Trad Irish Music

Ireland in Four Days (and Five Years). Day 3. On to Wicklow.

It’s Day 3 of my final roadtrip, in southeast Ireland.  Check out my earlier blogs as to how I got to Boris Carlow;  that just rolls off the tongue so beautifully I just have to keep repeating it. Boris Carlow.  By rights I should go home.  The forecast is not good, but I want to visit a nearby dolmen and the castle at Carlow and I’ve decided after that to head on to Avoca in Wicklow to see the old copper mines.  The sun was trying to break through so I hit the road at 9am.

It was only 30km to the Brownshill Dolmen, which lies only 4km east of Carlow town  There are over 1,000 dolmens in Ireland but this one is right up there with the best.  It is located in the middle of a large field (by Irish standards) and you know you are dealing with something unusual when  you can see it 400m away poking up over a 2m high crop  of ‘field beans’ (a fodder crop I had never seen before).

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Brownshill Dolmen, visible over a crop of field beans.

What makes this one unusual is the size of the granite capstone; it is approximately 5 x 6 x 2 m.  Estimates of its weight vary, so let’s sort this out once and for all.  Volume, based on the above estimate, is 60 cubic metres.  Using a specific gravity of 2.7 (average for granite) and the formula

Tonnage = Volume x SG

we get a tonnage of 162 tonnes.  So that’s my guess, which happens to be greater than the estimates I have read, which range between 100 and 150 tonnes.

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Front view of Brownshill Dolmen, showing its massive size compared with the two portal stones and the gatestone.

That is monstrous and certainly the largest in Ireland.  It is a portal tomb dating from 3,000BC.  The front sits on two vertical standing stones (portal stones) and between them is a gatestone. It slopes back to almost ground level where the rear of the capstone is supdported by a prostrate backstone.

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Rear view of Brownshill Dolmen showing prostrate backstone.

Of course, the most asked question is “how did they get it up there?”.  Well here is my theory.  Most people assume that it was brought here from somewhere else.  Well it was, but by ice.  I think it is a glacial erratic and was dumped here after the glaciers melted about 12,000 years ago.  Somehow, and I have no idea how, the front of the stone was lifted and supported with earth and stones until it reached the height of the portal stones (probably also glacial erratics) which were placed under the capstone to support it. The same would then hav been done with the backstone What we can be sure of is that it was built with sheer druidpower.

Now, time to  Follow Me Up to Carlow. I had to get that in. For those not familiar with the phrase it is the refrain from a 19th century song that describes The Battle of Glenmalure in Wicklow, fought on 25 August 1580, when a Catholic force demolished the British during the Desmond Rebellions. Just love the lyrics including this line….

Rooster of a fighting stock 

Would you let a Saxon cock

Crow out upon an Irish rock 

Fly up and teach him manners.

Carlow lies on the Barrow River, the same river that flows through New Ross and that is guarded by the Hook Head Lighthouse. (Check out my blog on Day 1).  My goal here was Carlow Castle, another of those built by the Norman strongman, William Marshall. It was built around 1210, to guard the vital river crossing.

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View of Carlow Castle from the west.

The original structure was pretty unique for Irish castles.  It was rectangular and had towers on each corner and appears to have been modelled on a Norman castle in France.  It survived pretty much intact until 1814 when a Dr Middleton accidentally blew it up in trying to convert it to a lunatic asylum (was a lunatic in charge of the asylum?).  All but the western wall and its two corner towers was destroyed. You do get a bit of a sense of the grandeur of the original building, though from what is left today.

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Two of the four corner towers of Carlow Castle that have survived

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View of the castle from the south showing the extensive damage caused to the building in 1814

I took a little walk along the river.   Graiguecullen Bridge crosses the Barrow, and dates to 1569 though it was significantly altered and widened since then.

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Graiguecullen Bridge dating from 1569 crosses the Barrow.  In the distance is the lime kiln tower of the old sugar factory.

In 1703 the decision was made to make the Barrow navigable.  This involved developing the non tidal stretch of the river from St. Mullins to Athy, (Co. Kildare), a stretch of 68 kilometres and requiring 23 locks. The locks are all functioning today and many have the original stonework.  I visited the lock at Craiguecullen and found an original milestone with the distances to Athy (12 Miles) and St Mullins. After Athy, it links up with the Barrow Line of the Grand Canal for another 45 kilometres, with 9 locks, to the mainline of the Grand Canal. That meant you could travel from New Ross in Waterford to Dublin by boat.  The Barrow ceased to operate commercially in 1959 and is now used for recreation only.

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Lock on Barrow River at Graiguecullen.

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Original (?) milestone with distance to Athy.

Looking north from the river the skyline of Carlow is dominated by an unusual looking tall steel tower which looks like nothing I have seen.  So I decided to find out what it was.  It was easy enough to locate, but it  but it sits on a wasteland with a high fence around it so I was none the wiser about what it actually was.

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Carlow limekiln tower

Turns out it is a limekiln and was part of the infrastructure of a sugar factory.  Yes, really, sugar. Ireland once had a vibrant sugar industry base on sugar beet, and Carlow was the centre of it.  A factory was set up here in 1926 and other factories followed in the 1930s in Mallow, Thurles and Tuam.  By 1936 there were 28,000 farmers growing sugar beet across 22 counties.  At its peak during the early 1980s Ireland produced 220,000 tonnes of sugar a year.   When EU subsidies were withdrawn in 2005 the Carlow plant closed and the only other remaining factory in Mallow also closed the following year, bringing an end to an industry that still supported 4, 000 growers.

The tower is twelve levels tall. Access was by steps around the outside with walkways at each irregularly spaced level.  I have no idea how it works.  Anyone out there know?  All trace of the factory other than the tower is gone.  In 2016 it too nearly disappeared when it was taken off the protected list.  It was saved at the last minute; but the battle between those who consider it part of the area’s heritage and those who consider it an eyesore continues.  A real shame if it is demolished. It would make a totally unique and challenging lookout tower.

Back on the road now to my next destination, a 60km drive to Avoca in Co Wicklow.  A quick stop first, about 20 km from Carlow, for another dolmen.  Haroldstown Dolmen is a beautiful example of a portal tomb and sits in the middle of a field, visible from the road adn easily accessible for a closer look.

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Haroldstown Portal Tomb

 

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Haroldstown Portal Tomb.  Side elevation.

My reason for going to Avoca was to check out its mining heritage.  As I have learnt more over the last five years I have been really surprised how rich Ireland is in historic mining sites and I have visited and blogged on a number of these including Arigna in Leitrim, Allihies and Mizen in Cork, the Copper Coast of Waterford, Silvermines in Tipperary and Muckross in Killarney. Really more should be made of in terms of its heritage value.

But as usual I got distracted.  Most tourists visit Avoca to see the Meeting of the Waters, the fabled location where the Irish bard, Thomas Moore, wrote perhaps his most famous song.  So that was my first stop.  The name comes from the site being the confluence of the Avonmore and Avonbeg Rivers to form the Avoca River

There is not in this wide world a valley so sweet
As the vale in whose bosom the bright waters meet,
Oh! the last rays of feeling and life must depart
Ere the bloom of that valley shall fade from my heart.

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The Meeting of the Waters. The Avonmore and Avonbeg Rivers meet to from the Avoca River, heading off into the distance.

It is a pretty spot there is no doubt. A small park marks the spot, with plenty of reminders of Thomas Moore’s historic presence.  There are monuments and the remains of a tree under which he is said to have written his words.   

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Bridge over the Avonbeg River at the Meetng of the Waters

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Monument to Thomas Moore and remains of a tree that he is said to have sat under to pen his words.

