Posts Tagged With: Clare

Fleadh Nua Ennis Day 4

Wednesday and struggling to get myself up early enough to get to the Café session at 11.00 am. Glad I did though. Eamonn and Geraldine Cotter at the Tea Cosy. Just brilliant. With the sun streaming (occasionally) in the front window and just a lovely atmosphere with free tea and scones. A lunch time concert at the O’Connell statue by kids from a local school. So much music. And what was also brilliant was seeing these kids dance. Many of them are of obvious non-Irish extraction but they were throwing themselves into it with enthusiasm. What a wonderful way to feel part of your adopted homeland.

A bit of a break for me then until the evening at Knox’s again for a reprise with the Healys and Brian O’Loughlin. Just great driving tunes. Joined for this one by friend Maureen just arrived from Perth. A great introduction for her to the music scene in Ennis. Finished the night with some tunes with Siobhann Peoples, Murty Ryan and Desi Kelliher at a packed Dan O’Connells.

What will tomorrow bring?

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Fleadh Nua 2015 Day 3

A much brighter day Tuesday with the storms and freezing wind of the day before somewhat abated. So off to the Café session at Food Heaven. This is a large modern café with plenty of room for the musicians, today led by Murty Ryan and Desi Kelliher. These sessions continue to be well received by the punters.

The Riches of Clare concert was moved to the Sanctuary Night Club behind the Queens Hotel due to overcrowding at the Museum. I had misgivings about how an acoustic gig would work in this cavernous space but the sound was great. It certainly helped having musicians of the quality of James Devitt, Christy Barry, Conor McCarthy & John Faulkner. It really was lovely music with two terrific songs from John. Great to hear Christy play Christy Barry Nos 1 and 2.

I skipped the Fionn Seissun today but there was an early session at Knox’s with Hugh and Eric Healy, Brian O’Laughlin and Caroline. Brilliant stuff. Clogher Road got yet another airing! Then it was on to Cruises again to finish the evening with Quentin Cooper and Eoin O’Neill and the usual mob of reprobates.

You can feel the build up to the weekend as more musicians arrive every day.

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Categories: Concerts, Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , | 1 Comment

Fleadh Nua 2015 Day 2

It’s Monday and the day kicked off with a brunch session at Cafe Aroma. You had to get there early to get a seat even though no one knew who the musicians would be. What a nice surprise to get Blackie O’Connell and Cyril O’Donoghue. The foreign contingent lapped it up and Blackie made everyone feel welcome.

I missed the lunchtime Riches of Clare concert with Niamh O’Dea, Anne Marie McCormack and friends but my spy on the ground tells me it was brilliant high energy entertainment.

Another permanent feature of Fleadh Nua is the afternoon Fionn Seissun. The venue has moved but the format remains the same. Frank Custy and his friends lead the beginner’s session and everyone gets a go at starting a tune or song. I even sung; giving the Clogher Road an airing.

The evening concluded with tunes at Cruises led by Yvonne Casey and Brid O’Gorman, with musicians from France, Japan, UK, Germany, Belgium, Spain, Wales, USA, and Australia and hardly an Irishman to be seen. Lovely to see an ovation from the appreciative audience at the end.

All roads lead to Ennis.

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O’Sahara at Lahinch

What a lucky man I am.

Last week it was Christy Moore. This week Luka Bloom and his new band O’Sahara.

The venue was Kenny’s Bar in Lahinch and this was the postponed concert from a few weeks back. It was well worth the wait, especially as we got some new songs that he had written since. It was an informal, relaxed gig though Luka confided at one stage he was more nervous than the previous week in Belgium playing with 80 musicians and a 20 person choir.

O’Sahara is Luka supported by Quentin Cooper and Jon O’Connell. Both are local musicians rooted deep in trad but known also for their catholic musical tastes which encompass rock, reggae, blues and various ‘world’ music. Both are highly skilled musicians and accomplished on a variety of string instruments but for this gig, Quentin stuck to his Gibson electric and Jon was on the double bass.

Luka was very much in his element. He was playing in front of his adopted home crowd. Indeed it wouldn’t surprise if he knew everyone there. They all certainly knew him and they were here to hear him. Jon and Quentin provided great support. Most of the songs had Luka playing his nylon string acoustic so having an electric guitar in the mix was risky. But in the hands of Quentin Cooper it worked brilliantly. Sometimes there was distortion and even a little feedback but it never dominated. Sometimes there was bottleneck slide and at other times delicate finger picking. But occasionally the inner rock star was unleashed and we caught glimpses of what Quentin was capable of. Jon O’Connell’s bass playing, as with his singing, is spot on. Smooth and relaxed and well and truly in the groove and his bass really added depth to the sound the boys were able to achieve.

