Posts Tagged With: music

Them’s the Rules. No Instruments Allowed.

Tell me I am not paranoid but musicians really are at the bottom of the heap. We all know about the difficulties often experienced trying to take a fiddle on a flight. But here’s one roadblock I’d never come across before. Actually not one but two.

It’s my last day of a holiday in New York. My plane doesn’t leave until 6.30 pm so I have a few hours to kill. Why not take in the iconic Museum of Modern Art or MOMA?

Checkout is 11am but the hotel will kindly hold my bags.  As I am depositing them the Bell Hop hesitates over one.

“What’s in there?” he says, pointing to the violin-shaped object in front of us.

“A violin” I helpfully offered.

“Oh you can’t store that without paying a fee.”

“Why not?”, I asked.

“Because it’s an instrument”.

He could offer me no valid reason other than that so I eventually located a supervisor who confirmed that they didn’t accept instruments. His answer to my question “Why not?” was that “Instruments are not luggage. They are not shaped like a suitcase!” However apparently with the payment of a fee suddenly they take on the shape of a suitcase? Anyway I wasn’t going to pay a fee and it was not heavy so I would take it with me. Big mistake!

MOMA was a bit over a kilometre from the hotel so I walked in the soft rain just a few city blocks. There was quite a queue stretching down the pavement and when I eventually got inside more queueing for the cloak room and then more queuing to get tickets. Apparently every other visitor to New York had the same idea about what to do on a wet Labour Day Sunday.

So I get to the cloak room, deposit my coat and camera bag but, pointing to the violin-shaped case the cloak room attendee says, yeah you guessed it. “What’s that?”

By now I was ready with the answer; “A violin”.

“Oh you’re not allowed to bring them into the gallery”.

“OK” I said “that’s why I wanted to put it into the cloak room”.

“Oh well we don’t accept them in the cloak room. They are not allowed in the gallery. Period.”

I looked over her shoulder at the hundreds of odd shaped bags, umbrellas, strollers and garments wondering silently why a small violin couldn’t be lodged there somewhere. Well actually not silently, but my protestations fell on deaf ears.

She was adamant. “Them’s the rules”.

I could see we were going round in circles here so I said I would find a manager. One helpful gent in the queue suggested I was wasting my time because “they were the rules.” I thanked him for his assistance but went to find the manager anyway.

This took some time but when he was located he confirmed that that was a ‘rule.’ “No instruments”. He added that they didn’t want to take responsibility for any damage. As I had observed that there were no baggage handlers from United Airlines in sight I was prepared to wear this risk.

He paused and my pleas maybe wore him down. He relented.  Bless you Franklin from MOMA.  He told me to follow him. We went to a white door marked Staff Only and he swiped his card. “Leave it here” he said “it will be safe.”.  Music to my ears.  So I rested it in the corner of this store room beside a folded up stroller and some brooms. Relieved, I queued again for my ticket.

Ironically as I waked around this extraordinary collection of art I kept being reminded of the great interest visual artists have shown over the years in musical instruments, often placing them at the core of their work.  This puts into sharp focus the reticence of the administrators of the gallery that displays their work at having an instrument anywhere near the building.  Here are a few examples from Picasso, Matisse and more modern works from Adkins.

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Three Musicians. Pablo Picasso

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Music (Sketch).  Henri Matisse

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Sus Scrofa (Linnaeus). Contrabass, wild boar hide and skull, and wood. Terry Adkins.

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Guitar.  Pablo Picasso

So there you go. It would seem that in the US ‘rules is rules.’ And no one seems prepared to buck them no matter how absurd. There was no empathy with my predicament. Except thank God for Franklin.

It sometimes pays though to have a bit of a tilt at windmills.

Categories: America, My Journey | Tags: , , , , , , , , , , , , , , , | Leave a comment

Ryan Young. A CD Review.

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It’s not everyday that an album comes along that completely stops you in your tracks. That you just listen to over and over again and keep discovering something new. There was a real buzz at the Traditional Irish Music Festival in August 2017 about this album and the room was packed out at Peppers Bar on the Thursday evening with people peering in the window to get a look.

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He was supported by Clare ‘royalty’ Mary MacNamara and Dennis Cahill and I listened from outside the door along with the others who couldn’t get in.

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I didn’t remember meeting Ryan Young. But he assured me we did, two years ago at Feakle at a Martin Hayes workshop. And we have been Facebook friends since then so we must have met.   In 2015 Ryan was visiting Ireland for the first time from his home in Loch Lomond in Scotland and meeting Martin also for the first time.  Too shy though to speak to his idol he sat through the three days silently.

A lot has happened for Ryan since then. I met him again this year at Feakle and as before he sat in on Martin’s workshop. This time though it was a different matter.  Martin was well acquainted with him.  In the last two years he has achieved second in this year’s BBC Musician of the Year, supported Martin and Dennis Cahill at Celtic Connections and produced a CD after a You Tube clip was spotted by renowned producer Jesse Lewis.  And he deserves every ounce of this success.

Although hailing from the Highlands he is an adherent of the Clare style of fiddle playing, particularly East Clare. He had grown up with recordings of PJ Hayes, Paddy Canny, Bobby Casey and Martin. It was inevitable that he would bring this style of playing to his native tunes.

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And that’s what his eponymous CD does. But for me it is done in an extraordinarily sensitive and sensual way. The clarity of sound and the sweet accoustics reflect that it was recorded in the Opera Theatre at the Royal Conservatoire of Scotland.  This, with the brilliant controlled and expressive playing make this an outstanding recording.

The music is sometimes irresistibly Scottish but, even though all the tunes are ‘Scottish’, it often doesn’t sound like it. One can imagine purists would not be too impressed. Many of the tunes though are familiar sounding;  I am sure I heard elements of Rakish Paddy in there somewhere.

