Monthly Archives: November 2017

The Clare Kitchen Sessions. Radio with pictures.

There is a widespread view that the Pub is the natural home of Irish Music.  And don’t get me wrong, many a wonderful musical moment can be had there. But indeed Irish music can be comfortably at home in the Home.  There’s a long tradition of the ‘kitchen session’ where the dining table is pushed to one side, local musicians gather and the flagstones clatter to the insistent battering of hard shoes.  A story might be told.  There will certainly be some songs, generally of a local flavour and there will be endless cups of tea and sandwiches.  There will be folk of all ages jammed in or listening from outside the door. This is how the tunes were handed down after all.  And if instruments were in short supply a lilter might be called on.  Nothing will stop the dancers.

Now, Irish cottages are not large so one can well imagine that not that many could be crammed in to experience this.

My how times change. As the chill of winter strengthened its grip, late November saw me at a kitchen session in my good friend Oliver O’Connell’s house in the heart of the Burren in County Clare. There were about 60 people there for the evening along with the virtual presence of many thousands of others.  It was broadcast live into homes all over the world through the organisers, ClareFM, and it was streamed live via Facebook.  So everyone could truly be part of this monumental night.  You could make comments in real time from Boston, Berlin or Belfast and hundreds did. Some were even read out on air during the show. Everything that makes this aspect of Irish Culture so unique was there, in a brilliant programme of music, song and dance provided by a gathering of Oliver’s friends from the Tubber-Gort-Crusheen-Kilfenora-Corofin areas of East and North Clare. There were so many wonderful surprises. Three pipers, Blackie (Oliver’s son), Tara Howley, taking time from her commitments with Riverdance and Eugene Lamb, a piping legend. There were recitations from Oliver and an emotional moment as father and son combined for a tune. There were spirited half sets with Oliver in the thick of it as you would expect and cameos from a host of Clare greats – old and young. Names like Richie Dwyer, Des Mulkere, Tony O’Loughlin and up-and-comers like the Clancy family from Tubber. Especially inspiring were two lilters maybe sixty years apart in age showing that core traditions, that are hardly known about outside rural Ireland, are being maintained.

This is radio with Heart from the heartland of Irish music. So well co-ordinated by Paula Carroll on air and Joan Hanrahan marshalling everyone behind the scenes. But it was live radio and yes there were glitches and it was so much better for that. This wasn’t a concert, and it wasn’t in the studio, so the music was energetic, spontaneous, entirely natural and completely in context.

After it was all over some didn’t want to leave. And those who remained watched in awe as four accordions,  Oliver, Clive Earley, Martin Ford, and Tony O’Loughlin joined Des Mulkere on banjo for a rare opportunity to play together.

I will be posting some video, so keep an eye on my You Tube channel. But here are a few photos I managed to sneak in which will give you some flavour of the night.

There will be more of these I am told. In fact ClareFM is promising one every week right through the Winter. I am hopeful of being able to be there for a few to document the occasion.  These will be special events. A different kitchen each week with each person opening their home and sharing their music with world.  Each will be in a different musical context and each will have the personality of the host stamped on it. They will be chalk and cheese but I expect the full depth of musical expression and the soul of Clare will be on display. You can’t apply a formula to Irish Music especially in this county and I am sure these Kitchen Sessions will demonstrate this over the coming weeks. Where ever you are on Sundays – 6pm Irish time, you should be listening to Clare FM.

 

 

 

 

 

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Categories: Real Ireland, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , | Leave a comment

Quilty. On the Edge of Ireland.

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I’ve lived in West Clare for over three years now.  My local village is Quilty.  It occurred to me the other day that I have travelled all over Ireland discovering beauty in places known and unknown but I have never photographed this tiny fishing village in my back yard.

So the other day on a fine day in early November I went for a walk around Quilty.  Quilty truly is on the edge of Ireland and inextricably linked with the sea.  Quaint fisherman’s cottages perched on the cliff above what can be a very stormy Atlantic.  And the Our Lady Star of the Sea Church and its imposing tower is a constant reminder of the heroic rescue of the crew of the Leon XIII in 1907. The stuff of legends.

