Posts Tagged With: music

Fleadh Nua 2015 Day 2

It’s Monday and the day kicked off with a brunch session at Cafe Aroma. You had to get there early to get a seat even though no one knew who the musicians would be. What a nice surprise to get Blackie O’Connell and Cyril O’Donoghue. The foreign contingent lapped it up and Blackie made everyone feel welcome.

I missed the lunchtime Riches of Clare concert with Niamh O’Dea, Anne Marie McCormack and friends but my spy on the ground tells me it was brilliant high energy entertainment.

Another permanent feature of Fleadh Nua is the afternoon Fionn Seissun. The venue has moved but the format remains the same. Frank Custy and his friends lead the beginner’s session and everyone gets a go at starting a tune or song. I even sung; giving the Clogher Road an airing.

The evening concluded with tunes at Cruises led by Yvonne Casey and Brid O’Gorman, with musicians from France, Japan, UK, Germany, Belgium, Spain, Wales, USA, and Australia and hardly an Irishman to be seen. Lovely to see an ovation from the appreciative audience at the end.

All roads lead to Ennis.

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Categories: Concerts, Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , | Leave a comment

Baltimore Fiddle Fair

Baltimore lies in the very southwest corner of Ireland in one of the most beautiful parts of Ireland – West Cork. It is a very pretty town nestled on a protected harbour with a strong maritime heritage. Very popular with the yachty set but for one weekend a year the sound of clinking gins-and-tonic is replaced by fiddles and pipes. That is the Baltimore Fiddle Fair and that’s where I headed for the last Festival of my first year in Ireland, which is rapidly coming to a close. And a fitting way to end the year it was.

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Four days of music centred on the fiddle and covering many genres. We heard Old Timey, Cape Breton, Bluegrass, Swedish, Gypsy Swing, Scots and a variety of traditional Irish. There were fiddlers of the class of Gerry O’Connor, Zoe Conway, Liam O’Connor, Danny Diamond, Dermot McLaughlin and Shane Cook. The core of the festival was the concerts though I have to admit I only attended one, so I can’t really comment on them but the one I did attend was a show stopper. Warmed up by the fiddle and pipes of Liam O’Connor and Sean McKeown the crowd was blown away by Swedish superband Väsen.  I had never heard of them (shame on me) but I know them now.  Slick and professional and as tight a sound as you will ever hear, with five string viola, nyckelharpa and guitar combining effortlessly. This music was a revelation with its dynamic range and variations in tempo and rhythm. I was truly ‘polskafied’.

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I attended five workshops. A big stretch but I was able to get exposure to Donegal style, Old Timey and Cape Breton as well as picking the brains of Gerry O’Connor and Zoe Conway. I never tire of these workshops. Every time I learn something.

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But of course as always it was the sessions that kept me occupied. Every day from around 1 pm there was continuous music in the venues around the Square and in the evenings, after the concerts, Casey’s Hotel raged with as many as four sessions until at least 4am every night. There were visitors from all over the world and I met some wonderful new people including John from Wales, Patrizia and Angelica from Austria, Julie from Denmark, who is cycling around Ireland (https://www.facebook.com/TourdeFolk), Liam from Queensland, Kathleen from Boston, Larry from Tipp, the delightful, Joleen, Karen and Lorna who make up the Henry Girls from Donegal and caught up with old friends again such as Trish from Dublin, Clare from Cork and Aina from France.

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You meet all kinds at a festival such as this and for me that is what makes travelling to them worthwhile. Every evening, we were joined at Casey’s by Jeremy Irons. Self-effacing and just happy to sit in on the edges of the session and find his way in and out of tunes. Clearly revelling in the craic and a world that is a long way from Hollywood.