But for me the most moving ‘monument’ was another tree, this one alive, leaning out over the water.  Evoking the female form, it seemed to capture the spirit of the place.   I call the photo Undressed Timber.  Nature imitating Life imitating Art.  

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A tree at the Meeting of the Waters.  Undressed Timber.

I headed down the Avoca River valley to look for other treasures, lead, silver and copper, perhaps far from Thomas Moore’s mind.  Just a few hundred metres on and I could see a beautifully preserved Cornish Engine House, on the ridge above the valley.  I pulled up next to the Farriers Hotel, another indicator of times gone by.

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Farrier’s Inn near Avoca

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Cornish Engine House viewed from the Avon River

The Engine houses are a telltale sign that there was an underground mine nearby.  These marvellous buildings are a feature of mining areas throughout Ireland where they housed the steam driven engines that drove the beam pumps used to dewater the mines and to crush the ore.  I find the stone and brick buildings as architecturally impressive as the ecclesiastical ruins that get far more attention in the conventional built landscape.

 

I tried to get closer to the building but I was defeated by a high cyclone fence and the rugged terrain.  The only other remnant of mining at the site are two bins which stored ore before loading into trucks to take to the processing plant.

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Restored ore bins used to stockpile ore brought up from underground

Mining is believed to have started for copper here, in the Bronze Age (commencing 2,500 BC).  It is believed that it was still a mining centre in 50AD when the location appeared on a Greek map by Ptolomy.  From the 12th to 17th century iron was produced.  From 1750 it was mined for lead and modern copper mining started in 1812.

Continuing my search  I could see plenty of mine dumps and another Engine House from the top of the next ridge, but again I was thwarted in trying to get closer. I am sure there is a road up there but I’ll have to come back when I have more time.

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Distant mine workings. Another engine house appears among the mine dumps

Before leaving the mining area I went to visit the nearby Mottee Stone.  it is a giant granite boulder sitting on the top of a hill with 360 degree view over  the five counties surrounding Wicklow.

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Mottee Rock and the view over Wicklow

The huge rock is another glacial erratic (like the capstone at Brownshill) deposited by a melting glacier. We don’t know how far the stone was carried but the underlying geology here is slate.  The nearest similar granite is 13 km away at Glenmalure.  Iron rungs have been set into the stone to act as a ladder, which allows you to climb the 2.4 metres to the top.   The story goes that the local landowner wanted to impress his intended wife with the size of his estate, so he got some miners from Avoca to put them there so she could get a better view of the size of his holding.

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Cronnebane Mine viewed from Mottee Rock

The most obvious feature in the view though is the large open cut and spoils heaps of the Cronnebane Mine. This is a later phase of mining completed between 1970 and 1982 when 8 million tonees of 0.6%Cu ore was extracted.

Heading towards Avoca village I passed the Old Castlemacadam Church overlooking the Avoca Vale near the village.  It looked different so I stopped.  Built in 1819 for the Church of Ireland it was abandoned after only a short life in 1870.  It is a solid structure with a belfry tower in good condition though unroofed and is surrounded by a graveyard full of interest.

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Old Castlemacadam Church

I found the external walls of the church interesting too.  They hold evidence of changing aesthetics and a number of different finishes.  The bare stone initially was covered with a render. Sometime later it was covered with a layer of slate shingles cemented onto the render.  Then another layer of render was placed over the top of the slates, leaving them in place.  This was scored with diagonal lines and there appeared to be another thin layer of render over the top of this.  It reminded me of a house I once bought in Leichhardt in Sydney.  I decided to renovate and lifted the carpet in the living room.  Underneath were two more layers of carpet and then a layer of lino over the now rotten floorboards.

As I said the church itself was built in 1819 but the graveyard has many 18th century headstones, the oldest is 1711.  So presumably there was an older church on the site.  No idea whether it also was Church of Ireland.  There are a lot of table grave slabs, way more than I have seen at other graveyards I have visited.   I am wondering if this is more of a protestant thing.

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Table slab graves

One thing I have seen in many cemeteries is a lack of engraved headstones from the 1840s to the 1870s.  I put this down to the effects of the famines and the extreme poverty meant many could not afford an engraved headstone.  There were often mass graves with no identifation or graves with simple markers that are now just illegible stones.  Here though are a number of engraved headstones from that period that are a poignant reminder of the terrible hurt that was inflicted on many families.  We can tell so much from a simple gravestone.  A couple of examples

John Dowling buried his 7 year old son John in September 1841. He died three years later at the age of 41

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The headstone for John Dowling and his son.

Solomon Delaney was patriarch of the Delaney family. He died in 1824 at 63, and his wife Mary followed two years later aged 70.  They had 3 sons. John, Edward and William  Edward died early, in 1927 aged 27 years. Edward’s wife. Mary died soon after in 1829 aged 25. William died in 1843 (47) but was predeceased by his wife Ann as the famine took hold in 1840.    Their daughter Mary also died at this time. The gravestone simply says she “died young”.  John erected the headstone so he survived them all.

And perhaps most poignant of all is John Webster who lost his five children.  Mary (1843) aged 1, John (1846) aged 3, Thomas (1849) aged 6 months, Henrietta (1853) aged 1 day and Nanny (1857) aged 18 years Clearly the ravages of the famine affected catholic and protestant alike.

It was now nearly five o’clock and I was starving so I headed to the village of Avoca for a meal at the local pub.  Fitzgerald’s Pub.

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The pretty village of Avoca nestled on the the Avoca River.

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Fitzgerald’s Pub Avoca

It’s probably familiar to you if you were addicted to the late 90s BBC TV series Ballykissangel, as I was.   Avoca is Ballykissangel.   It was mostly set in this cute village.  Fitzgeralds’ Pub used to be the Fountain but it had a makeover for the show and they just kept it  Across the rooad is Hendley’s Store and the very familiar church up the road where Father Peter Clifford used to hear confession and the Priest’s House which is now a Gift Shop. The curved street will be very familiar to you if you were a fan of  the show.

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Hendley’s Store has hardly changed.

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The church and the Priest’s House

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The main street of Ballykissangel

I had dinner in the pub and just so I felt really at home, episodes of Ballykissangel were on constant reruns on a big screen in the dining room.  I watched Episode 2 of Series 1 when Jenny, an ex flame of  Father Peter arrives in town and sets off the rumour mill while Peter is busy trying to save a caravan family from harassment from Quigley, the town entrepreneur, who keeps dumping manure at the site.  Remember it?  There’s no sound and as I demolish a near perfect beef stew, I follow the action reading the subtitles.

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Continual reruns of Ballykissangel in the restaurant at Fitzgeralds

Tempted to stay and watch Episode 3 but I resisted.  One last walk through the town and I was back in the car heading to Bray where I heard there was a session at the Hibernia.  Three days without music and I was starting to suffer withdrawal symptoms.

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The beach at Bray

While I waited I took a walk along the seafront.  A lovely promenade runs the full length of the bouldery beach and the road is lined with cafes, bars, hotels and swish looking tenement houses.  One building of particular interest was owned by Oscar Wilde, who inherited it from his father in 1876.  It was built by Sir William and Lady Jane around 1850, as a holiday home and was later to become the Strand Hotel.

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Strand Hotel.  Former home of Oscar Wilde

It was a  great night of tunes with musicians Gerry and Paddy and a bar full of interesting people.  After they found out I was Australian, I ended up singing Aussie songs all nght. It was over all too soon and at 1 am I was out on the street.

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Paddy and Gerry, my musical comrades for the night.  

Literally.  I had actually neglected to book any accommodation.  I think part of it was my resistance to paying 99 euro for a night at a B&B.  Prices in Ireland have got ridiculous.  Resigned to a night in the back of the car. I was reluctant to park up on the seafront at Bray so I decided to drive to Sally Gap, 20-odd kilometres away.  Then I would be up on the mountain to catch the sunrise.  So that became Plan A.

