Posts Tagged With: Sessions

Brogan’s Bar Ennis

Posted on February 14, 2015 by singersong

On Saturday 14th February Brogan’s Bar in Ennis will change management. Over the last five decades it has been a go-to traditional music venue in this town and has achieved legendary status with Irish musicians all around the world. Two of it’s regular stalwarts, Eoin O’Neill and Quentin Cooper, had their last session there on Thursday. It was a wonderful celebration and a fitting farewell. I will have more to say on Brogan’s and what it meant to Ennis and traditional music in Clare and beyond in an upcoming blog and I will include a selection of my best photos from the last nine months, but in the meanwhile here are some images from that last magic night.

Categories: Sessions, Trad Irish Music | Tags: Brogan's, Clare, dancing, Ennis, Eoin O'Neill, Ireland, Irish music, Luka Bloom, music, photography, Quentin Cooper, session, Sessions, traditional music, travel | 2 Comments

Feile Na Tana, Carlingford Co Louth.

Posted on February 11, 2015 by singersong

Carlingford is the prettiest of towns in the very north of the Republic of Ireland. It is situated on a beautiful Lough and across the water is Northern Ireland in the shape of the Mountains of Mourne. It has ruined castles and abbeys and medieval gates and quaint contorted narrow streets and beautiful done up pubs and a backdrop of the Cooley Mountains dotted with the patchy remains of a recent snowfall. The perfect location for a Festival?

The Feile Na Tana is a new weekend winter school and was held in Carlingford on the first weekend of February. It is the brainchild of renowned fiddler Zoe Conway and her partner guitarist John McIntyre. She managed to assemble an extraordinary array of top class musicians for a programme of workshops and concerts. Zoe herself, Seamus Begley, Noel Hill, Mary Bergin, Gerry O’Connor and many others gave one day workshops to packed classes. There were a number of concerts where the talents of these musicians were on display to an enthusiastic audience of grateful locals.

The opening night had Zoe and John with some local young talent. I was blown away by the two youngsters who kicked off the night (sorry can’t remember their names) particularly the bright yellow bodhran doing a remarkable impersonation of John Joe Kelly. There was also a group of young musicians from Dublin, Caiseach, who put in a great set and Zoe and John did not disappoint.

Workshops the next day were split into two sessions – a great idea. I can only speak for the Fiddle but the tune choice from Zoe Conway was excellent and there was plenty of good advice to improve tone and feel. Well worth the trip alone.

The main concert was played to a packed house and was kicked off with a work entitled “Re imagining Songs and Music of Oriel”. It was performed by a huge ensemble of students from four local schools and included some of their own compositions. This was a wonderful experience for the kids and well received by the audience, filled no doubt with many proud parents. A great initiative and something that will hopefully stay with these kids and fan the musical fire within them. There was also a smaller group of young musicians from Wicklow and some wonderful songs from renowned local singer and author Padraigín Ní Uallacháin. And then the main act of the night, a brilliant performance from Seamus Begley and Donogh Hennessy joined later by the incomparable Noel Hill.

The tutor’s concert on the Sunday afternoon however was the highlight for me. An extraordinary line up of talent playing together and individually left the crowd wanting more.

I met some great new people especially at the Session on Sunday at Omeath, about ten kilometres away, including Rose, Clayton and Stuart from Boston, Kenji and Satoko from Japan and local musicians Gearoid, Ciaran and Andrew among others.

Thanks Zoe and John. See you next year.

Categories: Festivals, Trad Irish Music | Tags: Carlingford, Feile Tana, Festival, fiddle, Ireland, Irish music, John McIntyre, Louth, Mary Bergin, music, Noel Hill, Northern Ireland, photography, Seamus Begley, Sessions, traditional music, travel, Winter School, Zoe Conway | 3 Comments

Am I playing fiddle better?

Posted on January 14, 2015 by singersong

Those following me on Facebook know that I was unable to find a session to play at on January 2^nd 2015, while I was in Glencolmcille in Donegal. This meant my run of continuous nights of music came to an end. I thought I would be disappointed but after 231 nights I gave it a good run. And in any case I started again the next night so I have only missed the one night in the last 244!

But it’s not about setting records. It gives me an opportunity to look back on my time here in Ireland and see whether my immersion in in the music has led to an accelerated improvement. Logic says that it should have. I started thinking about this after a friend commented on my six month post asking just that – whether I thought I had improved.