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And I had the great pleasure to meet renowned Danish artist Claus Havemann. I chatted to him outside Bushes Bar as he stood there having a cigarette and staring across to Sherkin Island where he has had a home for thirty years and spends his time when not in Denmark. He told me of his journey in art over the last forty years which took him from Surrealism to Realism to Modernism to Minimalism to his current works which reinterpret the masters. He told me that he once painted a picture during his Minimalist period called ‘Yellow’ which was essentially dozens of layers of blue paint. The title made perfect sense to me when he explained that yellow is opposite blue on the colour wheel. I have included a couple of his paintings. I especially like the Velazquez ‘copy’, one of a series in which he paints in the style of the master but puts in modern references such as a Picasso and Miro on the wall and his interpretiaon of the Vermeer as a portrait of his daughter.  See more at  http://www.claushavemann.com/

Click for a closer look and zoom

Click for a closer look and zoom

Speaking of Sherkin Island, one of the highlights of the Festival was a session at the Island Rest Hotel. Sherkin is only a few minutes by boat and has about 90 residents. I met many of them that night as they lapped up the seriously good music from the visiting musicians shipped over (literally) for the event. There were some great contributions from locals also including songs and some impromptu dancing from Mary and her artist friends. I have never been to a session where I was picked up and delivered back by boat and the memory of this one will stay a long time.

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I was intrigued by the Algiers Bar where I also played, having spent quite a bit of time in Algeria during my geology days. Turns out this pays homage to the notorious event in 1631 known as the Sack of Baltimore when Barbary pirates (comprising Dutch, Algerians and Ottomans) attacked Baltimore and captured 108 English settlers who were transported back to North Africa as slaves. Funny how we think of slavery in terms of Africans being sent to the new world, but in the century from 1580 to 1680 there were up to a million Europeans taken as part of the Barbary slave trade. Baltimore was abandoned and the village deserted for generations.

The face of the festival is Declan McCarthy.  It was his brainwave back in 1992 and he is still running it. And what a trooper he is. Everything  (well nearly everything) ran smoothly. The venues, the workshops and the support of the town. Hat’s off to him! Speaking of the venues some of the workshops were held at the magnificent stately home Inish Beg and at the famous Glebe Gardens. Along with the church, sailing club and a specially erected marque they really got it right with, of course, the fabulous location.  And unlike many other festivals where you’re lucky if you can buy a bucket of chips there were great food options with the Glebe Café a standout.IMG_9923

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I was absolutely shattered at the end of this week. Workshops every morning and some afternoons, sessions all day and surviving on just a few hours sleep. To fiddle a bit with the words of Richard Thompson in Beeswing “you wouldn’t want it any other way”.

 

Categories: Concerts, Festivals, Sessions, The Fiddle, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 3 Comments

Super Sunday

What a Sunday.

After a very late night at the Cuckoo Fleadh in Kinvara in Galway I was slow to get started but discovered the perfect antidote at Byrnes Restaurant in Ennistymon. Yvonne Casey and Jon O’Connell.  This was as close to pure as you could hope for.  It was a sublime combination of music and place. Outside after the night’s heavy rain the Ennistymon falls were gushing.  Inside a fiddle and guitar melted together in the hands of two world class players. It didn’t matter that it wasn’t all Irish. At times the small but appreciative audience were mesmerised. I came away enervated but and itching to play.

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So off to Kinvara again for the Cuckoo Fleadh. There were sessions everywhere by the time I arrived. The highlight for the day was a session with Brid Harper and eight fiddles. At least until the noise from the local lads became too much. Hope I dont offend anyone but I am a fiddler, and for a change to hear eight of them with only a whistle, flute and concertina was heaven.  Great to catch up for tunes with with Moya and Sandra in the back bar of Connollys and with Bridge and Siofra.  On top of 11 hours of music the previous day (including a madcap session with Andrew MacNamara and Eileen O’Brien and meeting and playing with Eilish O’Connor again, after 33 years!) I was well satisfied

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Then off for a session at the Blacksticks Pub at O’Callaghan’s Mills. It lies somewhere between Feakle and Tulla and is one of those rare gems of pubs. It only has music on holiday Sundays and the session in the kitchen, led by Pat O’Connor and John Canny and attended by locals from Feakle and Tulla was a real little window into East Clare. I will talk more about this in another place but I got home at 3.30am, after pretty much circumnavigating Clare, tired and satisfied.