While I was playing music however, the sunny day had turned into misty rain and as I gained elevation into the Wicklow Hills, the misty rain turned into foggy misty rain. With the limited visibility I pulled into the first roadside parking bay where there were no other campervans or cars parked  and settled in for, I have to say, a rather uncomfortable night.

I’ll tell you how it all panned out in my final post.

Categories: My Journey, Real Ireland, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Ireland. A Feast of Festivals 2019

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Visiting an Irish Music Festival should be on the must-do list for any visitor to Ireland.  It is not easy however to find information on these, especially the smaller ones.  I am often asked by my friends in the blogosphere what is on and when during their proposed visit.  I’m happy to help where I can but I thought a list might be useful to anyone planning a trip.  On researching this I found a number of sites where festivals are listed but they are incomplete or not up to date.  I am sure I too have left some out and I don’t have dates for everything, partcularly beyond August 2019.  If you are aware of a festival that I’ve missed or have dates let me know and I’ll add it.

Do try and incorporate a festival on your next trip;  you’ll be made very welcome. If you do want to visit a festival please don’t rely on the dates here. Some are subject to change.  You should check with their website.

Festival Location Start Finish
Shannonside Winter Music Festival Six Mile Bridge, Clare 17 Jan 19 21 Jan 19
TradFest Temple Bar

Ballincollig Music Festival

Dublin

Ballincollig, Cork

23 Jan 19

23 Jan 19

27 Jan 19

27 Jan 19

IMBOLC International Music Festival Derry 15 Jan 19 10 Feb 19
Packie Duignan weekend Drumshanbo, Leitrim 25 Jan 19 27 Jan 19
Feile na Tana

Rosslare song gathering

Carlingford, Louth

Rosslare,

1 Feb 19

1 Feb 19

3 Feb 19

3 Feb 19

Concertina Cruinniú Miltown Malbay, Clare 15 Feb 19 17 Feb 19
Scoil Cheoil an Earraigh Ballyferriter, Kerry 20 Feb 19 24 Feb 19
Russell Memorial Weekend Doolin, Clare 21 Feb 19 24 Feb 19
The Gathering Traditional Festival Killarney, Kerry 27 Feb 19 3 Mar 19
Mount Leinster Traditional Music Festival Borris, Carlow February?
Tionól Niocláis Tóibín An Rinn, Waterford 8 Feb 19 10 Feb 19
Éigse an Spidéil Spiddal, Galway 10 Feb 19 14 Feb 19
Corofin Traditional Festival Corofin, Clare 27 Feb 19 3 Mar 19
Aran Celtic Music Festival Inis Mor, Galway 8 Mar 19 11 Mar 19
NYAH Traditional Music Festival Cavan 15 Mar 19 18 Mar 19
Kilkenny Tradfest Kilkenny 14 Mar 19 19 Mar 19
Ceardlann Earraigh Celbridge, Kildare ?? Mar 19 ?? Mar 19
Inishowen Singing Festival Donegal 22 Mar 19 25 Mar 19
Blossom Harp Festival

Tullamore Tradfest

Tuamgraney, Clare

Tullamore, Offaly

12 Apr 19

12 Apr 19

14 Apr 19

14 Apr 19

Feile Patrick Byrne Carrickmacross, Monaghan 12 Apr 19 14 Apr 19
Maurice O’Keefe Weekend Kiskeam, Cork ?? Mar 19
Carlow Pan Celtic Festival Carlow 16 Apr 18 22 Apr 18
Clifden Trad Fest Clifden, Galway 11 Apr 19 14 Apr 19
Cruinniú na bhFliúit Flute Meeting (registrations closed) Ballyvourney, Cork 24 Apr 19 27 Apr 19
Consairtin

Leitrim Dance Week

Ennis, Clare

Carrick on Shannon

25 Apr 19

22 Apr 19

28 Apr 19

28 Apr 19

Ballydehob Traditional Music Festival Ballydehob, Cork 12 Apr 19 14 Apr 19
Kilfenora Music Festival

Ulster song gathering

Kilfenora Clare

Omagh,

26 Apr 19

26 Apr 19

29 Apr 19

27 Apr 19

Feile Neidin, Kenmare Irish Music Festival

Ceol na nGlinnti

Kenmare, Kerry

Antrim

April?

April?

Fleadh nagCuach (Cuckoo Fleadh) Kinvara, Galway 3 May 19 6 May 19
Joe Heaney Festival Carna, Galway ? May ? May
Cup of Tae Festival Ardara, Donegal ? May ? May
Feile Chois Cuain Louisburgh, Mayo 3 May 19 6 May 19
Carrigaholt Oyster & Trad Festival Carrigaholt, Clare 3 May 19 5 May 19
Cos Cos Sean Nos Festival Drumcliffe, Sligo 6 May 19 12 May 19
Fiddle Fair

 

Fleadh na Deise. Waterford Traditional Music Festival

Baltimore, Cork

 

Kilmacthomas, Co Waterford

 

9 May 19

 

17 May 19

 

12 May 19

 

19 May 19

 

Feile Chnoc na Gaoithe, Tulla Trad Music Festival Tulla, Clare 17 May 19 19 May 19
Skerries Traditional Music Weekend Skerries, Dublin ? May 18 ? May 18
World Fiddle Day Scartaglin, Kerry 18 May 19
World Fiddle Day Glenties, Donegal 18 May 19
Fleadh Nua Ennis, Clare 19 May 19 27 May 19
Michael Dwyer Festival

 

John McKenna Music Festival

Allihies, Cork

 

Drumkeeran, Co Leitrim

7 Jun 19

 

7 Jun 19

9 Jun 19

 

