor

 

I said earlier that Dunboy Castle remains were nearby. This was the ancestral home of Donal Cam O’Sullivan, last of the Gaelic chieftains and a thorn in the side of Elizabeth I during the nine years war which started in 1594.  In 1602 she sent a large battalion of troops to destroy O’Sullivan and the 143 men, who tried to defend the castle, could not withstand the British canon. Surrender was not an option after an emissary sent to discuss terms was hung in full view of the defenders. This ultimate fate awaited all those remaining once the British destroyed it and the castle was never lived in again.

The name O’Sullivan however is everywhere on the peninsula.  You can’t avoid it.

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This little enclave of Cork is truly a gem and you could spend a week here or even a lifetime. There are plenty of stone circles, forts, monuments, holy places (such as the Mass Rock) and extraordinary natural wonders to explore and discover.  Oh, and sheep.  And there’s Dursey Island, if the cable car is running.  And if you’re up for it you can walk it all on the Beara Way.

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Ring fort

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Mass rock

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The black sheep in the flock

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There once was a church

The beauty though is not just in the grand vistas but in a host of other details for me that capture the personality of a place.  Here are a few photos that speak loudly about the struggle for life for both nature and man.

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Abandoned bucket near a well.

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Perfect bonsai tree growing wild.

 

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Window treatment

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Ingenuity

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Maintenance can be a problem

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Fantastically fertile for funghi

 

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Life hangs on

 

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True love

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Faded hope

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Was this to avoid the window tax?

So that’s it.    I’ll be back and very soon.

Categories: My Journey, Real Ireland, Wild Ireland | Tags: , , , , , , , , , , , , , , , , , , , , , | 9 Comments

Fury. A dog’s tale.

There are many legends and stories in Ireland; the origins of which are often lost in time and who knows whether there is any truth in them or whether there has been serious embellishment over the years.  So, it’s great when one such legend is proved with physical evidence.

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If you visit Portumna Castle in County Galway you will of course be blown away by the splendour of the building, which in its time was the grandest castle in Ireland, outshining all others. Built around 1610, it is notable as the first building in the Renaissance style in Ireland and cost a massive £10,000. It was abandoned in 1826 after a fire and has been largely rebuilt. I don’t want to talk about the Castle and everything there is to see, the guidebooks and guided tours will show you all of these things, but the highlight for me was the display of the remains of Fury.

Fury was by some accounts an Irish Wolfhound, by others something else. The story was widely told that in April 1797, Fury was asleep on the grass underneath one of the windows of the castle when a young lady of the house, while watching the dog below, fell from the window. She landed on the dog breaking its back which resulted in poor Fury’s death. This though  saved her life by breaking her fall and in gratitude the family placed a plaque on Fury’s grave. Part of the inscription read

Alas! poor Fury.
She was a Dog, Take her for All in All
Eye shall not look upon her like again.

Excavation in 1997 indeed discovered bones of a dog and the skeleton was reconstructed. Analysis of the remains suggested the dog was a Whippet though this could not be conclusive.  A number of vertebrae were missing in the middle of its back and this supported the legend that  the likely cause of death was of a broken back. The presence of nails in each corner of the gravesite indicated that she was buried in a coffin.

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Sad it is of course, but also quite wonderful that 200 years after the tragic event archaeology confirmed the legend and that Fury’s deed is remembered.

Fury is on permanent display at the Castle. It’s worth a visit.

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A Visit to Ralahine, Co Clare. A Failed Experiment.

Ireland was a troubled country in the early part of the 19th century. Under the firm rule of the Crown, most Irish land at this time was owned by absentee landlords either in Britain or Dublin. The farms became a hotbed of discontent with tenants living in misery. This prompted organised groups such as the Ribbonmen, who launched deadly attacks on landlords and their tithes. Rural Ireland was not a happy place.

One man decided to try to change this. He believed he could bring peace to the land with a cooperative farm where he would rent the land to the labourers and they would work it under their own authority. This man was wealthy landowner John Vandeleur and a man of considerable influence in Clare.  He had been High Sherriff in 1823.  He found an estate of 638 acres at Ralahine near Newmarket-on-Fergus in County Clare and with socialist backer Englishman Edward Craig running it, started the colony with 40 farmers and their families. They had a school, a laundry and a pooled kitchen. All the capital (buildings, stock etc) was provided by Vandeleur and was communal property. There was no private ownership.  All 4 legged animals, even dogs, were the property of the group.  He charged rent in the form of farm produce.