It is of course hard not to reference Martin Hayes while you are listening but there is so much originality and thought in the music that it does take on a life of its own.  There are a number of longer tracks that explore different rhythms and textures in the same way that Hayes and Cahill do and the use of the piano at times is particularly pleasing.

But for all this, it is not Clare Music, it is not Scots, it is Ryan Young. That’s quite an achievement.

 

 

Categories: Stories, The Fiddle, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 1 Comment

Tom Carmody – Home in a box.

I first met Kerry accordion player Danny O’Mahony in Birmingham in 2016 at a Festival, where he surprised with an amazing set in concert with renowned fiddler, Liz Kane. I then heard him again more recently at Ballyferriter in West Kerry. It was here he played his mighty Tom Carmody accordion. It was hard not to notice it. As dazzling as his playing.

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Intrigued, I chatted to him afterwards about this instrument, and my interest was piqued so we agreed to meet at the Rowan Tree Café in Ennis for a chat. I want to write here about the story that unfolded. It is a story of a tradition that spans time and continents. Of happenstance and passion. Of connections and stewardship. And of rescue and revitalisation.

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I have to start somewhere so who was Tom Carmody? Danny explains. Tom is not well known today but he was a master accordion player born in 1893 in Dromlought near Listowel in Kerry and emigrated to New York in 1925. He immediately made an impact and during the Irish recording boom of the 1930s appeared on many 78s with James Morrison.  New York was a melting pot of Irish melodies; and new tunes and new influences made for a vibrant scene. Indeed, Danny says that Tom introduced James to the tune “Stick across the Hob” which was to become the famous ‘Morrison’s Jig’. One can only assume Tom was in much demand as he became the first to play Irish music at the Waldorf Astoria and was employed to organise music there.

Flashy players required a flashy instrument. And Tom had the flashiest. He commissioned an Italian maker in New York, F Iorio, to make this instrument for him. It was loud and brash as was its exterior. Gaudily decorated with the Irish and American flags and detailed inlays in mother of pearl on the fingerboard incorporating a harp and shamrocks. The name TOM CARMODY is boldy emblazoned across the instrument where it will have maximum exposure. It is a work or art. But the story behind it is just as interesting. It was nearly lost.

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Tom returned to Kerry in the 1970s and died in 1986. This was the year Danny started to play the accordion. Danny grew up with no knowledge of this Kerry man, despite the fact he was a distant relative. He is a grand nephew. Growing up, Danny tells, his father was an accordion player with a overriding passion for the instrument. There were three gods in his house. As in most Irish homes silence was demanded for the Angelus when it came on the radio but in the O’Mahony home, silence was also demanded if there was a tune from Joe Burke or Tony McMahon.

Twenty years later Danny discovered the legacy of Tom Carmody and in 2006 he found the location of the Tom Carmody box. Following the death of Tom’s wife in the 90s it had passed to Denis Moran, her nephew. Denis did not play and it lay forgotten in a shed behind his cottage.

Danny approached Dennis to ask if he could borrow it with a view to photographing it. What he discovered was the accordion in its original case in a very sad state. It was all there but held together with binding twine and caked in dust and grime and a home for live insects.

It was almost too late. Its fate was somewhat ironic. From what we know about Tom and from contemporary photos he was a very dapper and meticuluous man, always well presented and his instrument always in immaculate condition. No doubt he would not have been pleased to see it now.

Denis agreed to let Danny take it away. It was cleaned it up and this revealed it to be in marvellous condition externally but totally seized up. Seeing it now Danny, was desperate to get it back to playable condition. Further negotiation ensued and with some trepidation it was agreed to let Danny take it for two weeks to see what he could do. With the help of accordion guru from East Clare, Charlie Harris, they feverishly went to work and brought it back to life, carefully cleaning and tuning the original reeds which were underneath it all in perfect condition. The only part that needed replacing was the left hand leather strap!

It must have been a remarkable experience to hear that box sing again just as it did in the 1930s.

Danny was concerned that it would continue do deteriorate if kept under the same conditions. He broached this with Denis asking him if he, Denis, could keep it in his bedroom with him so it was not subject to extreme temperature variation. The answer was “Oh no, I couldn’t do that”.  But Denis had done his homework and was happy that Danny would be a suitable custodian of the instrument and gave it to his care.

Danny also obtained valuable material on Tom including photos and all his recordings so since then he has researched his legacy and Tom’s tunes on Tom’s box are a feature of some of his concerts. The work of this forgotten box player lives on.

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I love stories like this. But it could have been very different but for Danny’s persistence and a little bit of luck. If you get the chance to hear him, go listen.  You might be lucky and hear him play the Tom Carmody.

Meanwhile you can check out his website at http://www.dannyomahony.com/

 

Categories: Real Ireland, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , | Leave a comment

A Musical Week in Clare, Ireland

I have lived for the past 2½ years on the coast near Spanish Point in County Clare. There has been a constant stream of visitors during this time. Some were family, some good friends but some were strangers. Some stayed for a night, some for more than a week. All leave as life long friends.  I have hosted 76 guests, many more than once.

They are all people I meet through music, or the music session, or during my travels in Ireland. They have come from Ireland, Australia, France, Germany, Switzerland, Spain, United States, UK, Canada, Japan, Brazil, Denmark and Czech Republic and each has a story. Every single one of them has enriched my time here and it has been a joy to have met, enjoyed their company and shared a shared passion for things Irish.

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French Windows

 

Just last week I hosted three wonderful friends, Julie, Romain and Anna from Carcassone in the south of France. Of course we played tunes, that’s what they came for, but we cooked, imbibed, sampled cheese (sorry, fromage!), and exchanged stories.

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The sun came out on the last day.  Lunch on the porch.