From the first song Luka threw himself into the performance and by the end of the night the sweat was rolling down. At times Luka’s guitar playing reached such intensity that even the sound man had words with him. Much of the material was new. But there were still plenty familiar from his huge body of work. In fact the selection highlighted what a good songwriter Luka is. We heard City of Chicago, I’m a Bogman, and Don’t Be Afraid Of The Light That Shines Within You along with some wonderful new songs including an heartfelt song to a lost love from Fremantle in Western Australia, a very clever song about the population explosion on the Burren (Reels and Jig-Jig-Jig?) a song called Frugalisto about stuff and when ‘enough is enough’, a song he wrote 44 years ago and had not performed in public before O’Sahara and a song (autobiographical?) about a musical journey through Hamburg, Athens and Morocco from which the name of the band ‘O’Sahara’ seems to have come.

Luka is a consummate performer and gave a polished and rousing show in the intimate venue that is Kenny’s and was rapturously received. We are so lucky to have him living here in Clare and this concert is a reminder that we should not take him for granted.  And a great way for Jon to celebrate his birthday.

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Categories: Concerts, Trad Irish Music | Tags: , , , , , , , , , , , | 3 Comments

The Cliff Walk. Cliffs of Moher

On two separate days in March and April 2015 I completed the Moher Cliff Walk. There and back was too much for one day so I did the southern half (Liscannor to the Visitor’s Centre and back) (12km) on 22nd March and the northern half  one way from the Visitor’s Centre to Doolin (8km) on 16th April. On both days we were blessed with glorious sunshine. Considering how many people visit the Cliffs – it was surprisingly quiet and you could go for kilometres without seeing anyone once you were away from the Visitors Centre.

They scare a lot of people away I think with descriptions on their web site such as “a remote, challenging and demanding trail with no barriers, handrails or seaward fencing”; “exposed cliff top path, steep ascents and descents and narrow and/or steep flagstone steps” and “The trail is suitable only for experienced walkers with a reasonable fitness level”

Hell. It really wasn’t that bad as I managed it easily, though I was totally exhausted at the end of both days.

There is not really much to say as it has to be experienced. It is breathtaking. If you can’t get there soon I have taken some photos to whet the appetite.

By the way if you walk it you should hang around until the sun sets. The cliffs change colour from the dull grey/purple of daytime to fiery reds and oranges to match the sky.

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Categories: My Journey, Wild Ireland | Tags: , , , , , , , , | 1 Comment

Super Sunday

What a Sunday.

After a very late night at the Cuckoo Fleadh in Kinvara in Galway I was slow to get started but discovered the perfect antidote at Byrnes Restaurant in Ennistymon. Yvonne Casey and Jon O’Connell.  This was as close to pure as you could hope for.  It was a sublime combination of music and place. Outside after the night’s heavy rain the Ennistymon falls were gushing.  Inside a fiddle and guitar melted together in the hands of two world class players. It didn’t matter that it wasn’t all Irish. At times the small but appreciative audience were mesmerised. I came away enervated but and itching to play.

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So off to Kinvara again for the Cuckoo Fleadh. There were sessions everywhere by the time I arrived. The highlight for the day was a session with Brid Harper and eight fiddles. At least until the noise from the local lads became too much. Hope I dont offend anyone but I am a fiddler, and for a change to hear eight of them with only a whistle, flute and concertina was heaven.  Great to catch up for tunes with with Moya and Sandra in the back bar of Connollys and with Bridge and Siofra.  On top of 11 hours of music the previous day (including a madcap session with Andrew MacNamara and Eileen O’Brien and meeting and playing with Eilish O’Connor again, after 33 years!) I was well satisfied

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Then off for a session at the Blacksticks Pub at O’Callaghan’s Mills. It lies somewhere between Feakle and Tulla and is one of those rare gems of pubs. It only has music on holiday Sundays and the session in the kitchen, led by Pat O’Connor and John Canny and attended by locals from Feakle and Tulla was a real little window into East Clare. I will talk more about this in another place but I got home at 3.30am, after pretty much circumnavigating Clare, tired and satisfied.