Here is a collection of images taken that day.  It doesn’t need my words so I will let this photo essay speak for itself.  IG3C1467

 

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The Hunt comes to Cree in County Clare

Cree (or sometimes spelt Creegh) is a small village in West Clare. Not much normally happens in Cree but this sunny Sunday afternoon in late October the place was abuzz. Every parking spot was taken up with horse floats and four wheel drives. Walsh’s Bar filled up quickly and jodhpurs, jackets and boots were de rigeur. It was the first event of the season for the County Clare Hunt and Cree was the proud host.

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Horse transports wherever you look

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The main street of Cree and Walsh’s Bar

Hunting (or Fox Hunting as it is probably more widely known) was banned in Scotland in 2002 and England and Wales in 2005 but remains legal and very popular in Ireland (including Northern Ireland) and many other countries such as Australia, Canada, France and Italy. The fox was in fact introduced into Australia for fox hunting and has become one of the country’s worst pests having quite a preference for native marsupials.

The Clare Hunt is one of close to 50 registered clubs in Ireland, each with their own pack of Foxhounds.

Records of hunting with hounds go back to ancient times and is recorded in myths and legends of Fionn mac Cumhaill and the Fianna.  The pursuit was continued by the Norman conquerors and then the Anglo-Irish Protestant gentry. During the Famine in the 19th Century there was bitter resentment and agitation against the landlord elite and the fox hunting became a symbol of British oppression in the eyes of many Irish nationalists. Times change. It is no longer an elite pursuit. Today as many as 300,000 people from all walks of life participate in the activity every year, in some way, in Ireland.

The Hunt at Cree has been the opening event of the season in Clare for the last 20 years. This year 60 horses took part with riders ranging in age from early teens to 70 years. In some recent years as many as 120 have joined.  At least half a dozen have participated in every Cree hunt.  Many riders are well seasoned in all forms of equestrianism and see the hunt as a social activity, a run for the horses and a break away from the stress and discipline of the more formal events such as dressage or three day events. There is no winner and no competitive aspect to it.

I had been told of the event by Grainne, a musician friend with strong connections to this part of Clare. She thought I might like to chronicle and photograph it. I surely would.  And Grainne’s kind invitation set the tone for the day as people could not have been more welcoming.

So from around midday horses and floats began arriving, with their owners and onlookers milling around or grooming their horses in anticipation, until the arrival of the hounds.

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Ready and waiting

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All set

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Quite a handful

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Not long to go

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Anticipation

The hounds are kennelled, managed and trained by the Hunt Master on behalf of the club.  At the appointed time the alert and eager dogs are released from their purpose- built transportation. There is excited pandemonium until the Hunt Master’s horn brings them to heel.  Master and hounds now lead the pack away. The riders fall in behind heading off at a trot not to return to Cree until sunset.

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The horn is sounded

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The dogs set off

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And the riders follow

 

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At quite a trot

 

That could have been it and the end of my day but the unexpected often happens in Ireland and I was lucky enough to bump into Dympna.  She told me that she and husband Paul had a young horse, Masie, running in the event for the first time. As they had passed their riding days she would be ridden by young equestrian enthusiast, Aoife.  You could feel the sense of anticipation as to how she would go.

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Dympna with a friend wait for the Hunt to start.

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Masie, ridden by Aoife. Warming up.

I got talking to Dympna. They had been coming to the Hunt since the beginning and she offered to take me to some vantage points where I could get some photographs. This surprised me as I had the naïve impression that the riders would follow the hounds on some wild chase zigging and zagging across the countryside.  How could you ever predict where they would be at any given time? On the contrary, the hunt is run over a predetermined course with markers showing where fences should be jumped or streams crossed. It has been the same course for many years.  I asked how the dogs know where to go and how they are controlled. As Dympna explained, the hunt is in the total control of a very experienced Hunt Master, Declan Moran, who has particular charge of the hounds. Indeed he knows each by name. He has a hunting horn and they respond to the different sounds of the horn so in this way he can lead them through the course. If they pick up a scent and run off, he can bring them back.  Skill and training.

