Posts Tagged With: travel

Monday, Monday. Corofin Trad Fest 2016

I spent last weekend at the Corofin Trad Fest.

This is one of those Festivals that after fifteen years, the organisers have got absolutely right.  Corofin is twenty minutes from Ennis in County Clare and like all the good Irish music festivals attracts a loyal band of followers from all around the world .  And why do they come.  It’s not for the concerts, even though they are of a high standard (the venue only holds around 100 people so they sell out very quickly);  it’s not for the workshops, though they have top notch tutors;  it’s not for the dancing (because there is none);  it’s not for the singing (though the odd song crept into a couple of sessions).

It’s all about the tunes.  That’s why the musicians flock here and that’s why the pubs are packed.

The organisers Damien and Padraic O’Reilly very cleverly select musicians to ensure a uniformly high standard.  Not the same-old-same-old that you get in many festivals but if you want to hear new musicians this is the place.  There are also some really interesting pairings.  Musicians that have never met, let alone played together. And sometimes the results are electric.  I still cherish the memory from last year’s festival when Claire Egan was paired up with Derek Hickey.  Wow.  All the pubs are close by and this year there was an extra venue with the reopening of Daly’s.

I didn’t go to any of the concerts so I can’t report on those but I attended sessions on Friday night and all day Saturday and Sunday.  I won’t go into detail.  There’s no real point.  I can only think of one session where I was disappointed but I won’t dwell on that.  The music everywhere was sensational and the crowded pubs were testament to this.

So I ask you to look at the photos and if you strain your ears you might even hear  some of that wonderful music filtering through the ether.  If not then book now for the first week in March of 2017.

But actually I wasn’t going to talk about any of this at all.    Nevertheless I was totally exhausted by the time Sunday night came around.  I had been playing for nearly 12 hours each day and I was suffering with a cracked rib and the last vestiges of a cold.  I was more than ready to head home first thing Monday, with the rest of the throng.

Facebook to the rescue.  A post from Eoin O’Neill, well known Clare bouzouki player and broadcaster, saying he would be at Daly’s for a session from 1:30.  OK I’ll stay.  So I had three hours to fill in.  A stroll along Bridge Street looking for breakfast was interrupted by the sound of my name echoing down the empty street.  It was Eoin O’Neill himself sitting in the entrance of the local supermarket at a laminex table with a cup of black coffee.  I joined him.  And as so often happens we were then joined by one of those characters that make Ireland the treasure that it is.

Mrs O’Brien from the Burren came in and instead of walking past us to pick up the milk and despite having her son sitting in the car outside, she stopped and chatted and stayed for nearly half an hour.  We learnt a lot about Mrs O’Brien but it was one of the most delightful half hours I have spent in Ireland.  She was 82 and sharp as a tac.  She had ten children, she has tinnitus and her husband had died many years ago.  We talked about the music.  Eoin is a master at engaging people and there was an instant rapport, especially when he said she only looked 76.  Touching Eoin’s arm she leaned over and quietly told us there were three things that she loved in life: “music, a bowl of porridge and the hurling and football”.  So we talked about the football.  Full of wisdom, meeting Mrs O’Brien set me up for the day.

And then I had the biggest breakfast ever at Bofey Quinns.

The three hours magically disappeared and I found myself in Daly’s Pub at 1:30 tuning the fiddle.  Just me and Eoin.  And did I mention Brian O’Loughlin and Siobhann Peoples and Blackie O’Connell?  And 22 very lucky people. I counted them.   It was fast.  It was tight and it was brilliant to be part of.  As if that wasn’t enough there was another session after this at Mack’s with Blackie joined by Cyril O’Donghue and and Hugh Healy.  I did a lot more listening than playing.  None of this was in the programme.  When I asked about that, the response was:  “Oh it happens every year”.  I could so easily have missed it.

That was the end of the Corofin Festival but it wasn’t the end of my Monday.  On then to a packed Fitz’s Bar in Doolin for the regular Wild Atlantic Session with the satisfying sound this night of a half a dozen fiddles.

Who said Mondays were a drag?