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Cheese, wine and bread from Carcassone.  View from Caherush. 

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It didn’t matter that it rained. I am grateful that we were able to experience an ideal slice of Clare music and musicians in the week they were here. This is what is so special about this place. So many memorable moments, but come next week and it will be the same, but completely different.

So many highlights. Sunday. A pub session in Miltown Malbay at Hillery’s with Conor Keane and Jackie Daly firing on all cylinders, Julie and Romain brought some elegance to the proceedings as they danced a mazurka, French style. Monday.  Fitz’s Bar in Doolin, Tuesday. The cosy Cooley’s House in Ennistymon. On Wednesday a trip to Ennis – a chilled out session at Brogans did little to prepare my guests for the madness of Moroney’s in Ennis where the victorious young Clare hurling team were in full voice and there was some fiery sean nos style dancing from Canada, US and Ireland. A visit to the Burren Thursday and sharing some tunes stories, songs and poems in the kitchen of the irrepressible Oliver O’Connell . And they joined in on my regular Thursday house session with some local West Clare musician friends. The craic went until 4am.  Situation normal.  Oh and what a way to finish! A phalanx of pipers led by Blackie at the Friday Piping Heaven Piping Hell session in Ennis.

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Sunday.  Jackie Daly, Conor Keane and Dave Harper at Hillery’s Bar in Miltown Malbay.

 

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Sunday. A French mazurka in an Irish pub.

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Monday.  Tunes in Fitz’s Doolin.  Photo Anna. 

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Monday.  Fitz’s

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Tuesday.  Cooley’s House.  Ennistymon.  Photo.  Anna.

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Wednesday.  Eoin O’Neill, Brid O’Gorman, Jon O’Connell.  Brogan’s Ennis

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Wednesday.  Anne Marie McCormack, Marcus Moloney and a member of the young Clare hurling team.  Moroney’s Ennis.

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Thursday.  Joining Oliver O’Connell in his kitchen.  Photo Anna.

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Thursday.  House session at Caherush.  With John Joe Tuttle, Ciaran McCabe and J-B Samazan. 

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Friday.  Piping session, Blackie O’Connell, Tom Delaney and friends.  O’Connell’s Bar, Ennis,

 

For me these musical experiences are enhanced immeasurably when I am joined by those who approach the music with the same ardor as me. It is my privilege indeed to host such people.

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New friends.

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Blue and green. 

 

Categories: My Journey, Sessions | Tags: , , , , , , , , , , , , , , , , , | 1 Comment

Glenties and the Blue Stack Mountains; The beating heart of Donegal fiddle music.

I hadn’t planned on going to Glenties. Don’t get me wrong it’s a delightful place in the west of Donegal set in mountainous country and its lovely leafy village setting is a surprising contrast to the treeless wild of this part of the world.

I had just spent a wonderful week of music at the Scoil Gheimhridh Ghaoth Dobhair (a winter school for traditional music at Gweedore) and was ready to go home. It was the last night and the final session was coming to a natural exhausted conclusion. I was saying my goodbyes when Sile Friel of the renowned Glasgow/Donegal based Friel Sisters asked if I was interested in attending a session the next night. This is how the conversation went.

Sile        “I’m trying to organise a session with a few of us and the Campbells at Glenties”

Me         “Um. Who are the Campbells?”

Sile        “You’ve never heard of them? Jimmy and Vince are fiddling royalty up here”

I felt embarrassed by my ignorance. But my interest was of course piqued and my travel plans instantly changed.

Next morning I headed south taking a detour to the Glengesh Pass (between Glencolmcille and Ardara), which ironically I had visited earlier in the year on a miserable summer day in stark contrast to this glorious winter’s day. Well worth the detour.

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Glengesh Pass.  On a sunny day in the middle of winter.  January 2017

 

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Glengesh Pass.  The same view on a foggy day in the middle of summer. August 2016

 

But my main objective was a little pub a few kilometres from Glenties in the middle of the Blue Stack Mountains.

I spent the afternoon discovering the Blue Stacks, also known as The Croaghgorms. It is the most significant mountain range in Donegal, separating the north from the south. Typical bare, rounded hills with the characteristic remote wilderness feel to it that makes Donegal so appealing. The special winter russet colour which takes on a red tinge when the sun shines.  And not a tree, except the occasional pine forest.  I took random roads, which turned into random lanes and then random boreens. It was beautiful but scary. The roads were so narrow that there was no chance for two cars to pass and there was bog on either side. And being so remote there were few houses and fewer laybys. I drove in fear of meeting someone and having my reversing skills challenged over distances measured in hundreds of metres.  This world though is well off the commuter trail and the major road traffic was of the four footed kind.

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I arrived at the Glen Tavern (everyone calls it Dinny’s despite that name not appearing anywhere on the building) a respectable period before the nominated time of 7 pm. Of course I should have known better.

I had plenty of time to get to know the owners, Annie and Mary because it was at least an hour before the first patron arrived let alone musician. And then some. Of course, I was made to feel very welcome. I guess an Aussie fiddler tuning up was a bit unusual.  Or maybe it wasn’t.

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Mary and Annie.  Mine hosts at Dinny’s

 

The first surprise is that you enter the pub through a little shop. Just your basics mind you, but a shop nonetheless.

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Open for business.

 

As well as a shop and a bar it is also a residence. A door to the right took me into the now empty bar. Cosy and inviting with those corner lounges so typical in Ireland just waiting to be filled with musicians. This looked like a great place for music. But not right now.

I settled down for a chat with Mary and Annie and a glass of Jamieson and heard the stories of this place and its music. In my ignorance I had not realised that these mountains and this pub were at the beating heart of Donegal fiddle music.

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A bar with an house fiddle is my kind of pub.