An extremely difficult question for me to answer. Perhaps I need to put it in context. I started playing guitar when I was 15. My dad agreed to this so long as I had classical guitar lessons. So I did that for nearly two years. While I enjoyed the classical repertoire my real interest was ‘folk music’, as it was understood back in the 60s, and I played and sung Bob Dylan, Phil Ochs, Pete Seeger, Peter Paul and Mary and acoustic artists such as Cat Stevens and the Mamas and Papas. I also used to sing Dubliners and Clancy Brothers songs but I really ‘discovered’ Irish music when I heard the Chieftains in 1974. I was at Uni and this was the start of a love affair with the fiddle. I got hold of one and started teaching myself tunes from ‘Begged, Borrowed and Stolen” a beginners tune book popular in Australia then and now. It was a slow and painful process but by the end of the 70s I could scratch out Drowsy Maggie and King of the Fairies. As a young geologist my early years were spent in mining towns such as Cobar and Kalgoorlie in outback Australia. In each of these places I formed Bush Bands which were generally a four or five part acoustic band which used folk instruments along with Australian innovations such as the bush bass and the lagerphone. We held bush dances (equivalent of a ceili) and sang Australian and Irish songs but the tunes were pretty basic. I got stuck in this groove for many years and though we were moderately successful in our remote locations I never advanced my tune playing beyond beginner level. Then when kids came along the fiddle hardly got touched. It had always been my dream to play well. Ok that was then, this is now.

Now I am in Ireland I have that opportunity. But I soon realised coming here how much I had to fix before I could really go forward. Both my intonation and tone were woeful and although I had been listening to recordings for many years and thought I had an understanding of the music this ‘feel’ did not translate to my playing. Recognising the things that needed fixing was the first step.

So what has changed since I came to Ireland? I have been to hundreds of sessions, workshops and lessons. Playing in sessions is a double edged sword. I have picked up many new tunes. I can play faster, if that’s a virtue, and I have hugely increased my ability to learn by ear. Previously I learned new tunes from the dots and it took ages; and I never really learnt them properly. Now I find myself playing along with tunes that I don’t ever remember learning. This is a great feeling. However in a large session I have trouble hearing myself and can’t really tell if I am playing in tune or not let alone whether I am playing the right notes. Also there is a temptation to fudge bits you don’t know. Hence I record many. I have hundreds of hours of session recordings and am gradually going through these to identify the commonly played tunes and sets in Clare and try and learn them.

This partial learning becomes exaggerated when I try and play the tune on my own. My problems are obvious so I have been working hard on a few rather than the many. On the advice of a couple of tutors I am also concentrating on scales in the basic keys and I can really feel this making a difference.

So am I playing better? Let me put it this way. I think I am. I am playing in tune better. I have slowed down. I am listening better. I am listening to a lot of the old fiddlers on cd and the newer ones as I try and expose myself to as many different ways of playing as possible. I ‘know’ more tunes but still get flustered when asked to start one. A consequence of accumulated hours of listening is that there is a resetting of the brain from thinking about the music as a collection of notes to a series of phrases linked by short runs. A retuning of the learning process from the eyes to the ears. I am playing with a much lighter bow. I am feeling the rhythm and while I know I am still not sounding how I want to, I am happier with the sound I am making. It has been frustrating but at the same time it drives me to practice harder. Constantly in my mind are the words of Lahinch fiddler Yvonne Casey who told me to ‘feel every note; to love every note’. I think I have laid the groundwork and I expect exponential improvement over the next six months. That’s when I am hoping the immersion will pay off.

My goal in all this is to play the best I possibly can.

As a post script I was playing in a session the other day with Jackie Daly and Maurice Lennon among others at Friels in Miltown Malbay. Jackie launched into Mason’s Apron (the two part version) and as I joined in the realisation suddenly hit me that here I was in a session in Ireland with legends of the box and the fiddle and it was sounding pretty darn good. A year ago I was struggling with this tune. These are the moments that make it all worthwhile.

Categories: The Fiddle, Trad Irish Music | Tags: Clare, fiddle, Ireland, Irish music, Jackie Daly, learning fiddle, learning music, learning violin, Maurice Lennon, photography, Sessions, trad, traditional irish music, traditional music, travel, violin, Yvonne Casey | 1 Comment

St Stephens Night – my last session in Clare 2014

Posted on January 12, 2015 by singersong

Undaunted but exhausted after my adventures as a wren boy on St Stephens Day (check out my blog https://singersongblog.wordpress.com/2015/01/05/st-stephens-day-and-the-wren-boys/) I ended up that night at Danny Macs in Lahinch. The pub was crowded. There was a great mix of familiar faces and newcomers (at least to me) and a marvellously enthusiastic audience. The pictures tell the story but what a fabulous way to end the year, with this being my last session for 2014 in Clare, before heading off to the winter school in Gweedore.