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Categories: Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , | 5 Comments

There is a God and He was in Doolin last weekend

The Devil went down to Georgia apparently but God was in Doolin last weekend. And I don’t mean Frankie Gavin, though he was there too!

It was the Russell Memorial Weekend, an event held in honour of members  of the Russell family since the untimely and tragic death of Micho Russell in 1994.

There are concerts and there are workshops but it’s about the sessions.  They go all day and night from around 2pm and all four pubs are buzzing.  The opening concert is a showcase of young local talent and always impresses and there is a headline concert this time featuring Frankie  and DeDannan, which I didn’t get to.

Nevertheless there were plenty of highlights for me.  A quiet session with Dermot Byrne and Eoin O’Neill and Quentin Cooper in Fitz’s,  with Dermot again and Floriane Blanke  in McGann’s, a mighty session with Frankie Gavin, James Cullinan and a host of others at O’Connors that lifted the roof off,  playing with Blackie O’Connell and Cyril O’Donoghue, singing a couple of songs myself and watching  a future star – young Seannai McMahon work the audience at McGanns, with his infectious songs.

Not much more to say really.  Here are a few photographs which I think tell the story. Thnks to Melanie Nolley for the ones of me and Frankie.

Oh, one more thing.  Let me tell you why I think God was in Doolin; and that He/She must be a lover of Irish trad music.   It was Saturday night I had been playing music all day and was suffering with a cold and a cracked rib (long story).  It was 9ish and the pubs were packed and you could hardly move and I had had enough.  So I was ready to go home via a few quiet tunes at the Roadside in Lisdoonvarna.  When I got in the car however I discovered I had no petrol.  Warning lights were flashing and the trip computer said 0 km remaining! I couldn’t risk the 30km home.  So I looked for an hostel room which I eventually found.  Stuck in Doolin now with no transport I called in to O’Connor’s and lucked in to a session with a fired up Frankie Gavin, Noel O’Donoghue,  James Cullinan, Michael Queally, Seanie Vaughan and many more. To sit next to Frankie and play a few tunes was a real buzz.

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Categories: Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , | 5 Comments

Scoil Cheoil an Earraigh 2016, Ballyferriter, Co Kerry

This is my second time at Scoil Cheoil an Earraigh, held in February at Ballyferriter on the beautiful Dingle Peninsular.  I said in my blog a year ago that it was one of the best and nothing has happened to change that view.

What was different though was that this year the Festival lost its funding from the Arts Council .  This was a heavy blow and there was some doubt about how the quality of the festival would be affected.   The organisers however redoubled their efforts and raised the extra money from various sources so there was no real visible evidence of the funding cuts.

it was great to catch up with the many familiar faces that make an annual pilgrimage to this Festival and the quality of the musicians attracted to the Festival remained outstanding.

The Scoil is actually two distinct events.  There is of course the school which runs for three days and finishes with the traditional performances in the Church  on Saturday at lunch time and parallel to this is concerts and events with a strong Irish cultural focus centred around the West Kerry music and dance tradition.  And there is the bonus of the sessions which are legendary.

I will say a few words about the School.  I had Caoimhín Ó Raghallaigh as my tutor.  He is an inspirational character and for three days we explored the fiddle and what it was capable of.  how to discover new ways of expressing ourselves.  So many variables that come in to play and the many choices we can make in playing each note.  He has made me think quite differently about my approach.  I also had a master class from Paddy Glackin.  This was a nerve wracking experience as we were each asked to play a tune which he then proceeded to critique.  It was a bit of a buzz for me spending a couple of hours with Paddy.  His album with Jolyon Jackson, which I have on vinyl is one of my all time favourites.

I only went to a couple of events this time.  I enjoyed immensely  a presentation of songs, poetry and music which told the story of 1916 written and performed by Mike Hanrahan and Breanndán Ó Beaglaoich.   And the concert on the Saturday night was a cracker though I was not familiar with any of the acts other than Dermot Byrne and Florianne Blancke.  This led to some wonderful surprises.  The standard was incredibly high and included a virtuoso performance of Scottish fiddle from Ian MacFarlane.