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Ralahine Estate as shown in the 1842 Survey map.  The location of buildings still standing is marked,

There were strict rules governing the running of the farm. It was no socialist Utopia. New members could only be admitted by ballot. Work was 12 hours per day. There was no gambling and no drinking.  There was however enshrined freedom of expression and religion.  If there was a proposed marriage to someone outside the colony, and the members did not approve, then both were excluded. There was no money. Labour was paid for in Labour Notes which could be exchanged for provisions.

It all seemed to work and the colony expanded after one year to 81. People came from all over the world to see the contented colonists. Then it all came crashing down.

Mr Vandeleur’s wealth was gone. He had lost his fortune, ironically through gambling and drinking. He fled from Ralahine. The arrangement with the members had no legal basis and all the assets were seized and the bold experiment came to an end after two years.

I wanted to see how much of Ralahine was left. It was easy to find; just a short drive out of Newmarket-on-Fergus. I met local farmer Niamh, who pointed out some of the original buildings from 1830 which are still standing. There is the old mill, very much intact and a long whitewashed building, which at first I thought was stables, was the old working mans’ cottages. Each “house” has a single room with a fireplace,  Probably very comfortable for its day. .

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Rear view of the Old Mill

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Front view of the Old Mill

 

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Workmans’ Cottages

 

There are a number of other buildings and many walls which also appear to date from the same time but these mostly seem to now be used for storage. And of course looming over it all is the Rathlahine Castle, a previous home of one of the MacNamaras,  possibly looking a little worse for wear now than it did then.

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Ralahine.  View to Rathlahine Castle.

 

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Rathlahine Castle

 

The original house, the residence of Vandeleur,  was apparently demolished in the 1940s. Niamh said it was due to the windows tax, but this sounds a little fanciful as the window tax ended in the 1850s.

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Ralahine.  The site of the original Rathlahine House.  Nothing remains. 

 

I found a few very old apple trees near the mill, laden with fruit and it would be nice to think that these date back to the days of the colony.  So maybe John Vandleleur, if he is looking down on his life’s work from his vantage point above, may take some solace in the fact that among the crumbling ruins of his dream apple trees, his farmers planted 185 years ago, are still bearing fruit.

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Doughmore Beach, Co Clare. Walls, Donald Trump, drowned forests and a Man o’ War.

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It was Saturday and I was going to stay home and practice fiddle but  when I looked out the window I saw blue sky. And you have to take advantage of every such day with the Winter SADS not far away.  With Donald Trump on my mind after reading some anlysis of the debate (why do I do this to myself?) I thought I would go and have another look at where he wants to build his new Irish wall.

Doughmore is the location of Donald Trumps Doonbeg Golf resort, It is about ten minutes drive south of my little cottage near Quilty. So you see it’s pretty much my backyard.  You follow the signs with the blue squiggly line because the Wild Atlantic Way actually diverts to the beach.

Trump bought the impressive resort and golf course at a knockdown price of $12 million when the then owners were in difficulty.  An astute purchase?  Of course.

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Doonbeg Resort.  Golf course tucked behind the dunes

 

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Doonbeg resort complex

 

For those who are not aware, he now wants to tip 200,000 tonnes of rock along nearly 3 km of the beach (that’s a public beach mind you) to build a massive wall up to 4.5m high to stop erosion of the dunes to protect his golf links.   A little bit of science.  Erosion of dunes during a storm surge is a natural event. The event that scared Mr Trump happened in February 2014 and the dunes were cut back around 10m. This was a once in a lifetime happening that caused millions of euros of damage all along the Clare, Kerry and Cork coasts. But hey, erosion of dunes is essential for the replenishment of the sand to the beach. It is temporary as the sand returns to the dunes through wind. That’s how the dunes got there in the first place.  The Dutch understand this and monitor the normal movement of dunes as a natural barrier to inundation of the lowlands. A rock wall will destroy this continuum. Trump proposes to spend millions to save a couple of greens. Well stiff I say. Spend the euros on new greens and fairways. Leave the beach alone.

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Doughmore Beach.  Eroded sand dunes.  Note rapid partial regeneration.

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Doughmore Beach.  200,000 tonnes of rock planned to be tipped against these dunes.