 

The legendary itinerant master tinsmith and fiddler Johnny Doherty lived in these parts and played here and the Campbells (who Sile had mentioned) are a direct link to that legacy. Vince and Jimmy learnt their music from their father who played with him. Johnny had stayed with the Campbells as he had in many houses across the mountains.  I had inadvertently walked into this time capsule.

Gradually people arrived. Peter Campbell, Jimmy’s son, also a fiddler and Condy Campbell; not sure where he fitted in but he took up what looked like his regular spot in the corner and settled in for the night.

Two hours now and the musicians who were coming from Gweedore had yet to arrive. Occasional texts from the Friels advised they were ‘on their way’. But this is Ireland. Turns out they called in to visit Danny Meehan, another legend of Donegal fiddling and he wouldn’t let them go. I’m sure there’s a great story there.

So it was well after 9.00 pm when they finally arrived and then another half hour before the tunes began.

The place had gradually filled (I’m sure there were a few more Campbells among the crowd) as the pipes and fiddles took over. Joining Sile Friels on pipes and sister Clare on fiddle were brothers Fionnán and Iarlaith Mac Gabhann, from Dublin, on pipes and flute.

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Peter Campbell, Fionnan Mac Gabhann, Clare Friel, Sile Friel and Iarlaith Mac Gabhann at Dinny’s

 

The music was sensational. We were in full flight with, of course, a heavy smattering of highlands, mazurkas, flings and a waltz or two, which , for the most part, I had to sit out. We even played Donegal’s only polka. Well that was what I was told. We got the story of that tune from Condy but I have to be honest, I can’t tell you any of it because with his thick, but delightful, brogue, I didn’t get a word.

The musical visitors had decided to move on so about 11 they started to pack up ready to go. Then Jimmy Campbell arrived. That changed everything. “Just one for the road”.  Jimmy insisted that they keep playing and he just sat and listened. In that peculiarly endearing Irish way he would interject with “lovely”, “lovely”, which is surely the ultimate accolade. And it was meant.

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Jimmy Campbell watches and listens.

 

He was persuaded eventually to grab a fiddle. “I can’t play” he said wryly. “I can’t play like that”.

But he did and he could! No one joined. It was our turn to admire and just listen. He played solo and he played with son Peter.  The boys from Dublin had never been to Donegal before and I could see the reverence and joy writ all over their faces at hearing this music. I felt the same. Here was a whole world of playing I knew nothing about.

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Father and son.

 

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A good tune followed by a good laugh.

 

Of course no one left and the musical conversation continued until 1:30 am. Even the goodbyes took an hour.

I had the chance to sit and chat to Jimmy. A nicer gentleman would be hard to find. Nearly 80. He had left Donegal and lived in London much of his life but was now back home. His son Peter, born in England, followed him back. He is full of tales. A session with Jimmy is an experience. It is beyond now. Every tune has its moment. Often there are no sets. Just a single tune. We hear about where he learnt the tune or who wrote it or the story behind it or where the name came from. The tune is a window into a social history. With his words it ties us to people, time and place.

It was a special evening. Two worlds meet with both embracing each other. Music was just a facilitator for people to connect at completely different levels. A good session is more than just playing tunes together. This was a good session.

The beauty is though that I can take something away with me. On the wall is a framed musical notation of a tune, The Jack in the Tavern, written by Jimmy. It’s on my to-learn list now.

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To think that but for a chance conversation with Sile I would have missed this. That’s how it is in Ireland.

Happenstance and serendipity.

There is a music weekend every year in the Glen Tavern in September and I have marked it in my calendar already. Try and keep me away.

Hopefully I will have learnt Jimmy’s tune and a few more highlands and mazurkas by then.

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Categories: Sessions, Stories, The Fiddle, Trad Irish Music, Wild Ireland | Tags: , , , , , , , , , , , , , , , , , , , , , | 2 Comments

The Singing Circle at Kilshanny, Co Clare. Entry to another world.

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Early in November I went to my first organised singing session since I came to Ireland. I know that’s a terrible admission especially as my start in Irish music came from my interest in folk singing back in the 60s. It was from singing Bob Dylan and Phil Ochs and Pete Seeger and Ewan McColl, and then traditional Australian songs, that I discovered the original “protest” songs coming from Ireland and Scotland. Of course the fiddle sort of took over but I still love singing and squeeze the odd song into a trad session if I get the nod.  My knowledge of the singing session was scratchy to be sure and probably an entrenched stereotype.   You know; finger in the ear stuff and all 47 verses of Lord Thomas and Fair Eleanor.

So when Mary Butler, proprietor of Kilshanny House near Ennistymon, asked me to come along to the once-a-month Kilshanny Singing Circle, I had no great expectations. It was certainly a world away from the Pub Trad Sessions, my natural habitat.  

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Mine hosts,  Aidan and Mary.

A crowd slowly gathered on the chilly November night. Many turned out to be singers but others were just there to listen. Indeed there were at least 25 singers (actually 24 singers and one Singer – sorry that’s an attempt at humour), some sitting in a circle as you would expect in a session but many others just hovering or sitting at the bar in relative anonymity.

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The night was masterfully run by local Ennis based singer, Noirin Lynch with a velvet glove.

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Noirin Lynch

Just an aside. It is the bane of singers in Trad sessions that everyone talks through songs. Sometimes no amount of shushing or whooshing or glass tinkling will shut up the crowd and many a great performance is lost. Not so here. Every person in the pub this Friday had come to listen or sing, so all that was needed were a few gentle reminders. To some this is not the atmosphere they want, and maybe that’s you, but that’s the beauty of Ireland. There are plenty of options; plenty of other pubs where the TV is blaring and you can turn your back to the music. But if you want to hear wonderful singers at their best in total silence then there is no better place than here.