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Christy Moore at Spanish Point

When I shop in Miltown Malbay I always go to SuperValu. Yesterday for some inexplicable reason I went to Londis.  So what, you ask. Well normally it would be of no particular consequence but in the car park there I met Anne Rynne, Christy Moore’s sister.  She mentioned she was heading to Christy’s concert that night at Spanish Point. You could have knocked me over with a feather.  Christy was coming to my home town and I didn’t even know about it! How did I not know this was on?

Anyway fate had intervened and 8:00 pm found me sitting in the third row of the function room in the Armada Hotel expectantly waiting for the master to appear.

Christy has been an idol of mine since I bought his Prosperous album in 1973 and in particular in his Planxty and Moving Hearts days.  I had seen Christy three times before. All in Australia. The first time was over thirty years ago in the opulent State Theatre in Sydney.

And now here he was on stage with the extraordinary musicians that make up the Maírtín O’Connor Band (Maírtín O’Connor, Cathal Hayden, Seamie O’Dowd and Jimmy Higgins) and I was a bit concerned that good as they are they would compete with rather than enhance THAT voice. I needn’t have worried.

Christy opened the show with one of my favourite songs; Richard Thompson’s Beeswing. From the first chord there was a reverent hush. This made for an instant connection between Christy and the audience and we knew we were in for a good night. Christy recognised this saying “Well you’re great listeners now let’s here you sing” as he launched into Missing You. The audience didn’t need another invitation and joined in at any opportunity through the night.

This was a happy Christy. Although a native of Kildare much of his family lives in Clare so he is a regular visitor and many of his songs reflect this.  This was a Christy sharing his songs with his mates.  Every time Miltown Malbay was mentioned there was a little cheer. And there were plenty of mentions as many of Christy’s songs echo this love of Clare. Even as a ‘blow-in’ I felt chuffed to be part of this. Indeed that line in Lisdoonvarna where he extols all those looking for music to “come to Clare” could well have been the theme for the night.

Some of the best moments however were when he veered off the programme and responded to requests from the audience. In particular a rousing rendition of St Brendan’s Voyage got the biggest applause of the night and the beautiful Butterfly was a treat. There was even an internet request for Don’t Forget Your Shovel (from a man who said he was travelling to the concert all the way from Quilty) with which Christy was happy to comply!

The sensitive and often exquisite accordion of Maírtín O’Connor and Cathal Hayden’s fiddle provided a tasteful backing. The superb sound on the night (well done to the anonymous sound guy) allowed every note and every nuance to be clearly heard without detracting in the slightest from Christy’s magic voice. Delicate guitar and mandolin work was a feature of Seamie O’Dowd’s playing – just filling the odd space here and there, never distracting. I particularly liked his use of harmonics on one song.  Jimmy Higgins’ percussion was also wonderfully restrained. Indeed the balance of all four musicians was so perfectly constructed as to let Christy’s voice shine.  But both Maírtín and Cathal had their moments in the sun. Cathal, putting his own stamp on Mountains of Pomeroy and Maírtín paying homage to Joe Cooley.

We had plenty of old favourites including Ride On, Lisdoonvarna and Delirium Tremors and even an homage to Planxty with Raggle Taggle Gypsy. It was also great to hear him acknowledge the song writing talents of his brother Luka Bloom with City of Chicago and the Bog Man and the wonderful Shane McGowan song A Pair of Brown Eyes. There were humorous songs such as Little Honda 50 and also sentimental favourites such as Cliffs of Dooneen.

Called back for an encore he did, appropriately the song from Smoke and Strong Whiskey, If I Get an Encore, with some slight modifications, somehow working in references to Mullagh, Quilty and Coore. It was very well received.

The audience went home completely satisfied and they were treated to Christy at his very best with one of the best trad bands in the country thrown in for good measure. I was amazed that he is still performing at the highest level after nearly fifty years. A truly fabulous night. I am so glad I went shopping at Londis!

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Categories: Concerts, Trad Irish Music | Tags: , , , , , , , , , , , , , , , | 4 Comments

Man of Aran

What is it about islands? Why do they have such appeal to us? All around the world they are treasured as special. Sometimes the residents are fiercely protective. In Australia we have many that hold a singular place and I was lucky enough to live on one such of these – Magnetic Island on Australia’s Great Barrier Reef. There are others though; Rottnest Island, where you can’t live but it is still very dear to the heart of Perth people, or Kangaroo Island off South Australia, or the beautiful Lord Howe Island among them. Ireland has a few too, such as Tory, Achill, Skellig and of course the Aran Islands.