 

So my visit this day is to see what’s at stake. And see it before it disappeared under a pile of rock.

Oh, and did I say that these dunes are classified as a Special Area of Conservation by the EU.

I was struck immediately by the relatively unspoilt nature of the beach. At the southern end where the resort complex is located is a rock platform, unusual because the shales are steeply dipping unlike most of the Clare coast where the strata is flat lying.  From here a beautiful sandy beach stretches around the bay for about 3 km. In the bright sunshine it is stunning.  The resort stands proud of course but the golf links is tucked away out of sight.  The impression is of pristine wilderness.   I found plenty of reasons to leave the beach as it is.

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Doughmore Beach.  Wide sandy beach at low tide.

 

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Doughmore Beach.  View towards the north.

 

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Doughmore Beach.  Another view.

 

It is very wide and predominantly sandy with only a narrow zone of boulders at the base of the dunes as distinct from many beaches in the part of the world which are boulder rich. This day there were many using the beach but paradoxically it seemed empty.  Most were just Irish families not people from the resort. I  spoke to quite a few. There was a family walking their Labrador, which, by the way, was having the time of his life. Another family, home from Australia, building a sand castle, people walking, jogging and just sitting and staring towards the Cliffs of Moher, visible as clear as a bell in the distance.

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Doughmore Beach.  Enjoy.

 

There was plenty of bird life. I saw a pair of Oyster Catchers going about their business along the shoreline, there was a Grey Heron and a flock of Mute Swans, really a surprise to see them on the ocean. Could have watched them for hours. A bit of Tchaikovsky would have been perfect.  Perfect synchronicity from one pair as they performed a pas de duex for me.

 

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Doughmore Beach.  A pair of Oyster Catchers.  Looking towards Liscannor and the Cliffs of Moher.

 

 

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Doughmore Beach.  A Grey Heron with the Cliffs in the distance.

 

 

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Doughmore Beach.  Part of a flock of Mute Swans.

 

Some kind folk pointed out to me a Portuguese Man o’ War washed up on the beach. Alive mind you.  A very rare occurrence as they are usually found in warm water in open ocean. A few have been spotted recently along the west coast of Ireland. So there is a bit of an alert out for them. They are related to the famous Australian blue bottle which though not as deadly as the Man o War, stings upwards of 10,000 people on Australian beaches every year. They are a beautiful and fascinating creature. Not actually a jellyfish, they are a colony made up of a number of different specialised individual animals (called zooids or polyps). They are attached to each other and to a bladder which is inflatable. The bladder, which is filled with gas, has intricate patterns etched in pink and the polyps and tentacle are shades of purple and cobalt blue. They have extremely long and venomous tentacles which is for gathering food and defending itself. They are at the mercy of the ocean currents and travel in schools of over 1,000. So keep a lookout. And don’t touch.

I noticed a small patch of peat exposed on the beach. This part of the beach is littered with old timber and tree stumps and roots. Part of an ancient drowned forest such as was revealed near Spiddal after the February 2014 storms. I’ve seen this before also at Caherush, though that one is now covered over again. Here there is very little of the peat exposed and it is is very narrow (less than a foot thick) and is clearly eroding fast.  It sits on a bed of quite soft mudstone which was the original forest soil layer. The stumps with roots attached many in situ and upright with the roots extending into the substrata. Chances are this represents an old forest from around 4-5,000 years ago, most likely inhabited. Most of the stumps appear to have met with a natural end, but I did notice one which had a definite saw cut – evidence of timber harvesting? This is amazing; they had saws back then? I can think of no other explanation.  This is a remarkable and unheralded window into the past.  Unfortunately it won’t be around long I’m guessing.  Not Trump’s fault this one, just the forces of nature.

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Doughmore Beach.  Part of submerged forest and remains of peat layer.  Grey rock underneath the peat is original soil layer of the forest.

 

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Large stump, showing roots.

 

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Doughmore Beach.  Ancient tree stump and roots.  Peat all washed away.

 

I have to go back to that accursed wall. This is not his first attempt. Trump began to dump boulders along the beach soon after purchasing it, without any permits, before Clare County Council intervened and forced him to stop the work. Then he came up with a relatively benign solution which had the support of environmental groups. No this was too namby-pamby. He changed his mind, sacked the very experienced consultant and hired another who would support his now much more drastic proposal. It is currently before Council. Trump firstly applied to bypass the council and declare it a project of national importance (the nerve!). This failed and Clare Council to its credit has initially rejected the application and is seeking more information on 51 questions. This will take many months. Trump’s bullying tactics have so far not helped. We will watch with interest.