Categories: Sessions, Trad Irish Music | Tags: Boxing Day, Clare, Danny Macs, Irish music, Lahinch, photography, Sessions, St Stephen, St Stephen's Day, traditional music, travel, Wren boys | 2 Comments

Scoil Gheimhridh Ghaoth Dobhair. Winter School, Gweedore.

Posted on January 5, 2015 by singersong

I posted the other day on the final night of the Winter School in Gweedore, County Donegal. Here is a selection of photographs from the earlier days of the Festival which ran from 27^th December 2014 to 1^st January 2015.

I am going to let the photos do the talking but as you will see it was a fabulous event. Can’t speak for the other workshops but Brid Harper’s fiddle was outstanding. Concerts and recitals from Boys of the Lough, Liz Carroll and Brid Harper, Harry Bradley, Brendan Begley, Seamus Begley, Seamie O’Dowd and great sessions where humble plebs like me could find themselves playing next to these guys or a host of others, perhaps less well known but just as good. A smooth, well-organised Festival. Great job Conor Byrne and all the volunteers who made it all happen. There were even a couple of days of sunshine.

Categories: Festivals, Trad Irish Music | Tags: Boys of the Lough, Brendan Begley, Brid Harper, Cathal McConnell, Conor Byrne, dancing, Dermie Diamond, Donegal, Festival, fiddle, Gweedore, Harry |Bradley, Ireland, Irish music, Liz Carroll, music, photography, Scoil Gheimhridh Ghaoth Dobhair, Seamie O'Dowd, Seamus Begley, Sessions, Summer School, traditional music, travel, Winter School, Winter School Gweedore, workshop | 5 Comments

The Connemara Hills are alive with the Sound of Music (and Galway too)

Posted on December 20, 2014 by singersong

Last weekend I headed for Galway and Connemara. I had had a previous brief visit to Connemara when I attended the TraidPhicnic in Spiddal, but never Galway and I have to say I loved it.

The immediate reason was to attend a Master Class and House Concert by Maurice Lennon at Bridge Barker’s house deep in the wilds of remote Connemara. A great initiative from Bridge to open her house for this – hopefully the first of many.

The trip up from Clare was treacherous with my first experience of driving in sub-zero temperatures and on slippery roads. There was definitely no hurrying. I collected Maurice in Glaway on the way and became so engrossed in the conversation that we managed to end up on a detour along the shores of Lough Corib, that meant the trip took an extra hour. Once we got there the weather was kind enough, so that while Maurice took the kids’ class, I went for a short walk with Vince, Bridge’s partner. They live with their family in a stone cottage that, chameleon-like, blends into the rocky Connemara landscape. Bridge tells me it has been in her family for generations. They have turned a traditional stone cottage into a wonderfully warm and welcoming family home. Adjacent is an abandoned cottage, apparently formerly that of a tailor. It seems to have been empty for decades but still stands remarkably intact as a reminder of the hardship that must have been life in these parts. There was no road and customers would have to ride up the rocky ridges to be fitted. The house has a central room with a large fire place and a door on either side. One can imagine this was the kitchen and the centre of family life. Maybe even where music was played. On either side of this is what would have been the bedrooms each with a smaller fire. Relics of a tough existence are everywhere including bottles and empty containers, an old Singer sewing machine stand and empty and derelict hand crafted furniture. The roof is made of timbers nailed together and filled with bog material and then presumably covered in thatch but now corrugated iron. The windows small anyway are almost completely blocked with stone allowing only a tiny opening to minimise the ingress of rain and wind but making the house very dark. There were no windows on the western and southern sides speaking eloquently as to where the weather comes from. A marvellous window into a past world but not too far distant from the reality of living here now.

Nearby in the rocky bog-covered landscape was a delightful creek with water cascading over granite boulders and flowing through the brown tufts of grass, dotted with patches of bright green where richer glacial tills have provided more fertile ground. Numerous walled fields provide evidence of a much more intensive agriculture on the slopes of the barren hills.

This area was a renowned location for the manufacture of poteen, the famed liquor made traditionally from malted barley but later from corn or potatos. Poteen manufacture was and is of course illegal and so it prospered in remote areas like Connemara where unwelcome visitors could be seen coming for miles. It is said that from the top of the hill behind the house you could see someone coming from Oughterard, 20km away as the crow flies. Vince showed me an old still, one of four in the immediate area. These are used to build a turf fire and heat the wash for several days while guards stood watch ready to respond to anyone attracted by the smoke. The quality of the poteen was highly variable and it needed a fair bit of skill. A bad batch is said to cause blindness. I was given a taste by a fiddler friend when I visited Cork City recently, and I have to say it was terrific. Sure packed a punch though.