The concept of the Singing Circle is far more democratic than the more ad hoc music session.   Noirin identifies all the singers, in the room,  sees who wants to sing and calls on them to do so at the appropriate time. Always conscious of mixing it up and giving everyone a fair go.  She is constantly roving the room looking for new additions.

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Noirin’s list

These nights of music are a celebration. For me, mainly of the incredible talent that lurks hidden in the cottages of Clare. And I have to say whatever I am exposed to another layer of the culture and performing arts in Clare it comes from deep in the soul of the people here.  Nothing special, it’s just part of their makeup.  In West Clare and North Clare I have many times seen spontaneous sean nos dances from kids of all ages up to 90,  I’ve seen sets and half sets where there shouldn’t have been room and I have heard gems and disasters of songs from people sitting quietly all night waiting to perform their party piece.

While there were many widely known singers from inside and outside Clare here this night,  the majority were just unsung (no pun intended) heroes for whom singing is just part of what they do between selling real estate, farming or driving trucks or bringing up their kids. The special guest for the night was Roisin White from Miltown Malbay (honoured with a Gradam Cheoil for singing in 2015) and she treated us to a wide range of material, strongly and beautifully delivered.  

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Roisin White

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Roisin White

There were  other visitors, Ciarán O’Maoileoin,  Aoife Caomhnach and the well known, Ann Skelton  from Dublin.  And regular Clare visitor Steve Brown from England and Jan van der Klei from Holland.

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Ciaran O’Maoileoin and Aoife Caomhnach

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Ann Skelton

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Steve Brown

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Jan van der Klei

But as I said I was most impressed with the home grown talent.  Noirin Lynch herself set the tone of the evening with the anthemic Nora Daly which she learnt from the singing of Micho Russell and Peggy Macmahon.

My name is Nora Daly from the Parish of Kilmaly

and my father is a farmer and the crossest man in Clare

If he saw you here beside me I’m in fear that he might chide me

so please go down and walk a bit before we reach the fair. 

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Noirin Lynch

Everyone sings along with this one.  In fact if you are from Clare, I bet you hummed along as you read it.    There was a preponderance of songs on subjects of local interest. I couldn’t possibly talk about each singer, so let me mention just a few. John Casey, originally from Lisdoonvarna grew up with the travellers and remembered them vividly as a child. Sixty years later he met one of them again and was inspired to write his song “The Tinker” which he sang for us.  John told me later that a cousin from Australia was the extraordinary Father Ted Kennedy who did remarkable work with the Aboriginals in Redfern. When he died in 2005, 1,500 people attended his funeral.  Interesting synchronicity there with the status of Travellers and Aboriginals. 

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John Casey

 

We had Gerry Devitt with that marvellous song about Joseph McHugh’s from Liscannor. And the delightful and much loved John Joe Scanlon from Fanore, who treated us to a wonderful bit of the, almost lost, art of lilting. 

The fantastic songs of Micheal Marrinan got an airing with  Ciarán O’Maoileoin singing Miltown to Sweet Ennistymon and The Binding Twine sung by Steve Brown complete with with prop of a roll of genuine binding twine!

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Ciaran O’Maoileoin

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Steve Brown and the Bundle of Twine

With the memory of the death of local football legend Anthony Foley still fresh there was a heartfelt and powerful recitation from Michael Scanlan of Killaloe of his own song and, further reflecting the place GAA takes in Irish culture, we had Marian Egan sing ‘Cuchulainn’s Son’  a song about Wexford hurler Nicky Rackard from it’s golden era in the 1950s. It was written by Marian’s late cousin Tom Williams.  Marian is now a Clare woman living in Kilfenora since 1997.

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Michael Scanlon

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Marian Egan

We had some delightful comic songs;  Sean Maclaghlan with  Big Bellies and Spare Tyres (though I have to say that only with some reluctance did he get the ladies to answer back with the ”spare tyres” bit)  and that old favourite, the Lottery Ticket.  from James Blackwell of Ennistymon. 

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Sean Maclaghlan

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James Blackwell

The tone of the night was best illustrated with the welcome received by newly arrived Ursula. An occasional singer from Dublin but now living in Kilshanny, she must have been surprised at the warm reception.  She was introduced around and sat down in the inner circle and coaxed into singing a couple of songs which she carried off with aplomb. What better way to welcome someone into your community than to share a song with them.

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A warm welcome

I really like the photo I captured of Ursula with a cup of tea in her hand beside a framed photo of Robbie McMahon of ‘Spancil Hill’ fame. Turns out he is Mary’s uncle.  Don’t you just love the connections in this place. I think I’ll call it The dreamer and the Dreaming

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The dreamer and the Dreaming.

And they even had room for some Aussie guy who had the cheek to sing an Irish song about a road that “runs down to the sea”.

There were of course many others and here are some more photos. Singers are difficult to photograph. Always moving unpredictably, eyes closed, bad light. I think though I have captured the mood with these shots.

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Almyn Wilson

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Joe O’Connor

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James Blackwell

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Emer Ni Mhaoileoin

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Paddy Williams from Kilshanny

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Patsy Carrucan from Fanore

Singing Circles as they are called, abound in Clare. They are generally held once a month, but you could easily attend one or two a week if you wanted. The better known ones are in Ennis and Cooraclare and there is also an excellent Sunday singing session at the Crane in nearby Galway.  So if you come to Clare and want to try something different, you can be assured of a warm welcome.

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I’ll definitely be back to Kilshanny House.

And one final word. Why is respect demanded and given for a song but not always similarly for a tune?

Categories: My Journey, Sessions, Trad Irish Music, Uncategorized | Tags: , , , , , , , , , , , , | 3 Comments

The Legend, the Master and the Pupil. Culture Night. Ennistymon 2016.