I urge everyone who reads this to go visit Doughmore and see for themselves. If you live overseas and intend to visit Ireland, it is a short drive from the Cliffs of Moher and is on the way to the Kilkee cliffs and Loop Head anyway (which should be on your list of must-see places). Hopefully it will all still be there when you come.

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Intricate flow patterns of sea grass on an exposed rock platform

 

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The Sheela na Gigs of County Clare: An embarassment or a treasure?

I was shown my first Sheela-na-Gig way back when I first arrived in Ireland. I probably wouldn’t have noticed it if it wasn’t pointed out to me.  High above the entrance door on the ruins of the Kilnaboy Church in North Clare. It was difficult to make out and my guide was perhaps too embarrassed to explain it in detail. However this first exposure aroused  my interest (ha, no pun intended).

Indeed my introduction to the Sheela was perhaps symbolic of the historical ambivalence and difficulty their existence has caused in Irish culture. Embarrassment at talking about them and trying to explain them and tolerance and acceptance of them in very public locations and seemingly incongruous places such as churches and castles.

So what are they?  As in most of these things much is conjecture with theories of their origin falling into two camps.  Firstly it is thought they came from Europe in the 11th or 12th Centuries and were introduced into areas of Ireland conquered by the Normans.  In this case their location on churches and the grotesque features of the figures, even by medieval standards, suggests that they represented female lust as hideous and sinfully corrupting.

An alternative theory is that they may be of pagan origin and represent  Goddess-like figures that are in some way symbolic of fertility and fecundity. They seem to appear in 11th-12th century churches but are reused in structures built much later.  They may even date back further at least to the time of the Irish conversion to Christianity.

The name seems to be Irish (‘Sila’ means girl but can mean Hag or witch) and one translation is ‘Woman of the Breasts’. The name however is modern, probably dating from 1840.  No one is sure what they may have been called contemporaneously.    There is an interesting Australian connection here.  The slang term ‘Sheila’ is a generic term for a woman or girl.  “She was a bonzer Shiela!”.  It is thought to have come over with Irish convicts.

The Sheelas are usually very explicit female exhibitionist figures with legs wide apart and the vulva displayed, sometimes spread by the fingers.  There are similar goddess-like figures in other cultures but here they are unique and identifiably of Celtic/Irish origin.

Why they are placed above doors in churches or castles is not definitively known and it is possible that in medieval times their original significance was lost and they were used simply as a warning against evil and sin.

It is a miracle that some actually remain in situ. Most have been removed to a less public place, or hidden in a back garden, or disposed of or made their way to private collections or a museum. Many are missing.

Clare has nine known Sheelas.  Three are in situ as near as one can tell. One is in the Museum at Ennis, one was relocated into a bridge in 1796, one has been moved to another location in a castle, one has been moved to the back garden of a bank and two are missing.

So that is seven.  I decided to visit all seven.  This little adventure on its own told me a lot about Ireland and the Irish.  So here is the result of my endeavours.

I have already mentioned Kilnaboy.  Kilnaboy is one of the better known and most accessible in situ Sheelas in Ireland.  The parish lies in the heart of the Burren and is close to many well known megalithic monuments including Ireland’s best known portal tomb at Poulnabrone.  The church is highly significant and is said to date back to the 11th-century but was repaired in 1715. It has a number of interesting features including a large Cross of Lorraine in raised stonework on one gable and the ruins of a round tower in the grounds.  The Sheela is located over the arched entrance to the Church.  It is a little worn but complete and in remarkably good condition considering it may have been exposed to the elements for 900 years!  There is no fanfare, no sign and if you  didn’t know about it you could easily miss it.

 

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Kilnaboy Church. Sheela na gig located over arched entrance

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Kilnaboy. Sheela na gig. Detail.

Rath lies between  Ennis and Corofin and is near Dysert O’Dea castle.  Here lie the ruins of a monastic site that dates back to the 6th Century. The current church buildings date from the 15th century but incorporate stonework from the 9th or 10th century. The Sheela na gig is located in a large fragment, originally used as a window sill, and possibly dating from the 12th century. The stone is inserted upside down in a wall of the church and shows a female figure outside the main intricately carved dsign. It is considerably worn but recognisable.