So Dympna became my companion for the day and sure enough the first place she directed me to was a perfect vantage point to watch the riders traverse the country, sometimes sticking to roads other times riding along fence lines, and then watch them clear a typical Clare stone wall, metres from a crowd of followers.  All the time led by the hounds and the green jacketed Hunt Master.

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Gathering at the jump

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The hounds go first

 

Not being a horsey person, it is nevertheless something to behold to see these elegant animals clear effortlessly and confidently these stone barriers. The Irish horse has a reputation for being sure footed and agile and this was certainly on display.

I wondered whether it was difficult to get approval to gallop across the many farms that are encountered. “Not at all” says Dympna. “Farmers are asked for permission a few weeks in advance. There is no problem getting permission. Actually the farmers seem to have pride in the hunt going through their farm”. Dympna says relations are good and “the Hunt will always thank the farmer when passing through”.  The course is walked the following morning with volunteers fixing any fences that need repairs. Given the controversy in some quarters surrounding fox hunting,  Dympna says there has never been any opposition since it started.

The next stop was actually Dympna and Paul’s own farm where with a cup of tea and biscuits we were joined by other members of the family to watch  the Hunt canter past at close range, clearing another fence,  traversing hillsides, riding across open country and crossing streams. Covered in mud now, the soft ground must in places  be heavy going for the horses. Indeed I was regretting my decision not to wear Wellingtons. IG3C0534 IG3C0555

 

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There was to be a lunch break at Grainne’s family farm, so we drove there to meet up with her and wait for the riders. Food and water was there for the dogs and horses and sandwiches, nibbles and a very welcome hot punch for the participants. All was prepared by members of Grainne’s family; her mum, Marie and Bernie, Claire and Therese were overwhelming with their hospitality.

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I was revived by a hot bowl of soup before we headed off for one more stop where the hunt re-joined the road not far from the finish. By now it was getting late and the dogs had been packed up and driven back to Cree (except for one who seemed to be a bit lost)  and, as colour came into the night sky, the remaining riders were happy just to ride two or three abreast walking home at a very leisurely pace.

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Separated from the pack?

 

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The end of a long day

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Nearly home Masie

 

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Towards Cree

It was then I took my leave, dropping Dympna back to Cree and heading off to play some music at nearby Doonbeg.  I later found out that there was more food waiting for them at Cree before the riders washed down their horses, took them home and then headed back to Walsh’s Bar to party the night away.

Many thanks to Dympna, Paul and Grainne and family for their hospitality and for giving me some insight into this perhaps, lesser known part of rural Irish life.  And for somehow organising sunshine for the whole day.

 

 

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Árainn Mhór Island. Donegal in a Day.

Arguably among the most beautiful counties in Ireland is Donegal. It is a different reality to the postcard bucolic scenery of Kerry or the treeless wilderness of West Clare but it is no less arresting. Visitors come to Donegal for a different experience. For me its the rolling russet-red hilly boglands, granite strewn boulder fields, jagged and sparkling quartzite hills, deep-blue loughs, whitewashed cottages, steep cliffs disappearing into the windswept spray, empty beaches, its fishing villages and maritime heritage, the language, its raw climate and its welcoming people. But Donegal is a big county and it can be hard to get around especially with the limited time many visitors allow in their rush to see everything. But I’ve found somewhere that has all of that and more wrapped up in a 22 square kilometre package that sits just a 15 minute ferry ride off the coast.

This is Árainn Mhór (Arranmore). Donegal’s largest inhabited island it was a complete unknown to me until I got a message from my friend Pauline suggesting we meet there for a day’s exploring.  Just one of those whims that makes Ireland so unpredictably delicious.   She lives on another special island, Achill in Co Mayo, and was looking for a break and, in the fashion of all true island residents, where better to go than another island? So I instantly agreed of course and made the trek from Co Clare arriving on a wet cold morning at the ferry terminal at Burtonport at the appointed time. Well, as is often the way with things in this country, Pauline’s car died so she never made it.  Having lost my guide and companion I headed over anyway with only the vicissitudes of the weather and the narrow winding boreens to lead me on my discovery.