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Categories: Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , , , | Leave a comment

Off to Offaly. What’s it Offer Me?

The Midlands of Ireland gets a bad rap. It comprises the counties of Laois, Longford, Offaly and Westmeath. Major towns are Athlone, Mullingar and Tullamore.  The whole Midlands is unfairly seen as a cultural backwater, dreary and nothing but boring bog land.  Author and Irish Times columnist Michael Viney has described the Midlands as “a wearily protracted obstacle between Dublin and the west … a slow ticking-off of dull little towns on a lot of flattish land drained by sluggish rivers”.

At the invitation of a friend, Christina,  who owns a B&B in Kinnitty,  Co. Offaly.  I spent a few days seeing for myself.

And I say this characterisation is unfair. Yes there is plenty of bog land but in my four days, mainly in Offaly,  I found music every night, discovered the Slieve Bloom Mountains, enjoyed a fine meal at Castle Kinnitty, absorbed the Georgian architecture in Birr and walked through a sculpture park in Lough Boora. I met plenty of lovely people as I have everywhere in Ireland.  Offaly had plenty to offer me!

I stayed at beautiful Ardmore House.  This elegant grand house, now a B&B, was built in 1840 by the Bernards who lived in the nearby Kinnity Castle. More on that later.  It was used as a doctors’ surgery and residence until the 1970s.  It had various owners after that and was bought in a run-down state over 20 years ago by Christina who has restored it in a  labour of love.  Set in lovely formal grounds and with huge bedrooms fitted with period furniture.  There is a wonderful ambience about the place and views from every window over the rolling hills on the edge of town and beyond to the Slieve Blooms.   http://www.kinnitty.com/about.html.

This was my base from which to explore Offaly. And I didn’t have to go far.  Across the road near the Church is a stone pyramid, a mausoleum for members of the Bernard Family.  It was built in 1834 and houses the remains of six people including one bitten by a rabid dog.  The stone work is wonderful with blocks laid at an angle to get the pyramid shape.  The  mortar pattern is etched through the steel door which gives a great senses of unity.  The last internment was in 1905.

Ardmore House, Kinnity

Ardmore House, Kinnity

Elegant Georgian architecture.  Ardmore House, Kinnity

Elegant Georgian architecture. Ardmore House, Kinnity

Bernard's Pyramid, Kinnitty.

Bernard’s Pyramid, Kinnitty.

Bernard's Pyramid, Kinnitty

Bernard’s Pyramid, Kinnitty

Anyway I digress. The main reason I came of course was to play music.  Wednesday nights sees a regular session in this part of the county.  It is led by the talented Kinsella family and rotates between four pubs in surrounding villages.  This night saw the music at Bergin’s at Killoyn (pronunced ‘Killine’).  Other nights are at the Slieve Bloom in Kinnitty, Burton’s at Ballybritt and Dempsey’s at Cadamstown.

This is one of those sessions that exists soley for the community.  The pub was packed with regulars who were there just for the music. If there are tourists then they either come by accident or they are directed here by their hosts.  I am told that on other nights this pub is nearly empty.  This is a clear sign that the music is strong here and that people are into it.  While the quality of the music may be better in Clare you can’t argue with the enthusiastic way it is played and the reception it receives.   There were about fifteen musicians of all ages but as the night wore on many more singers were coaxed from the crowd. The tunes were well led by gifted box player Padraig Kinsella, and members of his family.  It is worth commenting here that the perception that Offaly is a backwater is belied by its successes in the All Ireland Fleadhs.  Players from Offaly including Padraig have won the All Ireland for button accordion eleven times, significantly more than from any other county.  I certainly didn’t appreciate this.  There was a lot of singing but no shortage of tunes and even after most of the musicians had packed up soon after midnight more singers came out of the crowd and we left at 2am with the session still in full swing.