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Church ruins at Rath

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Carved stonework block in wall of church at Rath.  Block is upside down.  Sheela na gig is on the right side.

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Detail of carved stonework.  Rotated back to upright.  Sheela na gig is on left

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Drawing of carved stonework

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Sheela na gig at Rath.  Detail.

At Clenagh, close to the bank of the River Fergus near Newmarket-on-Fergus is the ruins of the Clenagh Castle. This is a large reasonably well preserved Tower House which was the home of the McMahon family. Date of construction is not clear but it was last occupied 200 years ago. The tower is now surrounded by farm buildings and locked gates and the yard is incongruously used for storage of bales of silage and farm machinery. Luckily on this wet and windy day the gate was unlocked and I could sneak in.

The Sheela wasn’t located where I thought it would be – near the well preserved entrance. It took quite a bit of searching.  I found it close to the ground carved into a quoin at the corner of the structure. There is no way of knowing the date but the style appears unique with spindly legs.  It is reasonably well preserved with a very clear outline but details are worn. There is evidence of rubbing. To me it looks like this is carved in situ into the stone which would make it much younger than the others. But hey I’m no expert.. Again no signage, and definitely no invitation to view.

 

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The castle at Clenagh.  The grounds are used to store silage and farm machinery and it is not open to the public.

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Clenagh Castle.  Sheela na Gig is located on corner of building near a more recent brick wall.

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Clenagh Castle.  Sheela na Gig.  Detail.

 

Ballyportry is a Tower House from the 15th Century. It is near Corofin. Formerly the seat of the O’Briens. I visited it but as it is privately owned could not gain access. Of course I could have stayed there for 2-3,000 Euros for three nights. But no point really as the Sheela na gig from here is on public display in the Clare Museum. It was found in the castle grounds and removed in 1942. I checked it out. It is very well preserved and has many unusual features. An over large head, teeth being bared, big rounded ears and holding open what appears to be her anus.

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Ballyportry Castle.  Privately owned.

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Sheela na Gig from Ballyportry Castle.  Now on display in Clare Museum.

Killaloe sits right on the eastern edge of Clare and is separated from Ballina in Tipperary by the Shannon River.  It is the ancestral birthplace of Brian Boru.  And there is also St Flannan’s Cathedral. Across the road from the Cathedral is the AIB Bank. So what you ask. Well in the back garden of the bank is a Holy Well and next to this, leaning against a stone wall, is part of a Sheela which purportedly came from the Church.

To get access I spoke to Rebecca at the Customer Information desk and after much rooting around she found the key and I was given admittance. No special treatment, just another service offered by the bank. Seriously, I was amused that an historic treasure would be located in the grounds of a bank and that, amazingly, tourists find their way there and are given access. Ireland!

This figure is headless and considerably worn. but large and, depending how you catch the light, quite detailed.

 

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The AIB bank in Killaloe viewed from the grounds of the church.

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Holy well in the back garden of the AIB Bank, Killaloe.  Sheela na Gig fragment is on the right of the entrance.

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Killaloe Sheela na Gig. Detail.  Head is missing.

 

Bunratty is a very well known Castle and Folk Park and a major tourist attraction in Clare not far from Limerick. High up in a wall in the Great Hall of the Castle is a Sheela. It is in good condition but its location is such that it is hard to view. I am guessing it was moved from somewhere, perhaps an earlier castle structure and relocated during the construction of the current Castle to a place where it was not so conspicuous.

Interestingly the current castle is the fourth on this site and was built in 1425 by the MacNamara’s (again!)  but then greatly expanded by the O’Neills (again!) around 1500. The earliest castle is believed to date to 1251, though the site had been settled since 977. Exactly where the Sheela na Gig fits in is unknown. It is somewhat insensitively painted black and stands out starkly from the lime washed wall so the tourists can see it.  It seems to be in good condition.  This was the most unsatisfying Sheela I saw.  I hated that you had to put a telephoto lens on to see it.  And for feck’s sake – painted black!

 

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Bunratty Castle

 

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Bunratty Castle.  Sheela na Gig

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Bunratty Castle.  Sheela na Gig.  Detail.