Mark my words Ballyferriter is different.  It is a festival where everyone comes away happy.  Musicians, singers, dancers, listeners.  It is a festival for the locals and they embrace it and it is a festival for the loyal visitors who come year after year.  The sessions are never so crowded that you can’t find a seat and there is huge respect for the music.  The Irish language is everywhere  and many times announcers would forget (?) to translate.  It didn’t matter.  It is in a spectacular location; though other than the first Wednesday there was no sunshine until the Monday when everyone had Ieft.  More than anything else for me though, it was the quality of the sessions and accessibility of the musicians.  Leading by example the Begleys were everywhere.  Breandann, Seamus, Maibh, Cormac, Neil;  as were the headline acts who all participated.  There was no session trail and sessions popped up organically.   The four venues were all so close you could check them in a minute or two and decide where to settle.

This one is a permanent fixture on my Calendar.  We have a year to work on the Arts Council to restore funding to make it bigger and better.

Congratulations Breandann and Niamh and team.

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Not everyone likes the bagpipes

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Hands and hearts.  

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Categories: Concerts, Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , | Leave a comment

Trip to Ballyferriter. Over the Conor Pass.

I had  been to the Dingle Peninsular three times before and each time the weather was so bad I was warned off crossing Conor Pass.  Not this time.  I am off to a music festival in Ballyferriter and as I crossed the water to Kerry via the ferry from Kilimer there was glorious sunshine.  And then there was rain.  And then sunshine.

I could see the Slieve Mish mountains and they were snow-capped and so enticing I decided to risk the Conor Pass.   I pulled into a garage to fuel up and the guy behind the counter in a rich Kerry brogue says,  “So where are you headed?”  “Dingle”.  “Ahh.  You’ll be going over the mountain then.” I could only agree.

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The Pass is the highest in Ireland.  It is a winding,  often single lane road and  buses are banned.  At one point the road climbs continuously for over five kilometres.

It didn’t take long for the cloud to descend and by the time I reached the Pass it was snowing.  Just light wonderful flakes drifting hither (and thither).  Not enough to settle.  My fingers were numb but I clicked away furiously.  It was around 1oC but I was charmed by the beauty.    The landscape had been scoured by glaciers in the most recent Ice Age and all the features I had learnt about at Rock School were there.  U-shaped valleys, tarns (or as they are known here corrie lochs), a string of them in fact (called a paternoster) and moraines and deposits of glacial till.  One corrie sits well above the valley floor in a perched valley (cirque).  There was a perfect glacial pavement with striations caused by the scraping of rocks carried along the bottom of the glacier.   Check the photos. Aside from being a geological wonderland it was a place of extraordinary beauty.  The one lane road crept up the mountain to the top of the pass where to the north I could see Castlegregory and across to the Blaskets and to the south Dingle stretched before me.

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Conor Pass.  Glacial moraine in the foreground.

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Glacial pavement with striations, Conor Pass

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Corrie lakes, U shaped valley, cirques.  Conor Pass

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Top of Conor Pass

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How hard is it to build a straight wall?

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View towards Dingle from the top of the Conor Pass

 

 

On to Ballyferriter and I was greeted by an intense hailstorm .  Just a couple of minutes but enough to create a temporary whiteout.  Four seasons in one day.  Was I in Melbourne?

I will talk about the music festival that took me to Ballyferriter in my next blog.

Categories: My Journey, Wild Ireland | Tags: , , , , , , , , , | Leave a comment

Kevin Burke in Concert, Ennis 2016

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As a young geologist my first job was in the far west of New South Wales in outback Australia at a place called Cobar.  It was a small mining town of 5,000 in the middle of nowhere.  A highlight was a regular three hour drive to Dubbo for a shopping trip.  Sydney was 8 hours away.  This was 1979 and I was already heavily into the fiddle so as often as I could I would drive down to Sydney and head straight to Folkways Record Shop in Paddington.  There I would check the latest imports from Ireland and buy most of them on spec.  This is how I discovered Kevin Burke.  And right through the 80’s he was my inspiration.  From the solo If the Cap Fits to Promenade and Portland recorded with Mícheál Ó Domhnaill and then the collaborations with Jacky Daly and Andy Irvine and Patrick Street.