9 Jun 19

Doolin Folk Festival

Ballydehob song gathering

Doolin, Clare

Ballydehob, Cork

14 Jun 19

14 Jun 19

16 Jun 19

16

Con Curtin Festival Brosna, Kerry ?? Jun 19 ?? Jun 19
Jim Dowling Uilleann Pipe and Trad Festival Glengarriff, Cork 21 Jun 19 23 Jun 19
Craiceann Summer School Innis Oir, Galway 24 Jun 19 28 Jun 19
Blas International Summer School Limerick 24 Jun 19 5 Jul 19
Cross Traditional Music Weekend Cross, Clare ?? Jun 19 ?? Jul 19
An Chúirt Chruitireachta (International Harp Festival) Termonfechin, Louth 30 Jun 19 5 Jul 19
Feile Brian Boru Killaloe/Ballina, Clare, Tipperary 3 Jul 19 7 Jul 19
Féile Traidphicnic Spiddal, Galway 5 Jul 19 7 Jul 19
Scoil Samraidh Willie Clancy Miltown Malbay, Clare 6 Jul 19 14 Jul 19
Ceol na Coille Summer School Letterkenny, Donegal 8 Jul 19 12 Jul 19
South Sligo Summer School Tubbercurry, Sligo 14 Jul 19 20 Jul 19
Fleadh Cheoil Na Mumhan (Munster Fleadh) Ennis, Clare 14 Jul 19 22 Jul 19
Ceili at the Crossroads Festival Clarecastle, Clare ?? Jul 19 ?? Jul 19
Joe Mooney Summer School Drumshanbo, Leitrim 20 Jul 19 27 Jul 19
Fiddler’s Green Festival Rostrevor, Down 21 Jul 19 28 Jul 19
Meitheal Summer School Ennis, Clare 22 Jul 19 27 Jul 19
Scoil Acla Summer School Achill Island, Mayo 27 Jul 19 3 Aug 19
Donegal Fiddle Summer School Glencolmcille, Donegal 29 Jul 19 2 Aug 19
Belfast Summer School of Traditional Music Belfast 27 Jul 19 3 Aug 19
Sliabh Luachra Summer School Rockchapel, Cork July?
Laois Trad Summer School Portlaoise, Laois July?
Phil Murphy Weekend Carrig-on-Bannow, Wexford July?
Kilrush Traditional Music and Set Dancing Festival Kilrush, Clare 31 Jul 19 5 Aug 19
Sean McCarthy Weekend Festival Finuge, Kerry 1 Aug 19 5 Aug 19
James Morrison Traditional Music Festival Sligo ?? Aug 19 ?? Aug 19
O’Carolan Harp Festival Keadu, Roscommon 2 Aug 19 7 Aug 19
Feakle International Traditional Music Festival Feakle Clare 7 Aug 19 12 Aug 19
Scully’s Trad Fest Newmarket, Cork ?? Aug 19 ?? Aug 19
Fleadh Cheoil na hEireann Drogheda, Louth 11 Aug 19 18 Aug 19
Feile Ceol Na Locha Tourmakeedy, Mayo ?? Aug 19 ?? Aug 19
Masters of Tradition Bantry, Cork 21 Aug 19 25 Aug 19
Crotty Galvin Traditional Music Weekend Moyasta, Clare ?? Aug 19 ?? Aug 19
Ballyshannon Folk and Traditional Music Festival Ballyshannon, Donegal 2 Aug 19 5 Aug 19
Seachtain Ceoil Chois Fharraige Spiddal, Galway August?
Fingal Fleadh and Fair, Swords Castle, Dublin ?? August
Gig’n the Bann Portglenone, Antrim ?? Sep
Johnny Doherty Music & Dance Festival Ardara, Donegal 20 Sep 19 22 Sep 19
Ceol Na gCruach The Glen Tavern, Donegal Sep?
Dingle Tradfest Dingle, Kerry Sep?
Tuam Trad Festival Tuam, Galway Sep?
Gerry Whelan Memorial Weekend Cootehill, Cavan Sep?
Feile Cheoil Larry Reynolds Ballinasloe, Galway Sep?
Frank Harte Festival Dublin Sep?
Music Under the Mountains Wicklow Sep?
Cork Folk Festival Cork, Cork Sep?
Garry McMahon traditional singing festival

O’Carolan Harp Festival

Abbeyfeale.  Limerick

Nobber, Meath

18 Oct

??Oct

20 Oct

 

Glenties Fiddlers Weekend Glenties, Donegal ?? Oct
Ed Reavy Traditional Music Festival Cavan ?? Oct
Foxford Traditional Weekend Foxford, Mayo ?? Oct
Sligo Live Folk Roots and Indie Festival Sligo ?? Oct
Cooley Collins Festival Gort, Galway ?? Oct
Willie Keane weekend Doonbeg, Clare ?? Oct
Feile Strokestown Strokestown, Roscommon ?? Oct
Féile Chruite Achill Harp Fest Achill Island, Mayo 25 Oct 19 28 Oct 19
Scoil Cheoil na Botha Scotstown, Monaghan ??Oct
Patrick O’ Keeffe Traditional Music Festival Castleisland, Kerry 25 Oct 19 28 Oct 19
Ennis Trad Fest Ennis, Clare 7 Nov 19 11 Nov 19
William Kennedy Piping Festival Armagh ?? Nov
Drogheda Traditional Music Weekend Drogheda, Louth ?? Nov
Éigse Dhiarmuid Uí Shúilleabháin Ballyvourney, Cork ?? Dec
Scoil Gheimhridh Ghaoth Dobhair Gweedore, Donegal ?? Dec
Trá Buí /Pearse Holmes memorial Traditional Music Weekend. Dohooma, Mayo ?? Dec

 

 

Categories: Festivals, Trad Irish Music | Tags: , , , , , , , , , , , | 2 Comments

CD Review: Not Before Time. Paráic Mac Donnchadha.

I normally don’t do CD reviews of Irish music. Firstly I am friends with many of the musicians involved so it is an area that is fraught and secondly the vast majority are brilliant expressions of the variety and many nuances and interpretations of Irish music today so reviewing them is pretty pointless.

I do make exceptions though. The recent release by Páraic Mac Donnchadha Not Before Time, is one of these. First I have to declare some conflicts of interest.  Páraic is a friend and has been very supportive and welcoming to me on my own musical journey and I am grateful to him for that, and secondly he has used one of my photographs on the CD. But having said that I love this album. I was lucky enough to be at the first launch concert at the Feakle Festival and got my copy there. More on that concert later.

Páraic’s playing of the banjo is a revelation the first time you hear it, and a wonderful advertisement for the much maligned instrument. The first thing that strikes you is his gentle tonality and the unadorned clarity of his music along with his steady pace where the musicality takes precedence.  There is always a wonderful rhythm and pulse that is hypnotically engaging.    Primarily a session player he surrounds himself with players with a similar musicality. A lover of small sessions where each musical layer can be clearly heard and contributes to the whole and where he explores unusual keys and instrumental pairings. I have had many memorable experiences listening to Páraic.  Who could forget a session with Cormac Begley in A-flat at Ballyferriter, Co Kerry, in 2015 I think, that lasted 11¾ hours? Or in Friels in Miltown Malbay, during Willie Week. There is a generosity in his playing that comes out when he is sharing with like-minded players.

If that feeling was what Páraic was trying to capture in this album then he has been wildly successful. Much of it is recorded in Pepper’s Bar at Feakle and I was lucky enough to be there for one of those recording sessions. For this album Páraic has involved many of his most recent sparring partners. And that’s when his playing shines. Whether it is the sublime fluidity of Claire Egan’s fiddle or viola or the insistent rhythmic pulse of Cormac’s bass concertina or the wonderful ensemble playing of Graham Gueren, Colm Murphy, Noel O’Grady and Libby McCroghan, Páraic’s banjo is there at the heart of it. Crisp, clean and simple. No distractions. It’s all about the tune. He also plays to great effect with his brother Mac Dara and sister Sinéad and in a tribute to his roots, honours his father Séan by revisiting one of his songs. But there are a few tracks where he is on his own, and this is where his mastery comes to the fore.  He plays with just the subtle and supportive bouzouki of talented young Waterford player and instrument maker, Macdara Ó Faoláin or the gentle guitar of Terence O’Reilly.

The tune selection is fantastic. Really, really good.  Many are familiar, some not, but they always come up fresh with Páraic’s playing approach or with his local versions or the unusual key selections.  Sometimes it ensnares you and you just don’t want the track to end.

The CD itself is brilliantly presented with a comprehensive and informative book integrated into the cover. Paraic’s musings on his musical journey and influences reveal a man who writes as well as he plays. And I found the thoughtful and well researched tune notes by Graham Guerin added considerably to my listening enjoyment.

The concert to launch the album was held in the marquee at the back of Pepper’s Pub during the Feakle Festival. Gracing the stage were (almost) all the musicians who played on the album.  With the wonderful bonus of a guest spot from Martin Hayes who spoke eloquently of Paraic’s music and its East Galway roots and the connection with East Clare.  Having all this amazing music served up to us in a venue packed with appreciative fellow musicians, had me salivating!

So on the drive from the concert to my home at Quilty, a drive of well over an hour, I listened to the album.  Such a generous slab of music reflects the man.  Eighteen tracks took me to my front door!. And I listened again the next morning . This time on a good sound system. Just beautiful.  And it hasn’t come off the player since.

How could I fail to love this music.  It has truly captured the spirit that Páraic engenders when he shares his music making with his fellow musicians.  Now he has shared it with us.  We can all sit in.

Not before Time. 