Lastly, there is a doubtful Sheela inserted as a panel into a bridge at Clonlara.  The panel is inscribed ‘1769’ which relates to the date of construction of the bridge.  The Sheela comes from an unknown site and is quite defaced.  Only the head and arms are distinct.

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Bridge at Clonlara

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Clonlara.  Sheela na Gig on stone panel inserted into wall of bridge.

 

 

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Clonlara.  Sheela na Gig.  Detail.

A final thought.  I find it fascinating that the Church has placed these extremely confronting figures at their portals for centuries and yet preach a moral purity. It seems a trifle dissembling. But I suppose we should be grateful that this unusual window into medieval and pre-medieval thinking and practice in Ireland has been preserved at least in a fragmentary way.

 

Anyway Ireland is full of mysteries and Sheela-na-Gigs are another one. I suggest if you come to Ireland you make a point of chasing down your nearest Hag in the Wall.  There’s sure to be one near you.  There are 140 of them.  The search will be as much of an adventure as the discovery.

Categories: My Journey, Real Ireland | Tags: , , , , , , , , , , , , , | 6 Comments

Where the ocean kisses Ireland and the waves caress its shore : of seaweed and báirnachs.

Where the ocean kisses Ireland and the waves caress its shore
The feeling it came over me to stay forever more

These words are from a Saw Doctor’s song, The Green and Red of Mayo. OK, they are about Mayo but they could just as easily have been written about Clare. Or about my house which is right there on the rocks; where the ocean kisses Ireland.

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At the moment it is a hive of activity. Seaweed harvesting is in full swing and there are regulars who visit the shore to collect winkles or báirnach (limpets) or drop in a line hoping for a pollock or mackerel.

Gerard Talty runs the seaweed farm and his pasture is right at my front lawn. He has developed a thriving business exporting at least a dozen products made from seaweed collected at Caherush and nearby and processed right here on the Clogher Road. Talk about coals to Newcastle, Japan is one of his biggest customers.

One bright day recently I went out to chat to the guys. There were three generations of Talty’s working the weed. Ger, his father Mikey and son Evan. That in itself is pretty unique.  Currently they are harvesting the kelp. Laminaria.  Ger is a great advocate for seaweed and he extolled the many properties of this particular variety of kelp. It eats cellulite; you can bathe in it; it is rich in magnesium; it has a chemical make-up that is closest to human blood. It is chock full of chlorophyll. Or you can cook any number of delicious things with it. There’s carrageen and dillisk and sea lettuce and all the rest too but today it was about kelp. Something I didn’t know about kelp was that the fifth taste, umami, was recognised in kelp in 1908 though it was nearly a hundred years later before it was given credence as a distinct taste alongside bitter, sweet, salty and sour.  This came with the discovery of umami taste receptors in the tongue and the stomach.IG3C6789IG3C6853IG3C6754IG3C6771IG3C6836

Seaweed farming has a long history in West Ireland. A poem, probably dating from the twelfth century, describes monks harvesting dillisk from the rocks and distributing it to the poor as one of their daily duties. It was used as a food and a medicine, as chewing tobacco, ingested to eliminate worms, and was recommended as a remedy for ‘women’s longing’ whatever that was.  Seaweed manure was particularly important in areas with poor soil, and conflicts were fought over seaweed rights and access.

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Ireland’s tradition of kelp harvesting dates back to the seventeenth century. It was burnt in stone kilns, the ruins of which are still visible in places. The ash that remained was used for glazing pottery and for making glass and soap and then later to produce iodine. This latter discovery kept the tradition alive until World War II. Now the tradition is continued by people like the Taltys.

I spoke to Ger’s dad Mikey. A resident on the Clogher Road for 79 years. And still driving the 1969 Massey Ferguson to harvest the weed. He remembers when the tractor replaced the horse and cart. I’ve seen him doing any number of farm chores, including driving the excavator onto the beach to clear drains or transporting silage and of course helping with the seaweed harvest.

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We had just a few minutes before an errant shower interfered with the dialogue but there is nothing Mikey doesn’t know about this bay. He told me the best way to cook báirnach or where I can find evidence of them eating báirnach in the 11th century in the middens of a castle around the point.  And more surprisingly how Point Caherush was a major quarrying operation back in the 50s. This was intriguing and prompted me to investigate further. I will blog on this another time.

