Posts Tagged With: dancing

Fleadh Nua 2015 Day 8

Sunday. A late start.

Got to town about 3pm and managed to catch the last of the session at Knox’s with the Healeys, Tom Delaney, Derek Hickey, Caroline Keane, and heaps more, but there was a long wait for a seat. And when I did get one it finished. C’est la vie. Nice to listen though for a change. Lovely rousing version of Black is the Colour from Niamh Parsons.

So off to the CD launch at The Old Ground for Neansaí Ní Choisdealbha’s new recording. She had enlisted Eoin O’Neill, Jack Talty and Michael Hynes to help out and then we were progressively joined by flutes and fiddles from the floor until there were maybe 30 musicians. This was something else. It was a Who’s Who of Clare music with a number of welcome visitors from other counties and other worlds. Richie Dwyer, Danny Meehan, John Carty, Tony Smith, Denis Liddy; and that’s just the fiddle players. To hear Lord McDonald played by so much talent was a special experience. There was some great dancing and a wonderful recitation from Oliver O’Connell who was the host for the event. I could have stayed and listened all day and it was all I could do to stop myself running back to the car to get my fiddle and join them!

Downstairs the music continued with Eileen O’Brien, Mary MacNamara, Sorcha Costello and Geraldine Cotter, But I had to drag myself away from there for the Bobby Casey Tribute concert and CD launch. A four hour extravaganza with an incredible array of musicians who knew or were influenced by Bobby. I won’t list everyone but check out the photos. I am sure you will see many familiar faces.

On the way home I popped into Cruises for Los Paddys de las Pampas and they had the crowd bopping as usual and then it lifted a notch when three quarters of the Four Winds joined them on stage. A fitting way to end the day.

The Festival is winding down. Monday brings Recovery Sessions and time to reflect on what has been a wildly successful Festival. It augurs well for the Fleadh Cheoil next year. I kept visualising the streets pedestrianised and packed with thousands and music coming out of every pub. Good luck Alan and the team!  Ennis is definitely the right place!

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Categories: Concerts, Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , | Leave a comment

Fleadh Nua 2015 Day 7

It’s Saturday and the Festival is in full swing. Ennis is buzzing. People everywhere. So much choice. For me the day kicked off with another Café session. Rowan Tree is an amazing location on the river with bay windows and high ceilings and music led by Eoin O’Neill and Joan Hanrahan. The usual Fleadh Nua Family were there and it was great to catch up with some old friends. I left early so missed a song from Luka Bloom on his birthday. You can’t be everywhere.

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Off to the CD launch where Caitlín Nic Gabhann and Ciarán Ó Maonaigh delighted us with their fiddle and concertina and of course the effortless and extraordinary sean nos dancing of Caitlin. This is dancing fit for a President (she has).

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In contrast an hour later we were rocking to the sounds of Four Winds at the launch of their cd. They are Caroline Keane on concertina Daoiri Farrell on bouzouki and vocals, Tom Delany on pipes and whistles and Robbie Walsh on the bodhran. A band without a fiddle? How could I possibly like that? But these guys nailed it.l   The explosive energy of Tom’s pipes and the driving rhythms of the bouzouki and bodhran carry the music forward. Surprisingly Caroline’s concertina does not get lost and merges perfectly with the pipes. It reminded me a bit of Moving Hearts…..

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Then the session search began and I found a few beauties. There were quiet tunes in Queens with Eileen O’Brien, Martin O’Connor and Thierry Masur, a cracking session at Faffa’s with Blackie O’Connell, Damien O’Reilly and Cyril O’Donoghue and great tunes at Knox’s with Kevin Finucane, Martha Clancy, Kieran Kissane with, Nicole, Maureen, Steve, Fu, and the lovely Cliona and Abby from Cork. A couple of great dance sets and some sean nos from Suzanne Leahy. Didn’t want it to finish. How on earth do you beat that?

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Well, you go to Kelly’s. I’ve raved about this pub before. I go every Saturday night I am in town and just love playing with the regulars there. This night it felt like a giant party to which the whole of Ennis were invited. Kelly’s is Irish for “good time”. Coming a bit late there was already no space and I was surprised to see Eileen O’Brien with Andrew MacNamara and Jack Talty on piano rather than the usual. Great tunes indeed but not what I expected. Then there was a shift change. Eileen left for another gig and Joan Hanrahan and Brid O’Gorman joined us. And then Carmel O’Dea and then Geraldine Cotter. Let the party begin. Just a few lucky visitors were there to experience this including Tony Illanes, Steve Brown and Beannie O. The session ebbed and flowed from one glorious set to another. Impromptu dancing from the omnipresent Suzanne Leahy, and then when you thought it was all over, a singing session that went to 2.30 am led by Alan Hogan and the inimitable Hanrahan sisters. You knew it was a good night when they started singing Scottish songs! This was another of those magic moments I spoke of in an earlier blog. I could write a book on the nights at Kelly’s alone.