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Macdara Ó Faoláin, Paráic, Claire Egan and Terence O’Reilly

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Paráic Mac Donnchadha

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Macdara Ó Faoláin and Paráic,

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Macdara Ó Faoláin

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Terence O’Reilly

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Macdara Ó Faoláin, Paráic, Mac Dara Mac Donncha and Terence O’Reilly

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Paráic Mac Donnchadha, Mac Dara Mac Donncha

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Paráic and Claire Egan

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Claire Egan

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Claire Egan

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Martin Hayes launches the CD

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Paráic and Martin Hayes

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Martin Hayes

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Martin Hayes

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Martin Hayes

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Noel O’Grady, Paráic, Graham Guerin and Colm Murphy

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Colm Murphy

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Noel O’Grady

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Graham Guerin

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Martin Hayes and Cormac Begley

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Paráic and Cormac Begley

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Cormac Begley

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Cormac Begley

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Libby McCroghan

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Sinéad Nic Dhonncha

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An appreciative audience.

Categories: Festivals, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , | Leave a comment

Frank Custy. A Legend. “The best day of my trip”.

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Frank Custy is a legend in Clare music.

Never moving far from his birthplace at Dysart the man has nurtured and inspired hundreds to play and participate in Irish traditional music. A visionary who, as a schoolmaster at nearby Toonagh, integrated music into the teaching day and beyond.  Many came under his spell.  Sharon Shannon, Gary Shannon, Siobhan Peoples, Sean Conway, Yvonne Casey, Tola Custy and Mary Custy and hundreds who are not household names – all going on to make their own mark on Clare music. His work was recognised with the Mór glor award for his contributions in 2016.

But the thing is he is still doing it.

At Fleadh Nua held in Ennis in May Frank runs the Foinn Seisiún, held every afternoon during the Festival.

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Frank on the banjo and friends

This is a slow session aimed at developing musicians where they can get confidence in playing or singing in front of others in a supportive environment. It is always well attended. Anything could happen. Everyone gets a go to try out a new tune or a song.  No matter the age.  There are no barriers. You might even get an Australian singing the Clogher Road.

Or you could get a Connemara Set or a Seige of Ennis, with unsuspecting visitors being cajoled into it.

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The joy on the faces of Jo from Birmingham or Megan from Texas, new to Irish dancing,  as they are swept up onto the floor,  says it all.

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Jo from Birmingham in good hands

 

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Megan from Texas and Jo from Birmingham, learning the steps for the Siege of Ennis.

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All ages enjoy it.  

I met TJ,  travelling here with Megan from Texas.  They dropped into Ennis for a day.    As TJ said. “the best day of our trip”.

Who knows how many have gone on to play Irish music or learn to dance after having heard Frank and having the “best day of their trip”.

A big thank you to Frank Custy.

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Categories: Real Ireland, Sessions, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , | 1 Comment

Oysters and Trad Music. And sunshine. Sound like Ireland?

May Day weekend in Ireland is one of the busiest music weekends of the year. There is too much choice and if you live in the west you probably think of going to the Cuckoo Fleadh at Kinvara or the festival at Louisburgh. I am sure the Carrigaholt Oyster and Traditional Weekend does not come into your consideration. Well it should.

To be honest I didn’t even know it existed until I prepared the listing of Festivals, which you can find elsewhere on this blog (A Feast of Festivals) but I decided to eschew the larger festivals and the jam packed sessions and head south to this tiny village.

Carrigaholt is not a name that immediately springs to mind and, in fact, I suspect that many, even Clare, people only have a vague notion of where it is, tucked away in the very south west of the county.  Many visitors come to nearby Loop Head but most, indeed including myself, seem to miss Carrigaholt.

I was attracted by the mention of oysters among other things.  Just love fresh oysters.  Sunday arrived with a clear blue sky and a positively balmy 15 degrees so guess where I went.

Carrigaholt is located on the shores of the Shannon Estuary but is a struggling village, like many in the west of Ireland. Population of the village itself is down to 40 and I am told that of that there are only two children. There are four pubs, a small shop inside one of them, a restaurant with brilliant food and a gift shop. But not much else. Oh, and there is Carrigaholt Castle, one of the most elegant tower houses in Clare, which sits on the water’s edge, and a stunning coastal drive towards Kilbaha with some beautifully exposed geology as well.

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The imposing entrance gate to the Carrigaholt Castle

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Another view of Carrigaholt Castle ruin.  One of the most beautiful in Clare.

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West of Carrigaholt on the Coast Road.  Pink Thrift in the foreground and Loop Head in the distance.

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Gently folded strata.  Looking across to Loop Head

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Stunning scenery on the Coast Road from Carrigaholt

Yet for this weekend the streets were jammed and the pubs crowded. Little local festivals like this are the heartbeat of the traditional scene and mean so much to these isolated villages and I love them. I found myself as possibly the only person in town who had traveled there specifically and who didn’t have some connection to the village. Most were either locals, former residents or family visitors. But I was welcomed fulsomely; like joining a family party as the long lost cousin from Australia.

The weather helped of course. Everything was out on the street. An early so-called Junior Session was the first event of the day. ‘Junior’ is the wrong word. The session was led by members of the Maguire family from Wicklow and the music was anything but kid’s stuff. I was stopped in my tracks by Aiofe Maguire doing a concertina solo that showed a truly phenomenal mastery of the instrument. Playing with her were sister Emma on fiddle and Sean, still only 11, wowing all with his fiery bodhran playing. I had another chance to see them later in the day at the Long Dock.

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The ‘Junior Session’.  Some were more interested in other things

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Aoife and Sean Maguire on the street at  Carrigaholt

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The Maguires perform in front of the Long Dock

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The Maguires

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Robbie Walsh with Emma Maguire

The afternoon and evening was filled with sessions at all four pubs. Mainly local musicians from the district, including members of another talented family from west Clare, the Brownes, with some sensational sean nos dancing in the street from Colm Browne.

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In my element.  Thanks Pat Keating for the photo.

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Sean nos dancing on the street from Colm Browne

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Colm Browne with grandfather Tommy Browne.  A musical dynasty continues

I watched a bodhran workshop on the street led by the renowned Robbie Walsh and his Bodhran Buzz. I had to fight mightily the temptation to grab one and have a go but I resisted.

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Joining in the Bodhran Buzz

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Wherever you can find a seat

And later I joined Clare musicians Geraldine and Eamonn Cotter and their extended family for a marvelous couple of hours of tunes and songs.

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The Cotter family plus

Everyone was clearly enjoying themselves in their own way but for some ice cream was the order of the day.

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Totally absorbed.  A family day out.

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I scream and you scream.

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Let out of the Convent for the day or a very Irish Hen’s Party?  Your call.

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Paparazzi.  Can’t escape.

 The party continued at Keane’s Pub well into the night but after 9 hours of playing I made a quiet exit and left them to it.

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Oh and by the way I got my free plate of delicious local oysters!

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Fiddling with oysters

Categories: Festivals, My Journey, Real Ireland | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

Springboard Fiddle Retreat 2018. A Dive into the Unknown.

I had high expectations. An intensive four days of workshops from Caoimhin O Railleagh, Four nights of ‘luxury’ on the shores of Bantry Bay. Meals. All the ingredients were there. Food, fellowship and fiddle.

Would my expectations be met?

I am a bit of a workshop junkie and I am guessing that over the past four years I have had instruction from well over forty different fiddlers while living in Ireland. But Springboard Fiddle Retreat sounded different. Workshops in Ireland generally follow a set pattern, in place since the Willie Clancy Festival started nearly fifty years ago. Bring in a name fiddler, for up to a week. Three hours a day; usually a mixed class of fiddlers or wanna-be’s of all ages and stages. The teaching is based around learning new tunes but there is rarely time for individual instruction or to gain a deeper understanding of the instrument.