Mention the Aran Islands and you immediately have my attention. The place has a mysterious lure. Despite knowing little about it (except that it is where the Clancy Brothers got their jumpers from and one of the most omnipresent tunes in sessions around the world is named after one of the Islands) it was a place I felt I must visit. I have been on two separate occasions. First, on a freezing summer’s day in July 2014, to Inisheer for an overnight stay; and more recently over three glorious sunny, warm days in April 2015. That’s Irish weather for you – freezing in Summer and hot in Spring!

The Islands are accessed either from Galway or Doolin, in my case for both trips I took the boat from Doolin, half an hour from my home in Caherush. My first visit was a spontaneous decision based on the fact there was blue sky in the morning. Of course by the time the boat left the weather had turned and the squally rain and howling wind off the Atlantic made for a very rough half hour crossing which took over an hour as we were buffeted by giant waves. At one point we stopped in the middle of the ocean in a futile attempt to retrieve a feral buoy. This was in contrast to my trip to Inis Mór when the sea was mirror calm with not a ripple. So I saw the islands in its various moods.

Ferry to Inisheer.  Rough seas with Cliffs of Moher in the background Arriving Inis Mor

Inisheer SunriseHarbour at Kilronan.  Inis Mor

Inisheer Inisheer.  Early morning sky

Technically the islands are part of Galway, but geographically, geologically and culturally they belong to Clare as the three Aran Islands are an extension of the Burren.  They all have that wild inspiring landscape that I found so enriching in north Clare and that I have blogged about before. https://singersongblog.wordpress.com/2014/06/20/the-burren/

https://singersongblog.wordpress.com/2014/08/29/the-burren-again/

All the features of the Burren are there. Sometimes better exposed than on the mainland: clints, grykes, rillenkarren, dolines, kamenitzas, glacial erratics, fossil shells and corals, limestone pavements, but with the ever present Atlantic around almost every corner.

So back to my first question. With the Aran Islands, is it that inconvenience mixed with expectation that getting there involves that makes it attractive to visitors? Or that feeling that once there you are completely cut off (well maybe not now with smartphones).   Or the slower pace? How would it be to actually live there?

Of course many do and Melissa and Johnny Gillan and their five children are among them.  Melissa is from Maine and married an Irishman from Aran who after their second child convinced her to leave the States and start a new life on Inis Mór. Melissa tells the story way better than I could on her blog (which is how we met) http://thearanartisan.com/2014/11/08/i-live-in-aran/.  I have never seen anyone happier. She now has five kids and an enviable lifestyle where she has created a paradise – a garden that sustains her family within this harsh environment and is moving towards her dream of starting a business based on this. The whole family is involved, with the kids nurturing the garden and animals with a sense of pride. Her philosophy is captured by the layout of the garden beds which spell the word LOVE and which was revealed with delight by her kids after an enthusiastic guided tour. I was invited to dinner there one night, which comprised razor clams gathered on the shore, a tuna steak from a fish caught by Johnny’s brother off the coast, potatoes, carrots, kale, rhubarb crumble and a parsnip cake. All from the garden and made with skill and affection. The kids embrace the lifestyle. I was reminded a little of the zest for living my own kids had on Magnetic Island for the three years we lived there. Melissa and Johnny may not be your typical Aran family, I don’t know, but I also met Cóil and Grainne, both young islanders who gave up their day to show me around their island with an obvious pride. I was greeted with nothing but warmth and hospitality.

Melissa Gillan's grarden Inis MorThe Gillan family.  Inis Mor

Both the Islands I visited seem to have somewhat different characters. Inis Mór (the Big Island) has sweeping landscapes with hardly a tree; massive limestone pavements and steep cliffs. It doesn’t seem heavily populated but there are about 900 people spread across the entire island. Inis Oírr is smaller with about a third of that but the houses are more concentrated around the main settlement of Inveragh and the fields as defined by the stone walls seem smaller. Both have the same sparse pasture, lush in places barren in others.  Inis Mór has more tourists and a lot more bicycles but it is easy to avoid the day trippers by starting early. The evenings everywhere are gloriously empty of people except for the inevitable craic behind the walls of Ti Whatty or Rory’s.