As the misty rain set in and hid the snow-capped hills in the distance we returned in time for me to join Maurice for the workshop. There were seven of us and it was a delight. Plenty of good advice on how to hold the bow and how to get a better sound and we learned a couple of Maurice’s own tunes in an intensive hour and a half. Then a quick trip to the nearest pub (about 20 minutes away) for a cleansing ale and some fresh air with Maurice. I don’t want to offend anyone who may come from this part of the world but you could hardly say we were welcomed, or if we were it was with suspicion. There was no small talk as the half dozen or so punters went about their business as If we weren’t there. Slightly uncomfortable.

Returning for some tunes and some curry we then settled in for a concert in the front room of Bridge’s house, in front of a roaring fire, comprising a couple of hours of solo fiddle and viola from Maurice. There was some inspired playing. We all joined in for a couple of sets at the end. Really a special night with the stone walls reflecting a brilliant sound. Those who travelled into the Connemara wilderness were well rewarded.

I was very kindly put up by Bridge and even before the scrambled eggs were put on the stove next morning I joined Bridge and her talented daughter Siofra in some tunes around the kitchen table. When Maurice arrived back from his lodgings he joined in. A true ‘kitchen session’.

I had decided to spend a couple of extra days in Galway and catch some of the sessions of which so many people had raved. So dragging ourselves away at lunch time I returned with Maurice who was also staying in Galway. There was a slight detour as I stopped every now and then for some photos and a further delay as we caught the second half of the Manchester United – Liverpool game (won by Man U) in a pub in Oughterrard.

Arriving late in the afternoon I went on a search for music. I ended up meeting fellow Aussie friend , Alice at Taaffe’s Bar where there is a 5:30 session every day. So civilised. Why don’t they do this in Ennis? This was the first of three sessions I attended that night and over the three days I was there I went to eight. There was a memorable session late on Sunday at the Old Forge where we were entertained among other things by a Santa-clad mini-skirted drag queen doing an Irish step dance with a packet of Tayto’s in one hand. Brilliant. It was great craic everywhere and hopefully the pictures give some idea of it. I met some wonderful people with as much passion for the music as I see in Ennis. Plenty of blow-ins who have made Galway home. As well as Alice from Oz, there is Ana from Brazil, Brandon from England, Anders from Netherlands, Patrick and Sean from San Francisco, and others from Spain, Germany and the odd Irishman. Lots of interaction too between the musicians and the punters, many of them tourists hearing Irish music for the first time and having a fabulous time. I was kindly invited to a great house session on Tuesday, led by Sean Flanagan, a box player, designed for intermediate players to learn and share tunes. Brilliant idea. I returned to Ennis renewed and inspired and vowing to visit Galway again soon. Thanks to everyone who made me feel so welcome.

The sun shone briefly on Monday and I took the opportunity to go for a drive through the magnificent Connemara hills to Clifden. Glorious. I will post some photos from these travels soon in another blog. The photos here are all from near Bridge’s house or in Galway City.

Distant snow, Connemara

Tailor’s cottage, Connemara

Tailor’s Cottage, Connemara

Inside Tailor’s Cottage, Connemara

Poteen still, Connemara

Cascade, Connemara

Barn, Connemara

Maurice Lennon, Fiddle Master Class, Connemara

Maurice Lennon Fiddle Master Class, Connemara

Maurice Lennon, Adult Fiddle Master Class, Connemara

Maurice Lennon, Adult students Fiddle Master Class, Connemara

Maurice Lennon, Kitchen session at Bridge Barker’s, Connemara

Maurice Lennon, Bridge Barker. Kitchen Session

Hungry sheep, Connemara

Session, Taaffe’s Pub, Galway

Session, Taaffe’s Pub, Galway. Sandra

Session, Taaffe’s Pub, Galway. Alice

Session, Taaffe’s Pub, Galway. Happy listeners

Session, Taaffe’s Pub, Galway

Session. Tig Coili, Galway

Session, Taaffe's Pub, Galway. Maurice Lennon

Session, Tig Coili, Galway. Maurice Lennon

Session, Tig Coili, Galway

Session, Old Forge Pub, Galway

Session, Old Forge Pub, Galway. Dancing Santa

Session, Garvey’s Pub Galway

Session, Garvey’s Pub, Galway

Visitors from Germany, Garvey’s Pub Galway

House Session, Galway

Another session at Taaffe’s Galway

Categories: Sessions, Stories, Trad Irish Music | Tags: Connemarra, Festival, fiddle, Galway, Ireland, Irish music, Master class, Maurice Lennon. House Concert, music, photography, Sessions, traditional music, travel | Leave a comment

Is it really six months??