Fast forward to February 2016 and I am sitting in the back bar of Lucas Bar in Ennis.  I have never been here before and the place is not renowned for music.  Indeed this is a first for the Pub.  A small but enthusiastic crowd had gathered to hear Kevin play. Solo. No distractions.   Just the clear clean sound of a fiddler on his own.    I looked around.  There were many well-known fiddlers in the room and they treated the master with absolute respect and reverent silence.  It was hard to believe that nearly forty years after discovering him I was hearing him live for the first time.

Burke’s playing has both breadth and depth.  His interpretation of traditional Irish music is rooted in the Sligo tradition but has absorbed so many influences from his days in London and the US. Personally I love the fiddle on its own.  Nothing wrong with ensemble playing and his many collaborations are testament to his skill at that but a masterful player such as Burke can bring out the internal rhythm of the tunes without the need for other instruments or backing.    He displayed this virtuosity with over 90 minutes of reels, polkas, slides, jigs and airs.  And we also got some bluegrass, some Yiddish music (via Sweden), some Quebecois and some musette.

It was a captivating and rewarding performance.  The tunes were linked together with some delightful stories and restrained banter and perhaps the biggest cheer was reserved for his song about his days in London.  There were many highlights for me though.  An outstanding rendition of Maudabawn Chapel, the haunting Frielach, and the wildness of the Boys of Malin and Stenson’s reels stand out.

Kevin is in Ireland to receive the Gradam Ceoil for 2016, the Irish Musician of the Year award from TG4.  What a worthy recipient,  having given us four decades of inspirational fiddle music.  Thanks.

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Categories: Concerts, My Journey, Trad Irish Music | Tags: , , , , , , , , , , , | Leave a comment

Surprising Belfast

I hadn’t planned to go to Belfast.  After the glorious weather at the Carlingford Festival in February 2015 (check blog here) I decided to head up to the Glens of Antrim in Northern Ireland but, as I travelled up the motorway, the mist set in and it seemed rather pointless, as I was hoping to do some photography, so I diverted into the city.  I had never been to Belfast.  On my first visit to Ireland in the mid-90s we had given Belfast a wide berth. Travel warnings and all it wasn’t considered safe then.

This time I drove into the city with no plans and virtually no knowledge.  I stopped at the first hotel I found, which happened to be Jurys and they had a special rate – not that much pricier than a B&B.  It was right in the centre of town and within walking distance of all the major attractions including the session bars.  So that was lucky.

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Before I had even entered the lobby of the hotel I became best friends with Bobby who it turned out runs a taxi guided tour and before I knew it I had agreed to go with him.  So without even finding my bearings I ended up in the back of the Belfast version of a London cab.  This turned out to be an inspired choice.  He called it a ‘political’ tour and despite his ‘green’ (as distinct from ‘orange’) credentials, which came through occasionally, it was presented in a dispassionate way with both sides of the argument presented as we visited both the Catholic and Protestant hot spots.  I learnt a lot, given that most of what I knew was picked up on Australian television via the ABC or BBC (and presumably ‘managed’ so not necessarily reflecting reality).  Even so I back then I had been detached from it and it is surprising how being there on Falls Road or seeing the Wall or the memorial garden or the segregated living areas puts it all in context.  Not being Irish I don’t think I will ever fully understand it but Bobby was able to give me a lot of the background.

We drove up Falls Road where the murals depict episodes important to the Republican struggle.  I got detailed explanations of each of these including the gassing of Long Kesh, the dirty protest which turned into the hunger strike at Maze Prison, the rights of  travellers,  The Titanic “built by Irishmen and sunk by an Englishman”, the killings at Ballymurphy, the Falls Road taxi killings, the Gibraltar Killings and the Milltown massacre.

There ar01-IMG_1803.JPGe also more recent murals depicting incidents or struggles that resonate with Republican sentiment. I heard about the shipyards which employed up to 35,000 people; all Protestants.  And the Linen Mills with separate gates for Catholic and Protestant workers

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We visited the Sinn Fein office in Sevastopol Street with the famed mural of Bobby Sands. He died in 1981 after 66 days on hunger strike and his story still causes rancour with many.  His legacy remains however and he is credited with inspiring a new generation to take up the Irish language, something that Sands and his fellow prisoners did in the tortuous conditions of H Block.