Inisheer.  Stone fields

Inisheer. Stone walls and fields

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Inisheer. Drystone walls and one room cottage

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Inisheer in the morning light

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Inisheer.  Off to fiddle lesson?

Inis Mor. Coping with the elements

Inis Mor. Coping with the elements

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Inis Mor.

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Inis Mor.

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Inis Mor

There is plenty for the tourist. On Inis Mór, bike hire is popular and the circuit to the Dún Aonghasa fort is a well-worn trail. But off the beaten track are some amazing sites such as the Black Fort, the Seven Churches and Teampull Bheanáin, reputedly the smallest church in the world measuring around 3m x 2m.  This unusual church can be seen from all around the island and was the best location I found for viewing the unique Burren flora.  Then there is the spectacular Worm Hole or Poll na bPeist. It is a hole in the rock platform that looks like it has been sliced out by the hand of Fin McCool himself. There is a more prosaic explanation that relates to erosion along mutually orthogonal jointing but let’s stick with Fin McCool, I think! Connected with this is a blow hole where the back pressure from the hole causes the sea to shoot up periodically  higher than the cliff.  This is an awe-inspiring place that has been put on the tourist map by the Red Bull people who have filmed one of their diving videos here.

Inis Mor. Teampull Bheanáin

Inis Mor. Teampull Bheanáin

Inis Mor. Teampull Bheanáin

Inis Mor. Teampull Bheanáin

Inis Mor. Teampull Bheanáin

Inis Mor. Teampull Bheanáin

Inis Mor. Teampull Bheanáin

Inis Mor. Blowhole at the Worm Hole. Poll na bPeist

Inis Mor. Blowhole at the Worm Hole. Poll na bPeist

Inis Mor. Blowhole at the Worm Hole. Poll na bPeist

Inis Mor. Blowhole at the Worm Hole. Poll na bPeist

The Islands, and in particular Inis Mór is well known for the excellent preservation of their megalithic circle forts. Dún Aonghasa gets the most attention, but others such as Black Fort are just as interesting and much quieter. These forts are fascinating and here on Aran occupy a coastal positon where the cliffs are used as one line of defence and a semicircular stone rampart as the other enclosing a headland within which was a settlement. There were also a number of outer walls in some cases and unique and spectacularly well preserved examples of chevaux de frise. These are fields of sharp limestone lugged into place and designed to make cavalry or foot progress difficult and retreat impossible. They were placed about 30m away from the wall as this was the range of hand thrown projectiles of the time. The original structures at Dún Aonghasa appear to date from around 1000 BC which places them near the end of the Bronze Age. The famous portal tomb at Poulnabrone on the mainland is much older (3,800BC) as are other tombs on Aran which date to 1850 BC.  This first period of settlement at Dún Aonghasa ended about 700BC but then the site was added to and inhabited during medieval times and later. I spent hours at these forts mesmerised by the ambience and the anicientness (if that is a word!)

Inis Mor. Dun Aengus fort

Inis Mor. Dun Aengus fort

Inis Mor. Dun Aengus fort. Cheval de frise

Inis Mor. Dun Aengus fort. Cheval de frise

Inis Mor. Dun Aengus fort

Inis Mor. Dun Aengus fort

Inis Mor.  Rock platform Dun Aengus fort

Inis Mor. Rock platform Dun Aengus fort

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Inis Mor. Inside the inner wall Dun Aengas

Inis Mor. Inner wall. Dun Aengus fort

Inis Mor. Inner wall. Dun Aengus fort, showing remarkable stone work

Inis Mor. Dun Aengus fort

Inis Mor. Dun Aengus fort. Stone was quarried from the steep face near the wall.  Note the crack!

Inis Mor.  Black Fort. Cheval de frise with glacial erratic

Inis Mor. Black Fort. Cheval de frise with glacial erratic

Inis Mor.  Black Fort showing walls of medieval houses

Inis Mor. Black Fort showing walls of medieval houses

Inis Mor.  Black Fort

Inis Mor. Black Fort from inside the enclosure

Inis Mor.  Black Fort and cheval de frise

Inis Mor. Black Fort and cheval de fries

The landscape helps make this a unique world. I have talked here and elsewhere about the typical Burren landforms, but I should mention the widespread glacial erratics, dropped by melting glaciers. Well that is the scientific explanation. Local legend has it that they were left by giants who were throwing stones at each other (Fin McCool again!) Doesn’t this make sense? How else could boulders of granite from Connemara get onto the Aran Islands? The Burren is known world wide for its flora with its rare combination of alpine and Mediterranean plants.  Spring is the best time to see it and in the three days I was on Inis Mor I witnessed an explosion of life with the spring gentians and orchids bursting into flower. The wildlife does not disappoint either with seals, water birds, birds of prey and dolphins all on show at various times.