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I heard the craic was continuing at O’Keefe’s so I headed there but a frustrated doorman wouldn’t let me in saying they were closed and he was trying to get rid of everyone. Fat chance! A sneak look in the door and the place was packed. Oh well there’s always tomorrow. You can’t be everywhere.

Categories: Concerts, Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , | 1 Comment

Fleadh Nua 2015 Day 6

Friday and the Festival proper has begun. A struggle after getting to bed at 4am but I made it to the Café session at Bia Agus Caife. This is a great spot tucked around the back near the Abbey but Yvonne Casey and Eoin O’Neill really gave us a treat. It was more like a big house party or a family reunion than a session. And in many ways it was. The tune selection was brilliant ensuring that everyone could play along and the joy was evident everywhere, dare I say even among the session leaders!

On then to the Sanctuary for some terrific music from Conor Keane, Johnny Ringo, Kevin Finucane and Dave Harper. The Riches of Clare concerts continue to be packed out. Excellent move to relocate it to the Queens.

Then sessions. And there were some beauties. Just caught the end of some tunes at Fawls with Cormac Begley, Jack Talty and Claire Egan. Wow. I would walk across hot coals to hear these guys. Too short. Then stayed at Fawles with Moya Fitzgerald and Dave Harper.

After dinner I ended up at Knox’s for the early session. Hugh Healy, Brian O’Lauglin and Johnny Kelly among others. Love playing with these guys. And so did the audience. In fact this tall Texan (I’m assuming here) dressed in black and with a black Stetson threw $200 on the table as a tip. There was a stunned silence! No one had ever seen a tip of this size. God bless Americans.

Then I took a break and had a wander, popping in to sessions at Ciaran’s, Faffas, Old Ground, Fawls and Temple Gate, Check out the photos.

Today (Saturday) promises a lot with three cd launches, wall to wall sessions and a concert. Some hard choices coming up.

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Russell Weekend, Doolin. Co. Clare

Another week another festival.  This time in my backyard at Doolin, pretty much the spiritual home of traditional music in Clare. This festival, held over the weekend 27th February to 2nd March 2015, honours the Russell family but in particular the much loved Micho Russell who died tragically in 1994. This is now its 14th year.

Doolin, for those who don’t know it has three pubs and a hotel and is spread out over a couple of kilometres just north of the famed Cliffs of Moher, Ireland’s biggest natural attraction. So it gets lots of foreign visitors. It has been something of a mecca for those seeking traditional music and for most of the year there is music every night in all the pubs. In itself this has brought about quite a change in Doolin as the pubs are very crowded and noisy and ironically it is not always the best place in Clare to hear traditional music. But there is no denying that the craic is mighty. This festival seems to mark the reawakening of Doolin from its winter slumber. Not that there wasn’t any music through the winter (take the Monday session at Hotel Doolin for instance) but this weekend brings out the punters in a big way and is a promise of what’s to come.

The festival kicked off on the Friday with the opening function in the hall. This was a showcase for the young talent of the district and the hall was packed with proud parents and relatives. And they had a lot to be proud of. From whistle-toting tots, who could hardly read and write, to All Ireland age champions on a variety of instruments. For over an hour there was a cavalcade of young musicians and dancers. I couldn’t help feel a sense of wonder at how important this music was to the soul of Ireland and how great it was that this was being passed to the kids. Yes kids learn musical instruments all over the world but nothing like here in Ireland. I have said it before but the future of Irish traditional music and dance seems safe. I was particularly taken with the set dancing where they were clearly enjoying themselves, even though they all had to rush to a disco afterwards. Good to keep a sense of perspective.

Then there was the main concert. This is traditionally held on the Saturday afternoon and was a cracker. I loved the format with all the musicians on stage, taking turns at solos and interspersed with performances from the whole band.   With musicians such as Oisín Mac Diarmada and Kieran Hanrahan and the amazign Seamus O’Donnell, the music was absolutely brilliant. We also had some brilliant sean nos dancing from Samantha Harvey and two show stopping performances from the 74 year old dancing singing fiddler Desssie O’Halloran, who had the enthusiastic crowd on their feet. For me the high point of the concert was the saxophone playing of Seamus O’Donnell including a soulful rendition of Danny Boy. Something I had never heard before. I was sceptical but wow!. What a lift it gave to the music. Not ‘traditional’ I know but played from the heart.

There was copious quantities of food and wine afterwards and then a singing session capping a great evening.