Posted on December 2, 2014 by singersong

I have now been in Ireland over six months.

I was going to write some profound piece about my time here and reflect on my experiences since I arrived at Dublin Airport with my fiddle on back in mid-May. I was going to write about the fact that I have played music at an organised session every night since I have been here, about the fact that I have played in at least 400 sessions possibly as many as 500, about the fact that I have attended over twenty Festivals and Summer Schools, about the fact that I have played music in Clare, Sligo, Lietrim, Mayo, Offaly, Galway, Tipperary, Cork, Dublin and Armagh, about the fact that I have had lessons from Tola Custy, Siobhan Peoples, Maurice Lennon, Yvonne Kane, Eileen O’Brien, Martin Hayes, Yvonne Casey, James Kelly, Liam O’Connor and many others, about the many ‘famous’ musicians I have played with and met, about the wonderful places I have visited in Clare and beyond, about my house by the sea, about….. But no. I won’t even mention those things.

Instead I just want to talk about the music over the last three nights. Firstly at PJ Kelly’s Bar in Ennis on Saturday night, then at Pepper’s in Feakle on Sunday, at home on Monday afternoon and at Fitz’s Bar in Hotel Doolin that evening. Because these three nights say everything about why I am here and why I can’t see myself returning to Australia for the foreseeable future.

Saturday night had kicked off with a CD launch upstairs at the Old Ground. Dymphna O‘Sullivan, wonderful Ennis based concertina player had gathered together an eclectic collection of musicians who entertained a large crowd for well over two hours. There was great variety with visiting musicians including Joe Carey from Mayo and members of the Droney family, and a whistler (the ‘put-your-lips-together-and-blow’ type of whistler), along with elite players from Clare including Eoin O’Neill, Eileen O’Brien, Joan Hanranhan, Eileen Cotter and many others. There was dancing including sean nos, step dancing and a set to finish it off. While I love listening to Irish music in the concert situation it always leaves me wanting more and the desire to play becomes overpowering. So the word was that some of the musicians would be heading down to Kelly’s. This is my regular Saturday session as I love the tinge of Tulla provided by regulars Andrew MacNamara, Brid O’Gorman and Joan Hanrahan.

I arrived at 11:00 to an already packed bar. I knew half the musicians there, which was great as I felt welcomed but it didn’t help get a seat! I was lucky to get a stool just outside the circle. They were already in full swing so I wasted no time in getting the fiddle out. Plenty of tunes I knew and at a good steady pace – just the way I like it! Though as the Guinness flowed of course the music got faster. More musicians arrived as the CD launch wound down and there were soon 14 musicians playing. Other well-known musicians arrived but could not get a seat. Unfazed, they were happy to stand at the bar and listen. And that’s what makes nights such as these special. Egos are put to one side. It’s all about the music and the craic. It’s when the realities of being a working musician get subsumed by the sheer pleasure of making music and listening to music and being with others who are making music. The music lifts off the page or from out of the cd cover and becomes real.

This was indeed one of those nights. The music might not have always been to everyone’s taste with four accordions but it’s hard to imagine how you could have a better time in a pub. There was impromptu dancing, some gorgeous singing, waltzes and of course the Guinness and the cider. The music didn’t even stop when an older guy, who I had noticed earlier, head drooped on his chest sleeping at the bar, fell off his stool, crashing to the floor among the musicians. It was in the middle of a haunting air being played on the accordion and while a few concerned punters went to his aid the tune carried on and by the time the air had changed to a reel the fellow was back on his stool and his coke refilled (yes the tap had been turned off for him) as if nothing had happened.

As a couple of musicians drifted away I took a seat near the fire in the thick of it relishing my privileged position. I could not wipe the smile off my face and I observed that sense of joy in all the players and I should say the listeners. The music and craic went until 2 am by which time the increasingly panicky publican was desperately trying to clear the bar for fear the Gardaí might pay a visit.

This experience only happened to me because I live here. A visitor might stumble on this session if he or she is lucky, but would they feel part of it, or would they just be an observer. This is a dilemma for those irregular visitors. Sure you can find great sessions in Festivals but it is somehow different. I was the only foreigner here. In a Festival situation the session might be dominated by visitors . Not that that is necessarily a bad thing but it does change the tone and quality. This was ‘real’. This was Irish people enjoying their music and tradition for themselves. This was as close to ‘authentic’ as I can imagine a Session in 21st Century Ireland could be. I arrived home at 3am satisfied and fulfilled.