Inis Mor.  Glacial erratics near Black Fort

Inis Mor. Glacial erratics near Black Fort

Limeston Pavement Inis Mor

Limestone Pavement Inis Mor

Inis Mor.  Burren landscape

Inis Mor. Burren landscape

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Inis Mor. Typical Burren stone wall. How does it stay up?

Inis Mor.  Near Black Fort

Inis Mor. Near Black Fort. Crumbling coastline

Beach near Kilronan.  Inis Mor

Beach near Kilronan. Inis Mor

Inis Mor Inis Mor. View from Black Fort Inis Mor. Burren landscape.

Inisheer.  The Burren limestone Inis Mor. Inis Mor. Inis Mor. Seal colony Inis Mor. Seal colony Inis Mor. Wild duck's nest Inis Mor. Teampull Bheanáin.  Spring gentian Inis Mor.  Spring in the Burren

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On each of my visits to Aran I was resigned to having nights without music but on each occasion I discovered the craic. On Inis Oírr I met Mícheál O’hÁlmháin, the leading musical identity on the Island and members of his family and we played in the hotel until the small hours and on Inis Mór I met three French guys, Alex, Mathieu and Victor who turned out to be amazing guitarists and with Michelle, Lea and Rom from Switzerland we had two nights of Celtic meets Gypsy Jazz meets 70s rock meets Europop!  On Inis Oírr I also stumbled onto an Irish language summer camp. It was held in the hall and I was drawn by the distinctive sound of irish dancing. The front door was open but what I saw was not what I expected. It was full with teenagers maybe 150 of them having the time of their lives. They were playing a game of musical statues to the recorded music of a ceili band. I stayed and watched as they threw themselves into a succession of musical and dance numbers including a country and western song about Connemara in Irish, some updated versions of set dances, line dancing and some pop songs. I was impressed that here was a camp dedicated to preserving the Irish language and culture but prepared to do it in a modern way that was relevant to today’s youth but still respectful of the heritage.  And then to top all that while on Inis Mór  and thanks to an invitation from Melissa I played with the local Island kids at the regular Comhaltas gathering with Galway Bay as a backdrop.

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Inis Mor.  A regular gathering of the local Comhaltas group.

There is a lot more I could say about these Islands but by now I think I have probably lost all my readers (If you have read this far please let me know – it would be nice to know if anyone reads beyond the first paragraph!), so I will let the pictures talk from here.  Just a few more images that give a taste of these islands that I am sure I will return to regularly.

Inisheer.  Fisherman returns escorted by dolphin

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Inisheer Inisheer.  Wreck of the Plassey Inisheer.  Wreck of the Plassey Abandoned house InisheerInis Mor.  Atlantic on a calm day Rusted bikes, Inisheer Inisheer Inisheer.  Fining pots Inisheer.  Limestone outcrops glowing in the morning sun Inisheer.  Curragh and ruins Inis Mor. Goat farm Inis Mor. Goat farm Inis Mor. Abandoned house

Inis Mor.  Site where Curragh was re-tarred

Inis Mor.  Stairway to Heaven?

Inis Mor. Stairway to Heaven?

Categories: Real Ireland, Wild Ireland | Tags: , , , , , , , , , , , , , , , | 4 Comments

Trish’s Soda Bread

Soda Bread is made in a few countries other than Ireland but it remains quintessentially Irish. So I decided to learn how to make it. Never refuse an invitation is one of my rules here in Ireland so when Trish from Lahinch offered to show me I jumped at the opportunity. What is Soda Bread? It is a simple quick bread that uses sodium bicarbonate (what the Irish call ’bread soda’) as the leavening agent instead of yeast. It relies on mixing buttermilk (weak acid) with the soda (alkaline) to produce tiny carbon dioxide bubbles which cause the bread to rise. It does not need kneading or time to stand. It has an Australian equivalent in Damper widely made in rural Australia and popular with indigenous Australians.