I love to attend workshops.  I had not heard of the tutor so it was to be a complete surprise. After two very late nights it was a wonder that I actually managed to turn up. And I am so glad I did. Unusually the fiddle workshop was scheduled for McGann’s pub, definitely a new one for me. I was the only one there. So I had a one on one with Catriana Ruine. I learnt five tunes but learned so much more than that, just playing and listening, It sounded so great just two fiddles in a quiet pub with the main distraction the crackling from the fire. I was very pleased with how quickly I picked up the tunes. When Catriana left I stayed in my corner near the fire and played tunes on my own for nearly an hour as the pub filled with diners, who happily, largely ignored me. It felt so good. Somehow I got inspiration from the moment. I don’t know where I got the confidence from but here I was, me playing on my own in one of the most famous music pubs in Ireland to a full house (even though they were more interested in their black pudding and crispy bacon than me) and playing competently enough not to be asked to shut it. All good things however come to an end and unceremoniously the piped music was turned on and I couldn’t compete. As I packed my fiddle away I was met with a lovely burst of applause from the diners which really surprised me as I didn’t think anyone was actually listening.

The workshop on the Sunday was equally good but for different reasons. There were two of us this time, and eventually our tutor turned up. We had the irrepressible and enthusiastic Cáit Ryan from Upperchurch in Tipperary. And while we only learned a couple of tunes, for one so young she was so full of good advice. In particular emphasising the importance of learning to sing in Irish.  I now have a new challenge! We even had a crack at the air Ned from the Hills.   This time the pub was not the best place as we were constantly interrupted, sitting as we were on the way to the toilets. Her family runs a music pub in Tipperary called Jim of the Mills, a place that is now firmly on my agenda to visit.

The sessions continued all afternoon and night over the weekend with musicians of quality. Highlights for me were a session that went at least 7 hours with the Clancy sisters and Mary Shannon at McGanns, some quiet tunes with Adam Shapiro and Terrry Bingham at O’Connors on Sunday and, at least for a while, some great music at McGanns with James Cullinan and others on Sunday. I say for a while because this session was brutally murdered by the arrival of two additional guitars (there was already one) competing with each other to see who could be the loudest and drowning completely the music. A shame. Fiddles were packed up and flutes disassembled and pretty soon the lads had McGann’s to themselves. The arrival of a cahone was the final plunge of the knife. This was more than made up for though on the Monday. James Cullinan again, his wife Carol, Noel O’Donoghue and Kevin Griffin kicked off in O’Connor’s at 3pm They were joined at various stages by others such as Donie Nolan, Seamus MacMahon, Carmel O’Dea, Anita Broderick and a couple of very talented kids, until it finally concluded at 12:30 am . A marathon 9 ½ hours of the most wonderful music that ebbed and flowed with the change in personnel. no guitars, no spoons and no bodhrans! Despite the pub noise that increased through the evening the music stayed pure and real. I changed my plans to go to Corofin that night and stayed to the very end. I had heard of James Cullinan’s quality and was not disappointed. And for a couple of hours I had the added privilege of meeting and playing with Carmel O’Dea. Another class fiddler. It was also special to hear a wonderful version of the Clogher Road from the fine voice of Donie Nolan. This is a session that will stay with me for years. Unfortunately I could not drag myself away so I missed what looked like another mighty session with Terry Bingham, Christy Barry and Anne Rynne in the other bar.

The craic was mighty, as they say, all weekend.  I met lots of new people and everyone was so friendly.  I have to share one story.  As I walked past the bar in McGann’s, with my fiddle on my back one young guy grabbed my arm and stopped me saying “you play the spoons”. A bit taken aback I pointed to my fiddle and said “no what makes you think that?” “You just look like it” came the response. I wasn’t sure what to say when he finally registered my accent.  “Fuck! you’re American” he blurts out.  After telling him he had now insulted me on two counts, we parted the best of friends. Just love it…..

A  fabulous festival and as I drove home that night through the light snowfalls I thought on this and the many other festivals I have attended. Every festival I go to gives me something. That’s why I keep going. Can’t wait for Corofin.

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Brogan’s Bar Ennis

On Saturday 14th February Brogan’s Bar in Ennis will change management.  Over the last five decades it has been a go-to traditional music venue in this town and has achieved legendary status with Irish musicians all around the world.  Two of it’s regular stalwarts, Eoin O’Neill and Quentin Cooper,  had their last session there on Thursday.  It was a wonderful celebration and a fitting farewell.  I will have more to say on Brogan’s and what it meant to Ennis and traditional music in Clare and beyond in an upcoming blog and I will include a selection of my best photos from the last nine months, but in the meanwhile here are some images from that last magic night.