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As my readers would know I attempt to play music every night.  So when we discovered there was a session in Eugene Kelly’s on Thursday off we went.  What I had forgotten, until I got there, was that this was the first place I had played music in Ireland, when I had arrived in May 2014.  I remembered meeting concertina player, Aoife Greene (another All Ireland winner) there that night and she was here again.  She recognised me even though I now have a beard and long hair.  Some great tunes followed and plenty of songs though the session was somewhat throttled by one member of the audience who insisted on sitting in the circle and making her presence well and truly felt.  Though in fairness she could sing.

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On the last night Christina had organised a house session at Ardmore. Some of the musicians who I had met at Bergin’s were there and others, friends of Christina, had come from as far away as Westport in Mayo as well as some locals.  It was a privilege to be part of this.  Great tunes and songs, excellent food, fine whiskey and a turf fire. Only thing missing was some dancing and you could have been at a house session a hundred years ago.

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In between these sessions I got out and about.  The weather was stunning.  Clear blue skies and around 18 degrees.  County Offaly has the earliest evidence of human habitation in Ireland dating from 6500 BC at Lough Boora just down the road. There would have been lakes there then, long since turned into bogs and subsequently mined out by Bord na Móna (the company created in 1946 to exploit bogs mainly in the Midlands)  Here at Lough Boora however it is now returned to lakes and a nature reserve.  I visited there and took a short walk was through a sculpture park.  All the installations were inspired by the unique land and the bog and its history of mining.  I was very impressed.  Great opportunity for some photos a little different from what I was used to.  I really enjoyed trying my hand at something different.

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There was also the Slieve Bloom Mountain range.  More low hills actually but there were expansive views of the countryside .  It is renowned as the birthplace and early home of legendary Finn MacCool but I was more taken with the forests of pine and beech, just breaking out with the spring growth.  It was at that wonderful point where the trees still have that winter nakedness but there is a tinge of bright green from the new shoots.

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Kinnitty Castle has had a chequered history.  It’s current predicament is at least as bad as anything it has faced since the site was first settled.  It is worth relating briefly as reflects a lot of the story of Ireland.

The site was known to be an ancient druid ceremonial ground; it was a monastery in the 6th century with links to Clonmacnoise along with which it was a major learning centre in Europe at the time.  It was raided by the Vikings and then rebuilt by the Normans with a castle and Abbey.  It became the stronghold of the O’Carrolls around the 11th Century through to the 17th century.  A new castle was built by the O’Carrolls in 1630 and confiscated by the English in 1641.  In 1664 it was granted to an English officer Thomas Winter. It was sold by the Winter family to the Bernards family in 1764 and became known as Castle Bernard.  The current look of the castle was a result of work commissioned in 1811.  The work was carried out by the Pain Brothers who built Dromoland and is a wonderful example of neo gothic architecture.

In 1922, the Castle was burned down by the Republican forces.  Rebuilt in 1928 by the Bernard family who lived there until 1946 when it was sold to Lord Decies who in turn sold it to the State in 1951. It became run down but was purchased by the Ryan family in 1994 and renovated and transformed into a luxurious 37 bedroom hotel.

The castle was forced into receivership by the KBC Ireland Bank and despite a number of attempts to sell it is still being run by the receivers as a going concern.  It is popular for weddings, understandably, and I have to say the steak was delicious.  The hotel is full of amazing period furniture, most of it huge and befitting the grand proportions of the house.  The bank seized all this along with the hotel but the Ryans claim that the effects are their own personal assets.  It is all very messy with legal action and accusations flying everywhere and as of now you could buy this special castle for a mere seven million euros and make the bank go away.

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The English heritage is apparent in nearby Birr also.  Birr also has a magnificent castle which is the family home of the current Earle of Rosse, but goes back to the O’Carrrols again who had one of their castles there in the 15th Century.  In 1620 it was granted to a Sir Laurence Parsons in the course of the Stuart plantation, c. 1620. Sir Laurence Parsons built most of the structure of the present castle. But this was not the main attraction for me.