So, What’s an Australian blogger doing writing about Irish Culture? Well any culture really. OK Let’s get the jokes over.

What is the difference between yoghurt and Australia?         Yoghurt has a little culture

“I don’t despair about the cultural scene in Australia, because there isn’t one here to despair about.” said the dancer Sir Robert Helpmann in the mid-1960s,

And I could go on.

As of now, though I think Australians punch above their weight in artistic endeavours as we do in sport.   Hollywood and Broadway are filled with Australian actors. I hear Australian music all the time on radio and people don’t even know it is. “Oh are ACDC Aussie?” “Love that classic Irish song Band Played Waltzing Matilda” etc….

So there. I am going to talk about Culture Night here in Ireland anyway.

Culture Night this year was Friday 16th September and it is an annual fixture sponsored by the Irish Government. It’s a terrific innovation. Free events are held all around the country covering all branches of the arts. In fact 3,000 of them in 1,300 venues. I chose to spend the evening in and around Ennistymon in West Clare.

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Ennistymon is a pretty town hidden in the hills at the southern end of the Burren. The town dates from the 18th century and is built around a bridge crossing of the Cullenagh River and its famed Cascades. It has always been a market town but the famine hit hard with 5,000 dying in its various workhouses in the five years from 1847.  Subsequently it prospered and is now a lively centre of commerce. The “Troubles” came to Ennistymon in 1922 when the British, in reprisal for the ambush at Rineen, near Miltown Malbay (which killed six Black and Tans), burned a number of pubs and houses.  The only troubles now are whether a bridge widening should be permitted at Blake’s Corner.

It is noted for the pretty shop fronts but as in most Irish villages and towns today the struggle for survival in rural Ireland is evident in many of the abandoned shops.

I visited an art exhibition in the Old Court House. It was an exhibition by Clare based artist Martina Cleary. There were really three exhibitions. Each with a different personality. One explored her attempt over ten days to recreate the search in 1926 in Paris by poet and author Andre Breton.  He became infatuated with a girl called Nadja and it became the subject of a book. She has created a number of panels using maps and photographs where she retraces and reinterprets the story. I loved the way she blended her own photos with contemporary photos, mainly old postcards.

This was a theme similarly explored in the exhibition of the photos of Dorothea Lange, a renowned photographer for Life Magazine, who came to Clare in 1954. Martina has revisited the places and themes to create modern versions of these images, many in black and white and many with a suitcase which was her constant companion. She has also cleverly woven her own images with historical images in a number of long collages.

I loved this exhibition. The pieces were quite eclectic and inventive in the use of multimedia, postcards, photographs, rocks, string, paper, books and found objects. One piece I particularly loved was of an open book with the words and images flowing out of it.

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I can’t actually recommend you go see it because it was its last day.  Sorry about that.  but do keep an eye out for her.

I then decided to treat myself to a nice meal at Byrne’s Restaurant overlooking the Falls. I was very impressed. I am a sucker for duck and will order it whenever it is on the menu. This duck confit was one of the best meals I have had in Ireland. Well done to the chef at Byrne’s and others for keeping alive the culinary arts in remote Ireland.

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On my walk back to the car I stumbled upon a street session at the market square organised by the local Comhaltas Branch. There were some familiar faces there and I was asked to join. So a quick trip to the car and I had my fiddle, trying to balance it with my camera to get these few shots. I never cease to be amazed by the quality of musicianship and dancing I keep coming across in Clare. This was a classic example of the depth of the musical culture here and how vibrant it is today.

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But my main destination for the evening was Kilshanny House, so my stay was short. This is a pub on its own in the middle of nowhere just a few kilometres from Ennistymon. These sort of pubs are a dying breed and struggle to survive but fair play to owners Mary and Aidan who have promoted good food and music to attract clientele.

They would have been happy this night. Blackie O’Connell the renowned Ennis based piper and the doyen of the local piping world was hosting Davy Spillane. Davy, a master whistle and piper set the trad world alight with Donal Lunny and Christy Moore and the extraordinary sound of Moving Hearts in 1982.  He provided many solo albums and collaborations since. With massive names such as Kate Bush, Van Morrison, Elvis Costello, Enya, Steve Winwood and Chris Rea. And Riverdance. And that tune Equinox on Bringing it All Back Home from 1991. A huge favourite of mine and almost an anthem for me.

He lives in West Clare but rarely plays publicly now, so this was a chance to see and hear him.  Blackie and Davey were the stars, though a number of other local pipers participated. The word had got out and the pub was nicely full. I saw many fellow musicians in the audience.

From almost the first note without any fanfare you could tell this was going to be different.  It was music from another realm. Fast or slow it didn’t matter. As the night wore on Blackie and Dave entered into a special place. They sat close together, facing each other, their pipes almost physically entwining just as their sublime music did. This music came from inside them and we were allowed to witness it. It was totally absorbing and spellbinding. Energy and fire. Many times, the other musicians just stopped and listened. And then Davy would play that Low Whistle. Extraordinary sound with incredible economy of finger movement. It wasn’t just Davy though. It made you realise what a phenomenal piper Blackie is.  During a break he wowed the crowd with the full version of the Fox Chase. Barking dogs and all.

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Oliver, Blackie’s dad, came over and whispered in my ear at one stage, “have you ever heard anything like this before?” And this wasn’t just a proud dad talking. I know, speaking to Blackie afterwards that it was special for him too.ig3c8775a_1ig3c8781

The two masters were joined for a couple of tunes by Kevin Nunane.  Kevin, didn’t look ten yet and is a student of Blackie’s. This is the future of piping and to have the three generations of pipers there playing was as profound an expression of the depth of Irish Culture as you will ever see. The Legend, the Master and the Pupil.