A friend had told me there was to be music the next day from 4pm at Pepper’s Bar in Feakle. This was to celebrate the 40th year of management by Gary Pepper. For those who don’t know, Peppers is one of the iconic venues for East Clare music. A favourite haunt for Martin Hayes and his father PJ it is still a great place for the craic. Where better than to celebrate my 200th continuous night (sorry, I said I wasn’t going to mention it) than here. And what a fabulous night it was. It was like being back at the Feakle Festival, one of the summer’s great events, but without the crowds. The music was in full swing when I arrived at 4pm being led by Pat O’Connor, and Padraig MacDonncha. They were joined later in the evening by Andrew MacNamara, Eileen O’Brien and Deidre McSherry. When I left exhausted at 12pm after eight hours of pretty much continuous playing and surviving on bar snacks, they were still at it. There’s not much more to say except that it was a privilege to be there. I never got home that night though as I realised too late that I didn’t have enough petrol to drive home to Caherush and when I got to Ennis at 1am could not find an open garage. I shouldn’t have been surprised by this but with my car computer telling me I had 8 km left in the tank I knocked on Graham’s door at Kilnamona. It was 3.30am and a few whiskeys later that I finally got to bed. Thanks mate!

Not long after I eventually got home on Monday I was disturbed by a knock on the door. Disturbed is not the right word as it was John Joe Tuttle, long time resident and fiddler from Crosses of Anagh just outside Miltown Malbay. I had played with him occasionally at Friels in Miltown and had invited him to call in. Here he was taking me up on this and we settled down in front of the fire with a cup of tea (he did refuse my offer of a whiskey) for a couple of hours of wonderful tunes and reminiscences. John Joe knew PJ Talty, whose house we were in, as well as Willie Clancy and Paddy Canny and everyone else since. He had played with them in kitchens, in Ceili Bands and from the late 50s in pubs. It was an absolute treat for me as he shared tunes he learnt from his early days in West Clare to ones he had learnt just this week. He had a particular liking for the tunes of Sean Ryan and said they were very popular in those days. I then joined him for a few tunes which was the icing on a wonderful afternoon.

That night I headed to Hotel Doolin for the regular Monday session. This session is led by Eoin O’Neill, Quentin Cooper, Adam Shapiro and Jon O’Connell. In the short while it has been going it has become the session in Doolin and for that matter in the whole of West Clare. The pub is always full, with locals and visitors alike and attracts wonderful musicians such as Conor Byrne, Luka Bloom and Noirin Lynch. What sets this session apart is that anything goes. Of course it is rooted in trad and you will get driving reels and haunting songs but you will also get some blues, Bob Dylan, Bob Marley or something from the Balkans. Every night is different.

When I walked in there was a buzz already and that was before the music had even started. There was standing room only and a sense of eager anticipation. From the first tune the night did not disappoint. There was wild applause after each number and reverential silence for the songs. Wonderful singers from the floor and the pace didn’t let up until after midnight.

This was not just a show for the tourists. It felt like the real thing. The musicians gave their all and the punters lapped it up. This is the picture of Ireland that visitors take away and talk about and why they come back year after year to Doolin. Kayla and Emily from Canada, Emma and Becca from Melbourne and Ro from Adelaide and the many others I didn’t meet who were here for one or two nights went away with the experience of a lifetime.

So these three nights say everything about why I came here.

The Ireland I have discovered is surprisingly close to the romantic vision that I came here with. Of course I have had issues, particularly with bureaucracy and rules and regulations, but probably no more than a foreigner would have anywhere else in the world, but the folks of Clare are friendly and welcoming. I have met a host of wonderful people and have been made to feel part of this community, when I was at Kilnamona and now at Caherush. Maybe it is the same all over Ireland I can’t say but when I come back from my travels it is like coming home.

I would like to thank all the musicians and lovers of music and dancing who have made my first six months in Ireland so special. I can’t possibly name everyone but I should single out the people I play with at the regular sessions around Clare – in Ennis, Ennistymon, Miltown, Lahinch, Doolin, Feakle and beyond. People who put up with my musical inadequacies and make me feel welcome. People whose playing from the heart keeps me grounded and ensures that it will be a long time before I have ‘delusions of competence’ but who at the same time inspire me to keep going. To the many people with whom I have shared a Guinness and a story and to the many, many friends I have made from Holland, Belgium, Germany, France, Sweden, Spain, Canada, Switzerland, Japan, the US, Britain and wherever who share this passion for Irish Music and the Irish experience.