I was captivated from the moment the ferry left Burtonport.  There are two ferries run by two companies.  Known to everyone as the Red or the Blue.  I took the Red. The port was busy enough but only with those who eke a living along the Donegal coast.  Children on the way to school, a delivery of Guinness and a little dinghy loaded with some of life’s other essentials presumably  headed to one of the remote islands.  We picked our way between these small rocky islands dotting the narrow channel.  Many of these islands have houses which I guess for the most part are holiday retreats.  It is only 5 km before we head into the Ferry port at Leabgarrow.  just as the Blue ferry in uncharacteristically, for Ireland, perfect time made space for us at the wharf.

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The Red Ferry heads out from the port of Burtonport

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Essential supplies for life on a Donegal island

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Can’t tell if it’s coming or going.

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Towards Árainn Mhór

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Approaching Leabgarrow, the ferry terminal at Árainn Mhór

I love this bit. Arriving at a place you’ve never been and know nothing about. Do I turn left or right?  Well I drove off the ferry and headed south and as I did the rain miraculously stopped, the sun burst through and the island glowed. This would be repeated all afternoon. Dazzling sunshine and stormy showers with even a bit of hail and of course wind. I shouldn’t go on about the weather because this is Ireland after all but as I was dead keen to try and capture the island with my camera I was concerned about the light and the rain and my freezing cold hands.  The south coast provides winding roads which snake through the hills giving views of seascapes across to the mainland and passing though hamlets  clinging to the hillsides and strung along the roadway.  Stone-walled paddocks flow down to the rocky shore.

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As it turned out the island put on quite a light show. With the sun coming and going, the light changed every few minutes. You couldn’t plan; you just had to be ready to catch those fleeting moments.

The dominatingly dark greyscape would disappear and the sea would be lit by a fan of radiating beams streaming under the clouds.

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When the sun shone for those brief moments it would dazzle.  The real colours of the Donegal palette were displayed and intensified. The red and brown grass, deep blue lakes, sparkling rocky outcrops, sinuous black roads,  green paddocks and white cottages. IG3C0522IG3C0531

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Then the wind would be so strong it would blow the mist back over the land or even reverse the flow of rivulets making their way to the sea.

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And the rain sweeping in across the ocean would provide interplay with light and dark, waiting for the hand of a skilled painter. The weather was so confused that at one point we had just a beautiful hint of rainbow and an approaching rainstorm juxtaposed.

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The weather can’t make up its mind

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Storms arrive on the east coast

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Storms arrive on the west coast.  Mainland visible in the distance

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Green Island off the west coast of Árainn Mhór

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Looking across towards Errigal

The south coast provides winding roads which snake throught the hill giving views of seascapes across to the mainland and passing though hamlets  clinging to the side of the hill and strung along the roadway.  Stone-walled paddocks flow down to the rocky shore. Then the road turns north and with a few hairpin bends rises to take you to an elevated bog land underlain by granite. That soon changes to quartzite hills – jagged and chaotic. The one lane road meanders across this magic land and you feel anything could happen. And it does.

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village of Torries at the south of the island

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Quartzite hills

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Bog land and granite

I see a figure in the distance walking in my direction. Due to our respective speeds it takes some time for me to reach him. He is wearing a reflective bright yellow jacket and dark glasses. And carrying a stick. Of course that is not unusual in Ireland but a closer look showed him waving the white stick in front of him. He was blind. This was kilometres from anywhere mind you. He stopped as he heard my car approaching and pulled to the edge of the road. I stopped and greeted him. “Lovely day isn’t it?”  he said. In his defence the sun was shining at that time. “Sure is”. A few more words about the weather and the chance of more rain and then quick as a flash he came back “Where are you from?”. I gave him the potted version and we had chatted briefly. It was clear then that he had had his fill of this outsider and wanted to continue his walk.  I watched him steadily and confidently stride away musing on the inner strength that many have to carry on a normal life especially, or perhaps because of, living in such a remote place.  A truly unexpected encounter.