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I’ll leave it to WB Yeats to have the last word

But he heard high up in the air
A piper piping away,
And never was piping so sad,                                                                                                                                 
And never was piping so gay.

 

Categories: Concerts, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , | Leave a comment

Fleadh Cheoil na hÉirean. Ennis 2016

I usually don’t do diary-type blogs.  But for the Fleadh in Ennis I will make an exception. This is essentially a rehash of my daily posts on Facebook but many of my blog followers are not on Facebook so I am repeating it here for you. Apologies to those who have read it before.

August 13th 2016.  Day 1

Just the beginning…  The first night of the Fleadh for me was at PJ Kelly’s Pub.  Mental. Pub was packed by 9:30 for the regular Saturday session with room for only half a dozen musicians. Great craic but I can only guess what it will be like later in the week.

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August 14th, 2016.  Day 2

I’ve said this before, but what happens outside a festival can be as good as being there. This night was a completely different chilled out experience with songs and tunes at one of my favourite haunts, Cornerstone Bar Lahinch. With Eoin O’Neill, Brid O’Gorman, Willie Cummins, Noirin Lynch, Lorraine Battersby and Luka Bloom seeking respite from the mayhem.

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August 15th, 2016.  Day 3

There is a great buzz in Ennis and today I felt it for the first time. It was a glorious sunny day and the town looked a treat. Streets adorned with bollards. Ha. No seriously; shops were painted, there were window displays everywhere, some pop-up shops selling music stuff and there were people on the street. I went to a concert in glor with Christy McNamara, Yvonne Casey and Eoin O’Neill.  Great music. Narrowly missed Martin Hayes, doing a spot for FleadhTV, looked in at Knox’s, played some tunes at Cruises with Denis Liddy and family, Brid O’Gorman, Lorraine Battersby, Caoilfionn Mooorhead, Veronika von Ruden and Kathleen Bremer and listened to The Fiddle Case in the Sanctuary. In the process I wandered around town and caught a bit of the vibe. Like a street carnival.

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August 16th, 2016.  Day 4

The sun beckoned; so today I ended up on Lahinch Beach with my Fleadh houseguests from Czech Republic (Iva and Tereza) and from Germany (Katherina). It was a very high tide and the sea was rough and smashed against the rocks. The red flag was flying so there were just a few mad surfers in the water. I now see why Lahinch brings the surfers. We found a patch of sand near the river mouth and I ended up in the water for my second swim of the summer. Hardly the sun bronzed Aussie but it was a perfect tonic. Eventually we ended up in town for Supermacs and to catch the last of the evening light. Crowds are bigger today and the buskers have hatched. They are everywhere. Then the rain came around 930 and scattered them and the pubs filled. It was tunes at Cruises again and then we ended the night with Los Paddys de las Pampas. Thanks Lorraine for dragging me onto the dance floor. I hope the bruises have recovered. There’s no doubt about where this Fleadh is being held. Ennis is writ large. Thanks to Tereza for the photos with me.

 

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August 17th 2016, Day 5.

Stayed away from Ennis today but not away from the music. My cottage was filled during the afternoon with the fiddle and pipes of house guests Haley Richardson  and Keegan Loesel from New Jersey in the States practicing for their Competition spots. Keegan had entered eight! JC Talty would have been very pleased. And in the evening a very special session at Duggan’s at Spancil Hill where Haley and Keegan and I joined in with Yvonne Casey, John Weir, Christy McNamara and a few other lucky people. There were some some gorgeous songs and a sean nos dance from Kristen, another visitor from Boston. Back into the mayhem tomorrow.

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August 18th, 2016.  Day 6

Every day is different, Today started with threatening weather and a battle with the Fleadh traffic. Eventually I found a park miraculously two minutes walk from town but it still took half an hour to get through the throng at 3.30 to the Tune Challenge organised byBoston-based Tommy McCarthy. We were supposed to play Humours of Tulla but we played some reels and barn dances and listened to some songs and then just as we were all ready to launch into it the  rain came. Ten minutes later it was fine again. Oh well. This is Ireland. Then I had the most fabulous time dressing up in ridiculous clothes and rehearsing for the Chapel Gates Wren Boys gig (All Ireland Champions you know) and then on to the Gig Rig at 9pm for the absolute highlight for me, of the Festival. What a thrill playing in front of the jam packed street. Many thanks to all the wonderful people who allowed me to participate. Too many to thank but in particular Grainne Fennell and Joan Hanrahan.  Thanks also tomy friend from Boston, Kristen, for grabbing my camera and taking some amazing shots. The street party continued until late in the night as the rain held off. Even the security guards were getting into the silent disco!

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August 19th, 2016.  Day 7.

At the heart of the Fleadh is the All Ireland Competition. It’s why Comhaltas started the whole thing back in the 1950s. Today I went to the Fiddle Competition. I watched extraordinarily talented kids perform with aplomb in the Under 15s, with my house guest from South Jersey in the US, Haley Richardson coming in second. And then second again in the Slow Air. Congratulations Haley. Amazing playing. There were sessions everywhere like at Nora Culligan’s with Claire Egan, Jack Talty and Paraic Mac Donnchadhna and  Friends but try finding a seat! Dodging the showers I settled in for the night at PJ Kelly’s with Eileen O’Brien and Deirdre Mc Sherry etc. Great tunes in a great pub. The picture of the lad with the massive trophy is of William who had just won the U15 Mouth Organ!

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August 20th, 2016.  Day 8.