So with the tractor loaded and the threat of imminent rain, the operation concluded for the day. Ger told me that this kelp was the best for seaweed baths. Slippery; and hot water brings out the beneficial nutrients. “That’s what you get down at Trump’s” he said, referring to the Donald Trump owned resort at Doonbeg, ten km away.IG3C6867

I think I might go and take a bath.

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The Last Day of Summer?

Today is 31st August.  The last day of Summer. Well is it? The Irish Met says Summer is June, July and August, but the Irish Calendar says it is May, June and July. Anyway putting that aside, I decided to attempt to cure the PFB’s (post-Fleadh blues) with some natation at Spanish Point. After all three days ago the beach was crowded and it was 20 degrees and this summer I had already swum on Achill Island and at Lahinch.

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Spanish Point August 28th 2016

It couldn’t be that bad, could it?  So rain hail or shine I decided to do it.

Well I woke up this morning and it was neither rain hail nor shine. But it was cool and windy. Just normal West Clare wind. I headed down about 11 am. Pretty different.  Today the beach was nearly empty and the lifesaving flags were having a hard time standing up.

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Spanish Point Beach August 31st 2016

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But I could feel the love.  Well, subliminal messages written in worm excrement and weed.

I tested the water but was still wearing my newly acquired Fleadh zippie, so you can guess that my heart wasn’t really in it.  After a wade, a shiver and a nice walk I headed back. Defeated.  Selfie time.

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But feck it. I’ve made the effort. Why don’t I just do it. After all the water temperature is probably warmer than the air (well it actually wasn’t!).  So this was my little Everest and for the last time this year I braved the Wild Atlantic. No selfie of me actually in the water. So you’ll have to believe me. But with that one act the SADS disappeared and I was invigorated. Mind you I didn’t stay in that long. There is a limit to bravery or stupidity.

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I can’t believe this is my third summer in Ireland and my first in the water. After all I grew up on the northern beaches of Sydney.  I have an Aussie friend in Galway and she swims every day of the year. I don’t think I’ll go that far but hey, you never know.

Can’t wait for next summer.

Categories: My Journey, Real Ireland | Tags: , , , , , , | 1 Comment

Sometimes it’s not the destination.

I love the Summer in Ireland.  Not because of the weather, obviously although as I write this 28 degrees is predicted for Drumshanbo and the Irish Met Office has issued a Yellow Weather Alert for the heat!  No, it’s Festival road trip time. From early June to the end of August I am hardly at home.  There’s Dungarvan in Waterford, Doolin Folk Festival, the Spiddal TraidPhicnic, Willie Week of course, Tubercurry, Drumshanbo, Achill, Glencolmcille Fiddle Week, Feakle Festival and the Fleadh.  At least this year the Fleadh is close to home in Ennis.  It’s an exhausting time but there is time for rest in there at places such as Achill.  I have attended classes in the past at all of these places but for now I just go to the odd workshop or find a quiet place for some tunes until the mayhem of the evenings.

But of course as I have said before sometimes the most enjoyable parts of Festivals are the this things that happen around them.  Including the journeys.

A case in point.  As Tubbercurry wound down I was inundated with requests for lifts from visitors wanting to go on to Drumshanbo.  I could have filled the car twice.  This year I found myself in the company of three delightful ladies.  Miki from Japan and Stephy from Switzerland, regular travellers to Ireland for the dancing  and tunes, and first timer Julia also from Switzerland.

I love their stories.  The passion for the music, their discovery of the Irish tradition in far away places and their pursuit of it in both their homelands and Ireland.  They become part of the Irish scene as they are welcomed back year after year to renew musical connections. 

So here I  was heading out of Tubercurry for what should have been a short one hour drive.  The price of travelling with me though is that you can expect a short one hour drive to be anything but. this time I had three willing partners.  We stopped at the old churchyard at Gurteen and at the impressive ruins of Boyle Abbey.  I managed to convince the attendant that the Japanese and Swiss girls were my daughters and he let us in on the Family ticket.  Of course he knew they weren’t.  The quiet ambience there was disturbed by the three girls performing a sean nos dance they had just learned to the strains of the Battle of Aughrim.  I dout if the Monks would have approved and we fully expected to be shut down but we were in fact welcomed by the Administration and patrons alike.    