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Particularly moving also was a visit to the Clonard Martyrs Memorial Garden.  This is a very simple walled space located at the spot where the troubles really kicked off with the burning of catholic houses.  A few hanging pots and some benches in a paved area allow quiet contemplation. The names of victims of the Struggle are listed on plaques and there are images of some of the fallen. What struck me was the extraordinary youth of many of the dead.  Most in their 20s and 30s but some as young as 16.   The memorial is adjacent to the dividing wall which looms overhead and the houses backing up against the wall have cages which used to protect them against grenades and other objects lobbed over the fence before the Peace deal.

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On the protestant side I signed the Wall, along with thousands of others, with a felt pen thoughtfully provided by Bobby.  This seems to have become something of a ritual and names and messages from all over the world are dotted among the graffiti.

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We visited Shankill, an exclusively Protestant area  where I walked around the incredibly quiet streets.  Presumably everyone was at work or school but the place seemed deserted.  Murals on the end walls of rows of tenement houses are a feature and these depict events significant from the Union side.  There are recent murals celebrating individuals such as Stevie ‘Topgun’ McKeag who died in 2000 and is credited with a dozen killings, and William Bucky McCullough who became a martyr after being killed in an internal dispute in the UDA.

There is another celebrating the formation of the Ulster Defence Union in 1893 and the Ulster Defence Association in 1972.  For reasons unknown to me there is one depicting the Bloody Battle of 1809 in which Napoleon secured victory over the Austrians,  More obviously there is one remembering the founding of Belfast in 1609 and others celebrating legendary hero and defender of Ulster, Cuchulainn, and a somewhat gory depiction of the Red Hand of Ulster among many others.

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Houses here proudly fly the Union Jack.

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The tour was good value and highlighted to me the many injustices and the essential futility of it all.  The song ‘There were Roses’ was going around in my head.  It also made me reflect on the extraordinary achievement of Peace in Northern Ireland after so long.  The protracted negotiations through the 90s that led to the Good Friday Agreement in 1998, the subsequent massive endorsement at the referenda in both the North and the Republic,  the decommissioning of the IRA’s weapons in 2005 and the ultimate end of the Process with the elections of 2007.  Many however appear to hold on to their part in the Struggle.  There is massive progress but I think there is still a lot of work to be done with 93% of kids in Northern Ireland going to segregated Catholic or Protestant schools.

By now I had my bearings and in the evening I continued my unguided walk and found myself at the Crown.  A truly extraordinary bar.  I have seen nothing like it. It is owned now by the National Trust.  The bar was renovated in its current form in 1885 by Michael and Patrick Flanigan and then restored in 1980 and again in 2007. Things that drew my attention include the amazing tiled façade and stained glass windows, a massive granite topped bar with heated footrest, ten snugs with a bell system so ladies could call for their drinks without going out, plates to strike matches,  a mirror damaged by a bomb blast and since restored, a wonderful mosaic at the front door showing a crown (said to have been installed there so patrons could walk all over the crown!) and incredible carved woodwork finials, a magnificent ceiling.  I could go on and on.  Just marvellous.  I had a very enjoyable lamb shank pie there (and a Guinness of course) and indeed went back there for every meal.

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Opposite the Crown is the Europa Hotel.  During the Troubles it was damaged 33 times by IRA bombs including one massive explosion which wounded 20, punched a hole in the side of the adjacent Grand Opera House, shattered virtually every window in the Hotel and caused extensive damage over a wide area of the city center.

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The city itself is full of remarkable architecture and is great to just walk around and soak up.  Many of the buildings date from Victorian times and reflect the wealth brought to Belfast by the ship building and engineering industries and the linen and tobacco trades.  This includes the outrageously ostentatious City Hall built in 1906.  This building was considered more befitting of the City’s status than the previous modest building.  It cost £396,000 to build, an enormous sum, perhaps the equivalent of £150 million today. It was funded by two years’ profits from the City’s gasworks!