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Off for a walk

The ‘ring road’ as it is known continues past the island reservoir which has a monumental sculpture immersed in the water and topped by two flags, one of which is the US stars and stripes and the other appears to be an Irish flag but missing the orange. It just looks like someone has cut the orange off.  But if any of my readers know more I’d be grateful to know.    The memorial remembers the terrible hardship of the Hunger in this part of Ireland and how many who were evicted escaped to Beaver Island, of similar size on Lake Michigan in the US. There have historically been strong links continued to this day.

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Memorial to the victims of the Famine and links to Beaver Island.

Every island worth its salt has a lighthouse. The elegant white and red structure was built in 1859 to replace a light first erected in 1798. It is still operational but not attended.  Indeed the former keeper’s residence is now a Bed & Breakfast.  In summer.

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The cliffs at Rinrawros Point

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The light and its exposed location at Rinrawros Point, atop jagged cliffs, reminded me of the precarious maritime history of this island. There is a plaque in the ruins of the RNLI building (Royal National Lifeguards Institution) on the south side of the island which chronicles the sea tragedies of the island and it is truly sobering.  From the death of Tom O’Donnell in 1839 and subsequent tragedies, many of which involved multiple loss it has been a rough existence for the Arranmore islanders. And how hard it must have hit some families as names such as Gallagher and O’Donnell which names regularly appear. Worst of all was the Arranmore Disaster when 19 lost their lives in a small boat trying to make it through the passage from Burtonport before the encroaching dark.  As I write this I suddenly realise it was 52 years to the day since this devastating event 9th November 1935. Most of those lost were Gallaghers, many form the one family, with 15 of them returning from working in Scotland.

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A poignant photo of the funeral for the victims of the Arranmore Disaster

 The fishing industry has been the backbone of life on Árainn Mhór. Which makes it all the sadder to see the abundant evidence everywhere of the decline in its fortunes and the ripple effect this has had on the island.  Just near the ferry port two fishing boats stand by the roadside, decaying reminders of the current circumstances.

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Abandoned fishing boats at Leabgarrow.

 

Alleged overfishing by island fishermen, paradoxically while EU super-trawlers vacuum up the sea floor beyond the 12 mile limit, Euro intervention and a ban on salmon fishing.  There are now only four fishing boats operating out of the island.  Previously I mentioned the RNLI building, which I thought initially was a church. Closer inspection revealed its real use.   Surrounding it is a sea of stacked lobster pots eerily reminiscent of a graveyard, which it clearly is, and piles of gossamer like netting resting against its walls. On the nearby jetty sits another decaying fishing boat leaning against the pier for support, in one last attempt to stay afloat.  It is very sad to see and testament to a forlorn hope that perhaps there will be better days .

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With the permanent population continuing to decline to around 500 since its peak in the 1940s (around 1,400), tourism has become the main ‘industry’.  But tourism is seasonal. When I visited in the first week of November there were no hotels open. One large Guest House was for sale.   Early’s Pub, the only restaurant on the island,  only opens on the weekend. The other pub served only toasties (though they were delicious). BnB’s have virtually shut up shop. I was the ONLY overnight visitor on the Island. I am pretty sure of that.  And if it wasn’t for the help of a local resident who was able to contact Annie who kindly opened her BNB for me, I would not have been able to stay on the island.  It is hard to see three months of summer visitors being a viable alternative industry.  If you are going in the off season and I recommend staying at least one night, just arrange accommodation first.

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I’ve spoken of the changing light so I was in high hopes of a classic sunset. While inconveniently placed clouds thwarted me nevertheless the backlighting of orange light provided some remarkable cloudscapes. At time it was like the clouds were alight flames flaring upwards into the night sky and rays of orange directed down to the earth.

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Sunset behind cloud

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Clouds aflame I

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Clouds aflame II

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Glowing thunderheads

And fourteen hours later the display was repeated when I was rewarded for getting up early (7:45 am) with a spectacular sunrise before the clouds descended and killed the show. And then as if to say “Ok.   You’ve had your fun”, rain descended.

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In all I only spent 24 hours on the island. Enough? Not really. I ‘saw’ everything I suppose but I only got just a little taste of the true feeling of the place.  Pauline, any time you want to try again. I’m up for it.

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