But Springboard did not follow this formula.  As I said it is residential and there were only a dozen of us.  It was a Thursday afternoon and fiddlers from all over Ireland, a couple from Scotland and from the  US and a couple of ex-pat Aussies joined others at Linden House on the shores of Bantry Bay in West Cork.  The location was hard to find but stunning.   I have separately blogged on this little corner of Ireland and the beauty of Glengariff and the surrounding forest, so you can see more HERE.

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The calm waters of Bantry Bay at Glengariff

But it wasn’t just the location. The house was purpose designed to accommodate up to 20 people. There were two wings and multiple stories and it made a beautiful architectural statement as it stepped its way down the contours of the land melding into the forest and surrounded by beautifully tended gardens and tall gaunt oaks.  There were a number of large living spaces with giant picture windows taking in the vista and plenty of nooks to meet and play fiddle in small groups or withdraw for some quiet time. Everything was provided for a wonderful livable escape.

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Linden House.  The venue for the retreat

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The view from the main living area

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A perfect place to think, read, and play.

Then there was the food. Oh dear. Expectations regarding this weren’t that high when I read it was vegetarian. Nothing against vegetarianism, but I will be honest, I do enjoy the  meat-and-three-veg world . But as it turned out absolutely nothing to worry about here. We were incredibly well looked after by chef Jenny and her assistant Anda. The food was truly a marvel. It was prepared with great thought and obvious love. A riot of colour and flavours with some ingredients I have never even heard of and others used in ways you wouldn’t have imagined.  All combined with skill and originality. The food was indeed part of what was a total experience We were constantly reminded of the parallels between our explorations with music and the eating experience. Each day one ingredient was chosen as a theme and dishes reflected different and sometimes surprising approaches to the use of this. Just as we would choose a theme for the day on our journey with the fiddle.

Speaking of the fiddle that’s what we were there for, so let me talk about that.

Caoimhin is an accomplished and widely respected traditional Irish fiddler. His collaborations are many and include musicians from wide backgrounds such as piper Mick O’Connor, West Kerry box player, Breandan Begley,  sean nos singer Iarla Ó Lionáird, Clare fiddler Martin Hayes and musician/physicist, Dan Trueman.  He plays with The Gloaming.  His music is rooted in the traditional world of piping and Sliabh Luachra but he has explored Norwegian and Icelandic music, the Hardanger fiddle and plays in various cross tunings.  He has always been seeking new ways of voicing the fiddle.  As a result he has developed a unique and recognisable playing style.

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Instructor Caoimhin O’Railleagh as a snow shower passes through

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A reflective moment

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The beautifully carved scroll of Caoimhin O’Railleagh’s Hardanger violin

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Caoimhin O’Railleagh’s violin.  Five strings are just not enough.

Very quickly I realised this fiddle workshop would be different. Caoimhin is a brilliant, relaxed and engaging teacher with an innovative approach. The time available and the ambience allowed plenty of space to explore concepts that were very new, to me at least. We spent little time actually playing. But always new concepts were put in the context of playing traditional music. We spent a day on cross tuning. For myself I stuck with GDGD but others went off in all directions. Indeed people were playing together with wildly different tunings producing surprising outcomes. There were no boundaries. We were encouraged to play tunes we knew opening up new possibilities and to then try our hand at composing melodies.

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Caoimhin O’Railleagh makes a point.

Another day we looked at tempo and the concept of expanding and contracting time. We were introduced to the Cyclotron, software by Daniel Trueman, that enables you to vary the space between notes within a tune and ultimately the rhythm and feel. We looked at discovering amazing sounds by exploring the real estate of the fiddle and the bow. We looked at difference tones – notes that only exist in the mind, and we looked at poly-rhythms.

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Sounds heavy but it wasn’t. There was were five hours each day of classes, but it went so quickly.  And it wasn’t all work.

Afternoons were filled with activities; organised or less-organised. There were ad hoc workshops including ‘dalcroze eurythmics’, yoga, role play games or you could brave the cold (it actually snowed one day) for a swim with the seals. Or you could just go off and practice.

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A quiet place to play 1

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A quiet place to play 2

 

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A class in ‘dalcroze eurythmics’?

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Or time for a dip?

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Jotting down some wise words.

The evenings sometimes went in surprising directions; activities including table rugby and games that totally messed with the brain in quite different ways.

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Ireland vs the Wallabies in Table Rugby.

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A highlight was the Dining in the Dark experience. On this occasion we were treated to a wonderful five course degustation menu prepared and presented by Jenny and Anda, who were the only two ‘sighted’ residents of the house for the night. There were plenty of surprises with our taste buds made keener by the darkness.  A butter tasting. Who would have thought? Kale served three ways. A colcannon to die for. A sweet dish which baffled me but turned out to be carrageen pudding and a cheese plate highlighting how good Irish cheese actually is. The meal was interrupted at one point by a spellbinding soundscape of wild fiddle from Coaimhin the sound coming from everywhere as he strolled around the house. Then there was what seemed like an eternity of silence. This was brought to an end by tentative noises made by just one or two at first but then by the full ensemble with whatever came to hand, ultimately turning into an untamed cacophonous symphony of sound and noise of Dada-ist proportions rising out of the darkness.

It is hard to quantify what one gets out of such an experience. I didn’t learn any tunes. There were no sessions in the traditional sense. But I didn’t come for that. What I did get were immeasurable experiences of sharing music and musical thoughts, new ways of looking at timing, rhythm and tone, An insight into new paradigms of playing music and lifetime friends.

A true springboard.  Definitely a dive into the unknown.

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The Springboard Fiddle Retreat was held on 15th to 19th March 2018.  Check their site http://www.westcorkmusic.ie/retreats/springboard for info on 2019.

 

Categories: My Journey, The Fiddle, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , | 2 Comments

Ireland. A Feast of Festivals

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Visiting an Irish Music Festival should be on the must-do list for any visitor to Ireland.  It is not easy however to find information on these, especially the smaller ones.  I am often asked by my friends in the blogosphere what is on and when during their proposed visit.  I’m happy to help where I can but I thought a list might be useful to anyone planning a trip.  On researching this I found a number of sites where festivals are listed but they are incomplete or not up to date.  I am sure I too have left some out and I’ve only included those from March through September 2018 but if you are aware of a festival that I’ve missed let me know and I’ll add it.

Do try and incorporate a festival on your next trip;  you’ll be made very welcome.