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I did not go inside; but having read about it later I have put that on the list for my next trip.  Many statues dot the gardens including a memorial to the Titanic which includes the names of all those lost.

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The City Hall lies at the end of Donegall Place one of the main thoroughfares, Along one side of this avenue are a series of sculptures of uniform design reminiscent of a sail, depicting the great ships built in Belfast.  Included of course is the Titanic, the largest ship ever built at the time and which was sunk on its maiden voyage in 1912.  It figures greatly in the psyche of the city and is a major attraction to visitors.

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Many other fine buildings grace the wide streets.  For the keen observer there are many delights to be had. Largely pedestrianized in its city centre it felt relaxed and uncrowded.  The people were chatty and friendly.  I ended up playing some tunes on a Romanian version of a Stroh viol offered to me by a busker.  My playing was well received and led to the crowd cajoling the busker to play some Irish stuff instead of Romanian folk tunes; good craic.

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Musically my experience was mixed. My timing wasn’t good and the session at Maddens on Monday was definitely not my cup of tea.  It reminded me of that Maori anthem of the 60s – ‘Ten Guitars’ because, no exaggeration, that’s what we had, along with a harp a couple of banjos and a fiddle.  It was all songs and while the craic was good it was not for me.  Then next night I heard it was ‘real’ trad at Errigle Inn, a little bit out of town. So a short taxi ride there and immediately I saw I wouldn’t be disappointed.  Great music, great craic and some familiar faces from my festival travels.  This went a long way to supporting what I had been told that Belfast had some of the best traditional music in Ireland at the moment.  It was fast and enthusiastic and inclusive; a fine way to end my short stay.

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When I visit a city I rarely go to the tourist hot spots.  I walk around and try and soak up the atmosphere.  So I can’t tell you about galleries, museums or the Titanic Experience.  I’m sure they are brilliant and there are plenty of places you can get that information. But I really enjoyed Belfast.  The rich history both old and very recent, the great architecture, surprisingly friendly people and most importantly for me, good music if you look, make it a top spot to visit.  I’ll certainly be back.

If you are of the same bent then you might be interested in the offerings of GPSmyCity (google it!) They have an app for IOS and Android that provides detailed city walks.   They have kindly offered to give away to my readers some prizes of a free download of one of these.  You choose.  No Belfast, but plenty of others to choose from.  A list of all the cities they have guides for is here  http://www.gpsmycity.com/user/static_sfg.html     Here’s what you have to do to win one of the promo codes (unfortunately Apple IOS only…sorry about that)

I am soon to set off on a road trip to discover parts of Ireland I’ve yet to see.  I’m looking for suggestions of places in Ireland that you think I should visit or that you would like to see me blog on.  Just respond in the comments to this blog.  That’s all.  One of the city app prizes to the first 20. Oh and don’t forget to nominate the city you wish to receive the free app for.

Take care in your travels.

Categories: My Journey, Real Ireland, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , | Leave a comment

What a Year!

Another calendar year on my Irish adventure has ended.  And as I look forward to the next 12 months it is also a good time to look back.  Although hamstrung for the last four months due to my visa and driving licence problems I have still managed to take in an enormous amount of music.  I posted a collage the other day on Facebook with a selection of my photos of musicians from the past year.  I thought I would repost it here for my blog followers who are not on Facebook.  These are people I saw in concert or played with in sessions.  To many of my readers there will be a lot of familiar faces and I got great joy from seeing and playing with them as I did with the lesser known but often equally talented musicians I came across every day.

I thought it would also be an interesting exercise to plot the locations of the pubs where I have played in sessions since I have been here.  Unfortunately a few have escaped my memory but the accompanying map shows 144 pubs.  Not a bad sample.  I surprised myself with the spread across Ireland but also with the gaps.  I still have plenty of Ireland to discover.

What hits the eye though is the obvious concentration in County Clare.  This is of course partly an artefact given that I live in Clare and visit a pub every night but it is also a reflection of the reality that there is music everywhere in the county.  In the tiniest village or the largest towns.  I didn’t see this elsewhere.  If you look closer though it is West and North Clare.  Session pubs are thin on the ground in East Clare.  If its music you want come to Clare.