This day was full of surprise as summer fleetingly arrived to provide blue skies as  a backdrop.  I’ve said it before and I never refuse an invitation and this time the day ended with us being joined by Satoshi from Japan at the end of a remote boreen near Carrick-on-Shannon at the house of one of Stephy’s dance friend’s for a magnificent three course banquet with, believe it or not, a choice of beef or fish for main followed by a house concert and session. 

And then normal transmission was resumed with tunes in one of the local pubs in Drumshanbo until 3 am.

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My First Gig with a Ceili Band

I’ve done a lot of things in Ireland that I had never done before. I’ve blogged about most of them. Participating in the Guinness World Record attempt for the biggest session, been a Wren Boy, slept in a 16th century castle; but there’s one thing I hadn’t done. Until last night.

Friday 24th June 2016 and I was on stage with the brand new Lissycasey Ceili Band under a marquee at Lissycasey, a village to the south of Ennis in Co Clare. The occasion was the first Lissycasey Music Festival, a community organised event which will showcase traditional, country and a range of other music. For the occasion they had erected a giant marquee. Not just an ordinary marquee mind you but a glass walled one complete with chandeliers. And a dance floor. And an optimistic amount of seating which by the end of the night was fully rewarded with bums on seats.

Talking to some Lissycasey locals I was told that regular marquee dances were the social events of the 1940s and 50s, with dance bands and show bands entertaining all ages. Indeed many people met and courted under the marquees. This event harked back to those days, with the majority of the patrons well old enough to have been at those dances and probably were. I imagine it recaptured many nostalgic moments. Maybe many of them met their partners there.

The event had added poignancy as it celebrated and honoured a much loved daughter of Lissycasey, concertina player, Dympna O’Sullivan, who so sadly passed away last year.

I have always had mixed feelings about ceili bands. There is some disdain towards them in some quarters but I have to say my first experience playing in one was an absolute blast. From the moment that wood block sounded its click, click-click  heralding in, in perfect unison, fiddles, concertinas, accordions, flutes, and keyboard belting out familiar tunes in perfect unison (well most of the time) at a brisk pace and with that characteristic ceili rhythm, I was flying. There was a Caledonian Set and the Siege of Ennis and some waltzing and there were smiles all around the room.

It was much faster than I usually played. Not a problem. I was carried along with the other musicians and even got most of the changes right. And boy don’t you love those tune changes. And that feeling when the music ends in perfect agreement with the dancers. I’m hooked.

After us there was a band featuring Don Stiffe and the dancing continued with plenty of enthusiasm.

Thanks to Joan Hanrahan for the invitation to play and to the many wonderful Lissycasey musicians who welcomed me, a refugee Aussie, aboard. And to the organisers who did such a fantastic job. It is amazing what people can do on their own with just the support of local sporting and cultural bodies, looking for no kudos other than to provide something to their community.

This is the real culture of County Clare.

Thanks to Martin O’Malley for the photos of the Band (photos 6 – 10).

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Categories: My Journey, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , | 2 Comments

It’s a long, long way from Alburquerque to Clare

I hope you don’t mind me telling this little story.

I was busy doing what I do, juggling the camera and the fiddle, at a café session on Tuesday, 24th May at the Fleadh Nua. Session leaders were Cyril O’Donoghue and Blackie O’Connell. These Café sessions are a tradition now and for me one of the highlights of this festival. During a break I was approached and asked “You’re not that blogger are you?” After establishing which blogger she meant, Jeanne went on to say I was the reason she was here in Ennis at the Fleadh Nua.  She was here with three of her four nieces, all musicians, and other assorted family all the way from Albuquerque, New Mexico. A mini-bus full of them.  She filled me in on the story. They had been searching for information on Festivals in Ireland and google directed her to my blog on Fleadh Nua from 2015. What they read and saw there was enough to convince them to come to Fleadh Nua and Ennis.

They managed only one day there in a hectic short trip but, for sure, they made the most of that day. Joining in enthusiastically with Cyril and Blackie and doing a duet there with fiddle and bodhran and later singing a wonderful version of Orphan Girl at Frank Custy’s afternoon session. Following that with a mesmerising version of The Sally Gardens. Their fresh, energetic sound and gospel-like harmonies was warmly received.

I was grateful to meet Jeanne, Natasha, Evelyn and Gabrielle and the other travellers and more than humbled that my blog touches people such as them all around the Irish Music world.

That’s why I blog. Thanks guys.

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Categories: Festivals, My Journey, Sessions, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , | 2 Comments

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