I don’t regret for a moment my decision to base myself in Clare as the words of Christy Moore ring constantly in my ears – “Flutes and fiddles everywhere, If it’s music you want you should go to Clare”.

Thanks

Evening fog. The road to Feakle

Eileen O’Brien, Pepper’s Feakle

Deidre McSherry. Pepper’s Feakle

Andrew MacNamara, Padraig Mac Donncha. Peppers Feakle

Peppers Feakle

Andrew MacNamara, Pat O’Connor, Padraigh MacDonncha

Happy Birthday Eileen. Peppers Feakle

Festive fiddle

Peppers Feakle

Enjoying the craic. Peppers Feakle

John Joe Tuttle. At my house in Caherush. December 2014

Kayla and Emily visiting from Canada. Fitz’s Bar Doolin

Conor Byrne. Fitz’s Bar Doolin

Quentin Cooper, Adam Shapiro, Eoin O’Neill. Fitz’s Bar Doolin

Luka Bloom. Fitz’s Bar

Elaine Doonan, Jon O’ Connell. Fitz’s Bar

Sign Fitz’s Bar Doolin

Categories: My Journey | Tags: Clare, Doolin, Ennis, Feakle, Festival, Hotel Doolin, Ireland, Irish music, music, Peppers Feakle, photography, Sessions, traditional music, travel | 9 Comments

William Kennedy Piping Festival Armagh

Posted on November 19, 2014 by singersong

The sounds of the Ennis Trad 21 had hardly faded away and I found myself heading to Northern Ireland for the 21st William Kennedy Piping Festival. Piping you say? Well it wasn’t just pipers and I was attracted by the list of performers which included Dezi Donnelly, Mike McGoldrick and Peter Carberry along with a who’s who of piping and the chance to session with a variety of new musicians. And to visit another country.

I arrived just in time on Friday night for what they called a ‘Hooley’. This involved simultaneous concerts at three venues within the same theatre complex. A great idea and a chance to catch at least bits of every act. Highlights for me were the exquisite combination of box and pipes of Peter Carberry and Padraig McGovern, a great set from Tola Custy, Laoise Kelly and Cormac Breatnach with Tiarnan O Duinnchinn guesting and of course Dezi Donnelly, Mike McGoldrick and John Joe Kelly. Electrifying!

The remainder of the weekend involved a fiddle workshop (of course) with Tola Custy who was in great form and then sessions in cafes and pubs and an Uillean Pipe concert in the Cathedral and well, more sessions. The Cathedral was a fantastic venue for the pipe concert, though the night was cold and many of the pipers had trouble with their tuning. This aside two and a half hours of pipes was a little too much for me though there is no doubting the quality of the music.

On Sunday morning I needed a break and took a drive to Dungarvan and the through the Armagh countryside. Much more ‘English’ than Clare with grand homes, very ordered fields and the last vestiges of autumn colours appearing on the nearly bare trees. It was on the way back that I came into contact (nearly literally) with Road Bowls. I will blog on this separately, but it was a great insight into a pastime that I am told is mainly practiced here in Armagh and in Cork.

Back to town for the best sessions of the weekend. At Turner’s I joined the McCusker family, three sisters (Brenda, Marlene and Donna) and brother Paddy playing fiddle, concertina, box and guitar. They are from near Armagh and Brenda told me that there were two other musical siblings in Belfast and Australia! And that between them they have 19 children, most of whom are learning trad instruments. Wow! What a musical dynasty developing here. I am seeing this all over Ireland and it is just tremendous for the future of Irish music. This session was a treat for me and the other visiting musicians which included four pipers (naturally). After this folded I was privileged to join a session in the same pub with Tiarnan O Duinnchinn on pipes and fiddler Danny Diamond among others. This was the icing on the cake for a fabulous afternoon of music but I had to drag myself away for the long drive back to Caherush – getting home at 1 am.

After what started out fairly indifferently for me, turned out to be a fabulous weekend. Now I definitely need a rest!

Categories: Festivals, Trad Irish Music | Tags: Armagh, Clare, Ennis Trad 21, Festival, Ireland, Irish music, music, Northern Ireland, photography, pipes, Sessions, traditional music, travel, uillean pipes, William Kennedy | Leave a comment

Ennis Trad 21 – My Thoughts

Posted on November 18, 2014 by singersong

It’s been a week since it ended and I have had a bit of time to collect my thoughts. I’ve said before what a great Festival it was, as have many others, but I have tried to identify what it is that made it so special for me.