I have put some screenshots here

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and a link to the Google map

Session Pubs Map

where you can zoom in and see the names of the pubs.

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I would like to take the opportunity to wish all my followers a Happy New Year and may it be filled with new experiences, new joys and new music.

 

 

 

 

 

 

Categories: My Journey, Sessions, Trad Irish Music | Tags: , , , , , , | 3 Comments

Ireland – The Next Chapter

I’ll start this blog with some good news. Those of you who follow me on Facebook will already know that my application to remain in Ireland has been accepted and I can stay another 12 months.  The wait has been interminable. Over four months without a word and without any response to enquiries.  Everyone I spoke to about it seemed to think that was pretty normal and that I just had to wait.  Meanwhile my visa had expired and my life was on hold.  My inability to prove residency and obtain an Irish driving licence led to refusal to re-insure my car and so for three months I have been unable to drive.  It will still be a couple of months before that is rectified.

I wonder why some countries make it so difficult for people to come and live.  I am sure Australia is just as bad with people wanting to reside there.  I just don’t get it though.  I am self-sufficient, I have met all the requirements, I accept that I can’t work or run a business but still I have to go through all these hoops and am met with a wall of silence when I try to find out what’s going on.  In Ireland, the hundreds of millions of people in the Eurozone can come and go as they please but the few thousand Aussies who want to make Ireland home (even for a short while)  find that to stay longer than 90 days is laced with any number of difficulties.   A country looking to recover from an economic catastrophe should be welcoming anyone who wants to come here and spend money.

Anyway I am undaunted because I am not ready to go home.  Over the next year I will explore ways of obtaining longer terms of residency to continue on my musical journey.  But Ireland has become much more than that to me.  It has etched its way into my being.  With a few exceptions, which I won’t dwell on, I have been welcomed here with open arms and open hearts.  It is such a contrast to the anonymity of Australian suburbia where you can live for years and never be recognised by your neighbours. Here I live in a small community and people take you as you are.  I am often greeted by strangers “with a warm and kind hello” as in the lyrics of the song “The Clogher Road”.  I have had many offers of lifts to do my shopping or get coal as people became aware of my predicament.  And in my cycles around West Clare I am often tooted with recognition or waved at by people who obviously know me even if I don’t recognise them.

And I feel part of the wider community also, throughout Clare and beyond.  Facebook and this blog have allowed me to keep in contact with the hundreds of people I have met through music in Ireland and around the world.  And to share my experiences and images.  I have received a terrific response to my posts and it seems to me that the Irish and followers of Irish music around the world love to read about and see what’s happening around the country.   Many of my overseas friends tell me they live a little vicariously through my blogs until they can actually get here themselves.

So I will continue to write and photograph.  I will of course play music.  Both in sessions and at home.  I can feel myself improving and want that to continue.  Perhaps I won’t go to sessions every night – I will speak about that in another blog.  I want to explore more of this country and as soon as I can drive I want to revisit some of my favourite places (such as Connemara, Aran Islands and Donegal,) and to find new favourite places, especially in the remotest parts of Ireland to discover the people and music there.

So please stay with me on my blog and follow me on the next stage of my journey…

Here are some of my favourite pictures from the past year or so, which may help you understand why I don’t want to go home.

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A stormy day near Spanish Point, Co Clare

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The last day at the old Brogan’s Pub in Ennis.

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Sunset at Caherush, Co Clare

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A peek into a session at Pepper’s Pub, Feakle, Co Clare

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My cottage in Clare

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Near Mullaghmore, Co Sligo

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The Burren bathed in golden light

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The magical Mount Errigal, Co Donegal.

Categories: My Journey, Real Ireland | Tags: , , , , , , , , , , , , , , , , | 4 Comments

The Good Mixer – Music from a London Pub in West Clare

Talk about a wild night.  I stepped outside in the wind and it blew me into Friel’s pub last night.  That was mighty lucky as Noel O’Grady (bouzouki), Henry Benagh (fiddle), John Carty (banjo) & Marcus Hernon (flute) were there launching their album “The Good Mixer”.  And what a good mix it was.  The title of the album references The Good Mixer pub in  Camden Town in London where these four guys lived in the 1980s.  For five years this pub was the go-to place for Irish music both among locals and Irish visitors alike.  And this CD gives us an inkling as to why.  The recordings were made one afternoon in 1989, in the home of John Carty, as the sessions were coming to an end.  Essentially live to tape.  And it is surprisingly good.  The band has got back together to do four low-key launches in the home towns of each of the members,  Henry is from Miltown Malbay (hence Friel’s), next stop is Galway, then Matt Molloy’s in Westport and finally in Roscommon, John’s home.