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Scoil Gheimhridh Ghaoth Dobhair. Winter School, Gweedore.

I posted the other day on the final night of the Winter School in Gweedore, County Donegal. Here is a selection of photographs from the earlier days of the Festival which ran from 27th December 2014 to 1st January 2015.

I am going to let the photos do the talking but as you will see it was a fabulous event. Can’t speak for the other workshops but Brid Harper’s fiddle was outstanding. Concerts and recitals from Boys of the Lough, Liz Carroll and Brid Harper, Harry Bradley, Brendan Begley, Seamus Begley, Seamie O’Dowd and great sessions where humble plebs like me could find themselves playing next to these guys or a host of others, perhaps less well known but just as good. A smooth, well-organised Festival. Great job Conor Byrne and all the volunteers who made it all happen. There were even a couple of days of sunshine.

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St Stephens Day and the Wren Boys

In Ireland no one seems to talk about Boxing Day – It’s St Stephens Day. But when I ask who St Stephen was, it’s like asking an Irish trad musician the name of the tune they just played. I just get a blank look.

So I did some research. Stephen was in fact a Greek-speaking Hellenistic Jew who died around 34 AD and was the first martyr of Christianity. He was accused of blasphemy and stoned to death.  Thanks Wikipedia.

In Ireland though the day is also known as Lá an Dreoilín, meaning the Day of the Wren, an apparent reference to legends linking the wren to episodes in the life of Jesus. People (mainly kids) dress up in old clothes, wear straw hats and travel from door to door with fake wrens (previously real wrens were killed) and they dance, sing and play music.

It is also used by charitable organisations to raise funds so when Michael Talty asked me if I wanted to join the Wren Boys from the local Kilmurry-Ibrickane GAA I jumped at the chance. It meant getting up at 6.30, the morning after Christmas, which I had spent with friends in Connemara, and driving back to Quilty to be there at 10.00.  Not easy.

The weather was not good. Cold and the threat of rain. A number of musicians and dancers had congregated in the GAA clubrooms and we were split into two teams of three musicians and four dancers. The idea was to go door to door to every home in the Parish, do a quick half set and solicit donations. First we had to agree on a tune (I won’t mind if I don’t hear Sally Gardens again!) and a speed, so after a quick run through with Pat on flute and Gerard on whistle and my fiddle tucked under my coat we piled into a windowless van and hit the streets.

We stopped outside every house (except those that the locals knew to be unoccupied) and knocked on the door. Without ceremony we would launch into Sally Gardens, the dancers would do their thing and we would be off again. People were very generous; I saw the odd 50 drop into the tin. Many made a donation and out of sympathy for us in the cold waved us on without playing. And cold it was. Squalls of drizzly rain swept in as the temperature seemed to continue to drop during the day. Eventually I resorted to playing in gloves and after a bit of practice, made a decent fist of it. I would tuck my fiddle under my coat when not playing and managed to keep it out of the elements. The bow however was another story. Ever tried to play with a wet bow?

Occasionally we were invited inside and that was special, as tables and chairs were pushed aside and if you briefly closed your eyes you could imagine you were transported back fifty years to a kitchen ceili. Occasionally we were also offered beer or cider. In one house we were treated to slices made by Amish girls in traditional headgear and costumes. There must have been a dozen of them. The things you find in West Clare.

There was a welcome break at Cooney’s Pub in Quilty, who put on soup and sandwiches, and then it was back out in the afternoon continuing what was a very long and challenging day until darkness descended finishing on my own street, the Clogher Road. Very fitting.

Despite the privations I had a ball and enjoyed the whole experience – a window into an Ireland that foreigners would likely not see. Thanks Michael and all my fellow dancers and musicians who accepted me and made me feel part of the community. For the record we raised 2,200 euros.

 

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House Session at Kilmaley

I was invited to a House Session last night at Patsy O’Grady’s house near Kilmaley on the night of the 23rd June, After some difficulty finding the place we arrived to a roaring bonfire celebrating the Summer solstice and St Johns day. A few of my new friends were there (Thierry, Fu, Geraldine, Liam Lewis) and I was warmly welcomed by the host and his family. We soon moved inside into a renovated cow shed and played some tunes. It was the most luxurious cow shed I have ever played in! The sound was fantastic. Pipes, bouzouki, box, concertina, banjo and six fiddles. Who could ask for more?

There was some lovely sean nos dancing from Suzanne Leahy and some sets as well. It was a brilliant night and it seemed to me to be a bit of an insight into what being Irish means in this part of the world, harking back to a tradition of music in the house that seems to be nearly gone. It was so nice to play outside a pub with an attentive audience, lovely food, dancing and time for conversation.

Thanks Patsy. And thanks Trish for inviting me.

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