Trish's Soda Bred - the final product

Trish’s Soda Bred – the final product

Here is Trish’s Recipe which she got from her mother and who knows how far back it goes beyond that.  Trish’s recipe uses half and half white flour and wholemeal flour but it can be mixed in any proportion depending on taste. It’s very simple – here goes. Take 20 ounces of mixed wholemeal and plain flour and add one heaped teaspoon of bread soda. Crush it between the fingers to break up the lumps. Mix. Add buttermilk, a little at a time, and lightly mix until consistent slightly sticky dough is attained. Salt is optional. Make into a ball with a little flour on the bench and flatten into the desired shape and place on a floured baking tray.  Make fairly deep cuts into quarters and place into a preheated oven at 200˚C for about 30-35 minutes. Check regularly in last five minutes. Tap bottom – a hollow sound means it is cooked! That’s it. The proof is in the pudding and it was delicious with Kerry butter and Irish Cheddar or spread with Clare jam (Strawberry and Baileys!). I had a go and mine was made with just white flour and with raisins (about 3-4 oz). Pretty proud of it – check the final photo. It’s in the freezer so yet to taste it. Thanks Trish for taking the time to open another window for me on the real Ireland. Give me half an hour’s notice if you’re coming to visit and I’ll have a hot loaf ready for you!

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1. Add 10 oz wholemeal flour

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2. Add 10 oz plain flour

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3. Add heaped teaspoon baking soda

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4. Add buttermilk

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5. Mix to make dough

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6. Round and flatten to shape

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7. Quarter

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8. Place in oven at 200 deg

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9. Tap bottom to check if cooked

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10. Ready to serve

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11. Portions can be frozen and eaten later

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12. Sliced soda bread delicious with butter and jam

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13. My version of Trish’s soda bread with white flour and raisins

Categories: Real Ireland | Tags: , , , , , , , , , | 4 Comments

Solar Eclipse in Co. Clare

I dutifully set the alarm for 8 am after the usual late night playing tunes, so that I could see the much hyped total eclipse of the sun.  Well it’s not actually total where we are but it was to be pretty damn close. I didn’t have high hopes as there was a thick blanket of fog when I drove home last night at 1 am. Sure enough I looked out the window at as the alarm sounded to a complete whiteout and promptly rolled back over to sleep.

Something woke me up an hour later and made me look out the window again This was what I saw peeking through the haze.

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First glimpse of the eclipse March 20 2015

I madly grabbed the camera put the telephoto on and, while mindful of all the dire warnings that I would lose my sight, pointed it in the general direction and fired away. Of course I didn’t have a sun filter so the first shots were completely blown out but the fog was working in my favour and as the slowly diminishing sun peeped in and out I kept clicking. For the technically minded I shot on my Canon 5D Mark 2 at the lowest ISO and on  programmed automatic stopped down between 1 and 1 2/3 stops to cut the light. I only had a 200m lens so couldn’t get in that close.

It was an amazing experience as I watched the light fade. As we reached near “total” the fog closed in and there wasn’t enough light from  the sun to get a shot. So I turned my attention to the rocks and the sea. It was deathly quiet. Eerily so. I think the word ‘eerie’ must have been coined during a total eclipse of the sun.  It was not as dark as I expected but it was the quietness and stillness that struck me.  Not even familiar sounds like the birds, which are my constant companions, or the lowing of cows, which only minutes earlier had welcomed the dawn.  The only sound was the restless sea and even it was unusually quiet. It lasted about ten minutes as the light gradually returned and I heard the first quack of a wild duck heralding the new dawn.

For a moment the fog thinned and I saw the sun emerge on the other side of the moon.  Just for a moment.  Long enough to take one last photo.  Then as the sun became bright enough to penetrate the haze it was impossible to photograph let alone look at.

In the end I had to be grateful for the fog and cloud. It enabled me to witness something that the gods have continually conspired  to prevent me seeing.

Roll on 2024.

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Eclipse, Caherush March 20 2015. About 15 minutes before “total”.

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Eclipse over Mt Callan from Caherush March 20 2015

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Eclipse Caherush, March 20, 2015. Minutes before “total” and just before the cloud covered the sun.

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Caherush during the “total” period of the eclipse March 20 2015

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Eclipse, Caherush March 20 2015, Minutes after “total”, the sun emerges briefly before being covered by cloud again.

 

 

 

 

 

 

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