This is not going to be a review – others have spoken of the fantastic concerts by the headline acts Steve Cooney and Seamus Begley, Tradivarious and Lumiere, of the smaller concerts given during CD and book launches with Richie Dwyer, the Boruma trio, the boys from Monaghan with the Dear Dark Mountain and Tara Breen’s new band being highlights, of the TradDisco and the Riches of Clare and of the wonderful and eclectic sessions that were happening everywhere.

This is my first Trad Fest and ever since I arrived in Ireland in May for the Fleadh Nua, everyone was telling me “Oh, you need to go to Ennis Trad Fest”. So expectations were high. I have been to 20 Festivals in the last six months – so I think I am in a position to see what has worked and what hasn’t. I am going to generalise here but for me the larger Festivals such as Willie Week and the Sligo Fleadh Ceoil didn’t always deliver. They were great experiences, from a cultural and musical perspective, but accessing sessions was a real challenge and some of the carry-on of the participants marred the experience. By and large I enjoyed more the smaller festivals such as Feakle, Tulla and Moyasta as it was easier (it’s all relative) to get a seat at the table and so much easier to meet people. The Summer Schools such as Drumshanbo, Tubbercurry and Achill were different again. Drumshanbo with its hot weather attracted great musicians and sessions spilled out onto the streets while at Achill it was hard to find a session as there were very few participants other than the students and tutors (but what a location). So when people ask me “which was the best?” I just can’t answer it . It sounds like a cop-out but they all had something such that I went away happy.

So Ennis Trad 21 sits somewhere in between Miltown and Feakle in size but it had a very different vibe. It was like a family reunion in some ways. Many people are return visitors and only come to this festival. It is popular with both locals and visitors some of whom have been coming for years. So it needs to be said that despite the much publicised difficulties of the past couple of years the spirit of the festival is rooted in a successful formula that started over twenty years ago and that the current organisers appear not to have dabbled with. A few changes around the edges but it is still the same festival that brings people back year after year. The current organisers are to be congratulated for this and so too should the organisers and committees of past years who have built up the ‘brand’ so to speak. It is worth noting that the place was pretty much booked out before it was even confirmed that the festival would go ahead. That doesn’t happen by chance.

For me the fact that this was a ‘special’ festival was apparent from the very first session on Thursday to the last note played on Monday night. In my short time here in Ireland I have made many musical friends and this Festival made me realise how important that is to enjoying the musical experience to the fullest. A music festival is not just about the music you hear or make but how you fill the spaces between the music. There was such a sense of goodwill and around the place that it was so easy to make new friends and aside from the much spoken about issues at the Cooney/Begley concert (wrong location perhaps?) there was not the negative influence of the, shall we say, over-excited crowds of visitors seeking a different kind of craic, that was a feature of Miltown.

This was a musicians’ festival. Up to twenty session venues many happening at the same time so no lack of choice. But Festivals require listeners and there were plenty of those and for the most part respectful. The town was buzzing and the Festival created a positive feeling everywhere around the place. Cafes, and shops were doing a thriving business.

There were so many highlights I can’t begin to mention them but one of the striking features for me was the accessibility of the musicians. I met Steve Cooney! A bit of an Aussie legend and it is a little hard not to be a bit star struck. But it wasn’t just about the big names. I so enjoyed playing music and the friendship of the wonderful musicians many of whom call Ennis and Clare home and it confirmed in spades my decision to base myself here. For me the session that encapsulated the whole experience was in Kelly’s Bar with Clare musical ‘royalty’ Andrew MacNamara, Joan Hanrahan, Brid O’Gorman, Eamon Cotter and Geraldine Cotter and an assortment of visiting players from Germany, Belgium, France, UK, Spain and even Australia and who knows where else playing some of the best Irish music you will ever hear. It had everything.

Those of you following me on this blog will have seen some posts of photos from the various days. I will repost just a few of my favourite shots here that I think capture the essence of the festival. They are not necessarily of famous musicians but of people having a good time. This for me was Ennis Trad 21.

See you next year.

Categories: Festivals, Trad Irish Music | Tags: Clare, Ennis, Ennis Trad 21, Festival, Ireland, Irish music, music, photography, Sessions, traditional music, travel | Leave a comment

Ennis Trad 21 Days 1 and 2

Posted on November 18, 2014 by singersong

Just catching up on some posts. Here are some of my photos from Days 1 and 2. Most I have already posted to Facebook though there are a couple of new ones.