Festival Location Start Finish
Shannonside Winter Music Festival Six Mile Bridge, Clare January?
TradFest Temple Bar Dublin January?
IMBOLC International Music Festival Derry January?
Packie Duignan weekend Drumshanbo, Leitrim January?
Feile na Tana Carlingford, Louth February?
Scoil Cheoil an Earraigh Ballyferriter, Kerry February?
The Gathering Traditional Festival Killarney, Kerry February?
Concertina Cruinniú Miltown Malbay, Clare February?
Russell Memorial Weekend Doolin, Clare February?
Welsh Annual Singers Weekend Ballyvaughan, Clare February?
Mount Leinster Traditional Music Festival Borris, Carlow February?
Tionól Niocláis Tóibín An Rinn, Waterford February?
Éigse an Spidéil, Spiddal, Galway 14 Feb 18 18 Feb 18
Corofin Traditional Festival Corofin, Clare 27 Feb 18 4 Mar 18
Aran Celtic Music Festival Inis Mor, Galway 9 Mar 18 11 Mar 18
NYAH Traditional Music Festival Cavan 10 Mar 18 17 Mar 18
Kilkenny Tradfest Kilkenny 17 Mar 18 18 Mar 18
Ceardlann Earraigh Celbridge, Kildare 23 Mar 18 25 Mar 18
Inishowen Singing Festival Donegal 23 Mar 18 26 Mar 18
Blossom Harp Festival Tuamgraney, Clare 23 Mar 18 25 Mar 18
Feile Patrick Byrne Carrickmacross, Monaghan 24 Mar 18 25 Mar 18
Maurice O’Keefe Weekend Kiskeam, Cork 31 Mar 18 1 Apr 18
Carlow Pan Celtic Festival Carlow 3 Apr 18 8 Apr 18
Clifden Trad Fest Clifden, Galway 5 Apr 18 8 Apr 18
Cruinniú na bhFliúit Flute Meeting Ballyvourney, Cork 4 Apr 18 7 Apr 18
Consairtin Ennis, Clare 6 Apr 18 8 Apr 18
Ballydehob Traditional Music Festival Ballydehob, Cork 13 Apr 18 15 Apr 18
Kilfenora Music Festival Kilfenora Clare 27 Apr 18 30 Apr 18
Feile Neidin, Kenmare Irish Music Festival Kenmare, Kerry April?
Fleadh nagCuach (Cuckoo Fleadh) Kinvara, Galway 4 May 18 6 May 18
Joe Heaney Festival Carna, Galway 4 May 18 7 May 18
Cup of Tae Festival Ardara, Donegal 4 May 18 7 May 18
Feile Chois Cuain Louisburgh, Mayo 4 May 18 7 May 18
Carrigaholt Oyster & Trad Festival Carrigaholt, Clare 5 May 18 7 May 18
Cos Cos Sean Nos Festival Drumcliffe, Sligo 7 May 18 13 May 18
Fiddle Fair Baltimore, Cork 10 May 18 13 May 18
Feile Chnoc na Gaoithe, Tulla Trad Music Festival Tulla, Clare 11 May 18 13 May 18
Skerries Traditional Music Weekend Skerries, Dublin 18 May 18 20 May 18
World Fiddle Day Scartaglin, Kerry 18 May 18 20 May 18
World Fiddle Day Glenties, Donegal 20 May 18
Fleadh Nua Ennis, Clare 20 May 18 28 May 18
Michael Dwyer Festival Allihies, Cork 8 Jun 18 10 Jun 18
Doolin Folk Festival Doolin, Clare 15 Jun 18 17 Jun 18
Con Curtin Festival Brosna, Kerry 23 Jun 18 25 Jun 18
Jim Dowling Uilleann Pipe and Trad Festival Glengarriff, Cork 25 Jun 18 29 Jun 18
Craiceann Summer School Innis Oir, Galway 25 Jun 18 29 Jun 18
Blas International Summer School Limerick 25 Jun 18 6 Jul 18
Cross Traditional Music Weekend Cross, Clare 29 Jun 18 1 Jul 18
An Chúirt Chruitireachta (International Harp Festival) Termonfechin, Louth 1 Jul 18 6 Jul 18
Feile Brian Boru Killaloe/Ballina, Clare, Tipperary 4 Jul 18 8 Jul 18
Traidphicnic Spiddal, Galway 6 Jul 18 8 Jul 18
Scoil Samraidh Willie Clancy Miltown Malbay, Clare 7 Jul 18 15 Jul 18
Ceol na Coille Summer School Letterkenny, Donegal 9 Jul 18 13 Jul 18
South Sligo Summer School Tubbercurry, Sligo 15 Jul 18 21 Jul 18
Fleadh Cheoil Na Mumhan (Munster Fleadh) Ennis, Clare 15 Jul 18 22 Jul 18
Ceili at the Crossroads Festival Clarecastle, Clare 15 Jul 18 22 Jul 18
Joe Mooney Summer School Drumshanbo, Leitrim 21 Jul 18 28 Jul 18
Fiddler’s Green Festival Rostrevor, Down 22 Jul 18 29 Jul 18
Meitheal Summer School Ennis, Clare 23 Jul 18 27 Jul 18
Scoil Acla Summer School Achill Island, Mayo 28 Jul 18 4 Aug 18
Donegal Fiddle Summer School Glencolmcille, Donegal 30 Jul 18 3 Aug 18
Belfast Summer School of Traditional Music Belfast 30 Jul 18 3 Aug 18
Sliabh Luachra Summer School Rockchapel, Cork July?
Laois Trad Summer School Portlaoise, Laois July?
Phil Murphy Weekend Carrig-on-Bannow, Wexford July?
Kilrush Traditional Music and Set Dancing Festival Kilrush, Clare 1 Aug 18 7 Aug 18
Sean McCarthy Weekend Festival Finuge, Kerry 3 Aug 18 6 Aug 18
James Morrison Traditional Music Festival Sligo 4 Aug 18 6 Aug 18
O’Carolan Harp Festival Keadu, Roscommon 4 Aug 18 6 Aug 18
Feakle International Traditional Music Festival Feakle Clare 8 Aug 18 13 Aug 18
Scully’s Trad Fest Newmarket, Cork 9 Aug 18 13 Aug 18
Fleadh Cheoil na hEireann Drogheda, Louth 12 Aug 18 19 Aug 18
Feile Ceol Na Locha Tourmakeedy, Mayo 13 Aug 18 17 Aug 18
Masters of Tradition Bantry, Cork 22 Aug 18 26 Aug 18
Crotty Galvin Traditional Music Weekend Moyasta, Clare 25 Aug 18 27 Aug 18
Ballyshannon Folk and Traditional Music Festival Ballyshannon, Donegal August?
Seachtain Ceoil Chois Fharraige Spiddal, Galway August?
Fingal Fleadh and Fair, Swords Castle, Dublin 6 Sep 18 9 Sep 18
Gig’n the Bann Portglenone, Antrim 13 Sep 18 16 Sep 18
Johnny Doherty Music & Dance Festival Ardara, Donegal 21 Sep 18 23 Sep 18
Ceol Na gCruach The Glen Tavern, Donegal September?
Dingle Tradfest Dingle, Kerry September?
Tuam Trad Festival Tuam, Galway September?
Gerry Whelan Memorial Weekend Cootehill, Cavan September?
Feile Cheoil Larry Reynolds Ballinasloe, Galway September?
Frank Harte Festival Dublin September?
Music Under the Mountains Wicklow September?
Cork Folk Festival Cork, Cork September/October?
O’Carolan Harp Festival Nobber, Meath 5 Oct 18 7 Oct 18
Glenties Fiddlers Weekend Glenties, Donegal 5 Oct 18 7 Oct 18
Ed Reavy Traditional Music Festival Cavan 19 Oct 18 21 Oct 18
Foxford Traditional Weekend Foxford, Mayo 18 Oct 18 21 Oct 18
Sligo Live Folk Roots and Indie Festival Sligo 24 Oct 18 29 Oct 18
Cooley Collins Festival Gort, Galway 27 Oct 18 29 Oct 18
Willie Keane weekend Doonbeg, Clare 27 Oct 18 29 Oct 18
Feile Strokestown Strokestown, Roscommon October?
Achill International Harp Festival Achill Island, Mayo October?
Scoil Cheoil na Botha Scotstown, Monaghan October?
Patrick O’ Keeffe Traditional Music Festival Castleisland, Kerry October?
Ennis Trad Fest Ennis Clare November?
William Kennedy Piping Festival Armagh 15 Nov 18 18 Nov 18
Drogheda Traditional Music Weekend Drogheda, Louth November?
Éigse Dhiarmuid Uí Shúilleabháin Ballyvourney, Cork December?
Scoil Gheimhridh Ghaoth Dobhair Gweedore, Donegal December?
Trá Buí /Pearse Holmes memorial Traditional Music Weekend. Dohooma, Mayo December?

And for those interested in a different experience you can attend any of the County or Provincial Fleadhs, which are to enable qualification to the All Ireland Fleadh, which is in the list above.  Here are the dates.