No tunes for me today. Just caught the end of the Under 15 Ceili Band Competition. Absolutely jam packed tent. Congratulations to winners Tulóg Ceili Band from Tulla. Up the Banner! Another showery day but the music continued in the pubs and on the street, in tents, in a caravan at the back of the Old Ground Hotel and even in the shops where I stumbled on the Toyota Ceili Band from Japan. The ferrets were captivated. The crowds were a real challenge and by 9pm many pubs had closed their doors and just weren’t letting anyone else in. So I settled into a corner of Cruises with some new friends and enjoyed the party until the small hours. A quiet day tomorrow? Maybe!

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August 21st, 2016.  Day 9.

Wet, wet, wet. So not a lot of time on the streets today. I spent the afternoon checking out the merchandise tent (been there, done that, got the t-shirt) and catching some of the sean nos dance competition. Class. The evening I headed to Miltown Malbay in the pouring rain for a concert by the Tulla Ceili Band. Except it wasn’t a concert it was a mini-ceili. With a few guest acts. This was such a wonderful contrast to the streets of Ennis and very few of the Fleadh visitors made the trek. This was real. No need for the whoop-whoop of FleadhTV. I even got up and danced the Siege of Ennis (appropriate?) A first for me. Then a mighty session at Friels Lynch’s with Joanie Madden and couple of the other Cherished Ladies and Haley Richardson.  I like to think of this Fleadh as a Plum Pudding. A great big blob of delicious sweetness but with explosive surprises dotted through it. This was one of those plump little raisins……..

Thanks to Kristen and an anonymous punter for the last two photos.

 

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August 22nd, 2016.  Day 10

The Final Fling!

Monday was such a glorious day of sunshine I didn’t make it in to Ennis until 6.00pm. After saying goodbye to my Fleadh houseguests, Donn and Haley and Lynette and   and Keegan, the afternoon was spent on the shoreline at Caherush but I needed just one final fling. So I headed to town. It was quieter on the streets but the pubs were still doing a roaring trade until the rain returned and Ennis regained some semblance of normality. I played a bit in Nora Culligan’s before doing a final wander and returning home well sated.

Some final words. There is something different about a Fleadh in your own home town. I enjoyed it so much more than Sligo. This was a truly unique week. OK I didnt play much and I went to very few concerts but just being part of something like this was enough. Despite the occasional cold and wet there was warmth and welcomes everywhere. It didn’t matter that you couldn’t move in the pubs or get a seat. Everyone was here to enjoy themselves and they did.  This is the natural home of the Fleadh.

See you next year. And 2018?

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Categories: Festivals, Sessions, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | Leave a comment

Doolin Folk Festival 2016 Day 2

The day kicked off with a start that couldn’t be more local.  Moher comprises many musicians resident in Clare and well known to Doolin session-goers. The group of eight musicians used their number and skill to produce a surprising nuanced and textured sound which, when it needed to, could rattle the tent pegs.

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After that though I left familiar territory. Ye Vagabonds, another brotherly collaboration, grabbed a stunned audience from the first number which was a haunting and mesmerising version Barbara Allen. This was a Child Ballad reborn and what followed was a spellbinding set, perfect for a drizzly Saturday afternoon.

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More surprises followed with Breaking Trad, who mixed it up with an exciting, energetic delivery and yet could slow it down beautifully, as with their version of Clare to Here.

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In my ignorance I had never heard of Freddie White. Another surprise that knocked me backwards. A fantastic stage experience from a master of his craft. Beautiful songs, some his own and many known to the audience, who sang along with gusto.  An added bonus for me was that he was an absolute joy to photograph with an ever-changing face full of  life experiences and wonderful expression.

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Then there was Dervish who for 27 years have been belting it out producing music from the top drawer. Kathy Jordan was in fine form and there was something for everyone. Particularly fine was her rendition of Down by the Glenside.

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I was a bit dubious as to how Hothouse Flowers would fit in but how brilliant were they. A passionate, exciting, captivating performance from a truly great rock band led by Liam Ó Maonlaí .   An inspired choice for this festival, it really was a privilege to hear them live.  I have to say though it was very hard to dance while juggling two cameras I can tell you.

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For me that was enough but I stayed long enough to catch the beginning of Marc O’Reilly. The crowd looked like they were settling in for a long night.

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Categories: Festivals, Trad Irish Music | Tags: , , , , , , , , , , , , , | Leave a comment

Miltown Malbay. Who Needs Willie Week?

Miltown Malbay is my local town. It is of course legendary in the annals of traditional Irish Music as the place where thousands congregate each year to hear the best. But that’s just one week of the year. The rest of the year sessions go on with unheralded players in quiet corners playing to the locals and occasional visitors. Only occasional visitors because Miltown doesn’t have the lure of Doolin except for that one week.

I went to one of these sessions last night. About a dozen musicians were there and you would struggle to put a name to anyone. In fact for most this is their only session of the week. This was an eclectic bunch. There was one player who was hard of hearing but undaunted, struggled to play along.  We had key changes, deliberate or otherwise, in the middle of a tune, we had a singer sing a song while he played guitar in a different key, we had American tunes such as Oh Susannah, we had Johnny Cash songs and and  we had Cow Cow Yippy Yippy, we had Kevin Barry, and even an Aussie song thrown in .

Somehow none of the jarring moments mattered. It was all part of a wonderful joyous mix. There was enthusiasm, vigour and musicians and crowd were involved and supporting every effort. Of course it was noisy. The pub buzzed but the applause at the end of each number showed they were listening in that peculiar Irish way. And in amongst it all there were absolute gems. Michael Galvin and his daughters provided special moments and at the end of the night Cian  Talty delighted with songs until after 2am. This was a real hooley. It was more than a session and while the purists would probably be horrified, there was not one person who didn’t leave that pub totally satisfied.

And isn’t that what it is all about?

I didn’t have the camera so just a few photos with the phone.

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Categories: Sessions, Stories, Trad Irish Music, Uncategorized | Tags: , , , , , , , | 2 Comments

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