The CD contains a terrific selection of lively tunes and I love it but to hear and see the musicians in the flesh was a real treat.  Even though they had not played together for over 25 years it was tight and energetic with a fresh, original sound.  But the boys soon got sick of playing on the stage and adjourned to the middle bar of Friel’s where they were joined by John’s daughter Maggie and some of the local musical talent in Miltown including Liam O’Brien, Therese McInerney and Bernadette McCarthy who had played piano on some of the tracks on the recording.  Interestingly this was the first time Bernadette and Marcus had met for 27 years.  It was a great night and a privilege for me to play with them and we were totally unaware of the storm raging outside until we staggered into the night at 1:30.

If you get the chance try and catch them or failing that keep an eye out for some video I will post in the next few days.

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Categories: Concerts, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , | Leave a comment

Where Does the Music in Ireland go in Winter? Answer…. Fitz’s bar in Doolin.

It’s the last night of November.  I am in Doolin in West Clare.  The rain is lashing.  It’s windy and cold.  Normal Irish winter actually.  So of course the only place to be is in a pub in front of the fire with a hot whiskey or a Guinness and listening to or playing Irish music.

Well that’s the plan anyway; during the summer here in Doolin you can find music every night of the week in any of the four pubs; not so now.  All the mid-week sessions have pretty much packed up.  Except that is on Monday nights at Fitz’s Bar at the Hotel Doolin.  Every Monday night, summer or winter, for the last couple of years this session has acted like a beacon in the musical desert (sorry about the mixed metaphor).  Or perhaps an oasis in a stormy sea (there I go again!).

That’s where I ended up in any case.  It has a peculiar welcoming vibe.  The session is hosted by Eoin O’Neill, Quentin Cooper,  Adam Shapiro and Jon O’Connell who are collectively The Fiddle Case and all very well-known musicians around Clare.  They love playing together and that infectious energy is picked up by the musicians attracted there to play with them.  This night we had noted box and concertina player Terry Bingham and Christy Moore’s siblings, Anne Rynne and Luka Bloom join us as well as regulars such as Andee from the States and Séverine from France along with local and international visitors.

Walking into this pub on a Monday is like a welcome home party.  There are so many regulars, locals for which this is their only night out and visitors who though strangers at the beginning of the night may be lifetime friends by the end.  There is always a good mix here.  The tunes are of course at the centre but there will be songs, always of surprising quality, and often from unknowns that Eoin plucks from the crowd.  After thirty years of doing this in Doolin he is a master.

Always a highlight for me is when Jon O’Connell sings Liscannor Bay.  This wonderful song written by local man Mick Flynn has been made his own by John and with the subtle and restrained backing of the fiddle, bouzouki and slide guitar from the band has truly become an anthem.  The great news is that a definitive version has been recorded.  It is not yet available commercially and can’t even be heard on line but it is receiving airplay on ClareFM and wherever good traditional music is played.  Keep your ear open for it.  I’m sure you’ll love it as much as I do.  Even better news is that an album will be released soon with Liscannor Bay included.  Can’t wait.  I really hope it catches the spirit that is Fitz’s on a Monday night.  I am sure it will be very sought after by visitors wanting to take a little of that magic home with them.

It continues to surprise me why many pubs get rid of musicians in winter.  Fitz’s shows what you can do if you pick the right musicians and create the right vibe.  But luckily it’s not the only one.  Try Friels in Miltown Malbay on Friday, Saturday or Sunday or Cooley’s House in Ennistymon on Tuesdays or the Cornerstone in Lahinch on a Sunday if you can’t find anything in Doolin or Ennis.

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Categories: Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , , , , | 4 Comments

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