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Categories: Festivals, Trad Irish Music | Tags: , , , , , , , , , , , | 2 Comments

The Clare Kitchen Sessions. Radio with pictures.

There is a widespread view that the Pub is the natural home of Irish Music.  And don’t get me wrong, many a wonderful musical moment can be had there. But indeed Irish music can be comfortably at home in the Home.  There’s a long tradition of the ‘kitchen session’ where the dining table is pushed to one side, local musicians gather and the flagstones clatter to the insistent battering of hard shoes.  A story might be told.  There will certainly be some songs, generally of a local flavour and there will be endless cups of tea and sandwiches.  There will be folk of all ages jammed in or listening from outside the door. This is how the tunes were handed down after all.  And if instruments were in short supply a lilter might be called on.  Nothing will stop the dancers.

Now, Irish cottages are not large so one can well imagine that not that many could be crammed in to experience this.

My how times change. As the chill of winter strengthened its grip, late November saw me at a kitchen session in my good friend Oliver O’Connell’s house in the heart of the Burren in County Clare. There were about 60 people there for the evening along with the virtual presence of many thousands of others.  It was broadcast live into homes all over the world through the organisers, ClareFM, and it was streamed live via Facebook.  So everyone could truly be part of this monumental night.  You could make comments in real time from Boston, Berlin or Belfast and hundreds did. Some were even read out on air during the show. Everything that makes this aspect of Irish Culture so unique was there, in a brilliant programme of music, song and dance provided by a gathering of Oliver’s friends from the Tubber-Gort-Crusheen-Kilfenora-Corofin areas of East and North Clare. There were so many wonderful surprises. Three pipers, Blackie (Oliver’s son), Tara Howley, taking time from her commitments with Riverdance and Eugene Lamb, a piping legend. There were recitations from Oliver and an emotional moment as father and son combined for a tune. There were spirited half sets with Oliver in the thick of it as you would expect and cameos from a host of Clare greats – old and young. Names like Richie Dwyer, Des Mulkere, Tony O’Loughlin and up-and-comers like the Clancy family from Tubber. Especially inspiring were two lilters maybe sixty years apart in age showing that core traditions, that are hardly known about outside rural Ireland, are being maintained.

This is radio with Heart from the heartland of Irish music. So well co-ordinated by Paula Carroll on air and Joan Hanrahan marshalling everyone behind the scenes. But it was live radio and yes there were glitches and it was so much better for that. This wasn’t a concert, and it wasn’t in the studio, so the music was energetic, spontaneous, entirely natural and completely in context.

After it was all over some didn’t want to leave. And those who remained watched in awe as four accordions,  Oliver, Clive Earley, Martin Ford, and Tony O’Loughlin joined Des Mulkere on banjo for a rare opportunity to play together.

I will be posting some video, so keep an eye on my You Tube channel. But here are a few photos I managed to sneak in which will give you some flavour of the night.

There will be more of these I am told. In fact ClareFM is promising one every week right through the Winter. I am hopeful of being able to be there for a few to document the occasion.  These will be special events. A different kitchen each week with each person opening their home and sharing their music with world.  Each will be in a different musical context and each will have the personality of the host stamped on it. They will be chalk and cheese but I expect the full depth of musical expression and the soul of Clare will be on display. You can’t apply a formula to Irish Music especially in this county and I am sure these Kitchen Sessions will demonstrate this over the coming weeks. Where ever you are on Sundays – 6pm Irish time, you should be listening to Clare FM.

 

 

 

 

 

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Categories: Real Ireland, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , | Leave a comment

An Apology to Turlough O’Carolan

Driving through Keadue in the very north of Co Roscommon, as I was on this crisp, clear Autumn day, you are reminded everywhere of Turlough O’Carolan. There is what seems to be a new sculpture in the main street of this spotless town with a harp at the centre and there is a Heritage Park with monuments to the man. A carved coloured stone with the music for Sí Beag Sí Mór sits in a rotunda that looks out over the village to the Arigna Mountains.  And if you come back in August next year you can attend the 40th O’Carolan Harp Festival.  Though born in Co Meath, the blind harpist and composer lived in and around Keardue/Ballyronan so this is definitely O’Carolan Country.

 

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The village of Keadue

 

 

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Tribute to O’Carolan?  newly installed statue in Keadue.

 

And just out of the village, there is the Kilronan Cemetery where he was buried. The elaborate entrance proclaims this with a carved stone mounted over the gate.  His grave lies within the family crypt adjacent to the ruins of the Abbey.

 

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Entrance gate to the Kilronan Cemetery

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Detail of the front gate.

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Kilronan graves

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Kilronan Abbey ruins.

 

The sun was shining when I visited and of course I had to take a ‘selfie’ of me playing Sí Beag, Sí Mór at the grave site. Now I am not a superstitious person but I swear that as I played the last note a black cloud came from nowhere and filled the sky. The heavens dumped for about three minutes as I retreated to the safety of my car.

 

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The headstone of the grave for Turlough O’Carolan. 

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Sí Beag, Sí Mór

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One minute later the heavens dumped.

 

I get the message, Turlough. I have to admit that a friend warned me not to do it. Now seriously, I’m sure it wasn’t the worst you have heard, but I promise never again.

Sorry.

If you’re in that beautiful part of the world. Go visit. Just don’t play Sí Beag, Sí Mór.

Categories: My Journey, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , | 4 Comments

Ryan Young. A CD Review.

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It’s not everyday that an album comes along that completely stops you in your tracks. That you just listen to over and over again and keep discovering something new. There was a real buzz at the Traditional Irish Music Festival in August 2017 about this album and the room was packed out at Peppers Bar on the Thursday evening with people peering in the window to get a look.

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He was supported by Clare ‘royalty’ Mary MacNamara and Dennis Cahill and I listened from outside the door along with the others who couldn’t get in.

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I didn’t remember meeting Ryan Young. But he assured me we did, two years ago at Feakle at a Martin Hayes workshop. And we have been Facebook friends since then so we must have met.   In 2015 Ryan was visiting Ireland for the first time from his home in Loch Lomond in Scotland and meeting Martin also for the first time.  Too shy though to speak to his idol he sat through the three days silently.

A lot has happened for Ryan since then. I met him again this year at Feakle and as before he sat in on Martin’s workshop. This time though it was a different matter.  Martin was well acquainted with him.  In the last two years he has achieved second in this year’s BBC Musician of the Year, supported Martin and Dennis Cahill at Celtic Connections and produced a CD after a You Tube clip was spotted by renowned producer Jesse Lewis.  And he deserves every ounce of this success.

Although hailing from the Highlands he is an adherent of the Clare style of fiddle playing, particularly East Clare. He had grown up with recordings of PJ Hayes, Paddy Canny, Bobby Casey and Martin. It was inevitable that he would bring this style of playing to his native tunes.

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And that’s what his eponymous CD does. But for me it is done in an extraordinarily sensitive and sensual way. The clarity of sound and the sweet accoustics reflect that it was recorded in the Opera Theatre at the Royal Conservatoire of Scotland.  This, with the brilliant controlled and expressive playing make this an outstanding recording.

The music is sometimes irresistibly Scottish but, even though all the tunes are ‘Scottish’, it often doesn’t sound like it. One can imagine purists would not be too impressed. Many of the tunes though are familiar sounding;  I am sure I heard elements of Rakish Paddy in there somewhere.

It is of course hard not to reference Martin Hayes while you are listening but there is so much originality and thought in the music that it does take on a life of its own.  There are a number of longer tracks that explore different rhythms and textures in the same way that Hayes and Cahill do and the use of the piano at times is particularly pleasing.

But for all this, it is not Clare Music, it is not Scots, it is Ryan Young. That’s quite an achievement.

 

 

Categories: Stories, The Fiddle, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 1 Comment

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