The town is well regarded for the excellence of the preservation of the Georgian architecture.  A walk down the main thoroughfare of Emmett Street (formerly Cumberland Street) and the Oxmantown Mall and St John’s Mall give ample evidence of this.  I was taken with the elegance of the buildings and the unity of streetscape which was a defining characteristic of Georgian city planning There were simple family homes and there were clearly more ornate, but still conforming to the same simple elegant ethos, homes of the wealthy.  I loved the arched door treatments, the fanlights above the doors, the beautifully proportioned multi-paned windows and some of the less noticeable details such as the cast iron gate handles.

I was walking down Oxmantown Mall photographing the front of a blue doored two story mansion when the owner came out.  We got chatting and retired vet, Sam Glendinning took me through the archway which accessed the back and showed me his formal walled garden.  He was in the process of renewing it as it had become overgrown but there was enough to see what a marvelous space it was. A magnolia in flower was a feature with a central lawn and garden beds and trees around the boundary.  It was so quite; not a noise though we were right in the middle of town.  I was entranced.  Sam said it may be for sale if he could convince his wife to move into something smaller but he wouldn’t name a price.  Out of my league I would think.

Other claims to fame of this town are the largest telescope in the world built by the then Earl of Rosse in 1845.  (Why build a telescope in Ireland where there averages up to 225 days of rain a year?), the world’s first auto fatality when Mary Wood was thrown out of the steam car she was a passenger in as it rounded a corner on Cumberland Street and an Australian connection where Dame Nellie Melba sang from the balcony of Hotel Dooley, an event remembered today with Melba’s Nightclub

 

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I left Offaly on the Saturday and as if to say goodbye the weather broke.  I enjoyed my time there and thanks Christina for your hospitality.  It didn’t take long though and Saturday night I was back in the swing of things with tunes at Friels in Miltown with Yvonne Casey, Josephine Marsh and John Joe Tuttle.

Categories: My Journey, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , , , , | 6 Comments

Corofin Traditional Festival, Co Clare

The festival at Corofin is the 25th festival I have been to in Ireland since I arrived in May 2014. Is it the best? Hard to answer but for me it had everything. Some festivals have better workshops, bigger concerts, more variety, but this one to my mind gets the balance just right. Let me tell you about it.

The festival committee headed by the dynamic O’Reilly brothers have developed a tried and true formula and know better than to tinker with it. In fact the Festival won the MórGlór award last year in recognition of its contribution to music in Clare and the efforts of the organisers to put on a consistent and high quality festival.

Corofin is a small village on the edge of Clare’s spectacular Burren (see my blogs at https://singersongblog.wordpress.com/2014/06/20/the-burren/ and https://singersongblog.wordpress.com/2014/08/29/the-burren-again/) about 14 km from Ennis. The festival was held over the week 2nd March to 8th March 2015.  It kicked off on the Monday night and there were events every night until the weekend when the festival proper got into full swing. I didn’t attend the opening by Eoin O’Neill on Monday (I was still enjoying the final session of the Russell Weekend in Doolin (https://singersongblog.wordpress.com/2015/03/06/russell-weekend-doolin-co-clare/) so I can’t comment on that but Tuesday and Wednesday saw two more free events in the Teach Ceoil. This is an intimate venue where there is a great connection between the artists and the audience. On Tuesday we heard Mick, Donal and Conor McCague launching their album of mainly Mick’s original compositions. It was lovely music, a highlight for me being; yes you guessed it, the fiddle playing of Donal. Wednesday was a tribute night to the irrepressible Joe Rynne from Inagh who has had such a big influence on music in North Clare As recipient of a Lifetime Achievement Award, we were treated to some wonderful cameos from members of his family, from renowned flute players, Christy Barry and Brid O’Donoghue and then finishing with an all in session comprising 25 of Joe’s friends, many of them legends themselves and some previous members of the Corofin Hall of Fame. Their playing of the ‘Tulla’ set was something to behold.

Then there were three concerts on Thursday Friday and Saturday. One can’t be everywhere so the only one of these I saw was on Friday with the Yanks, a group of yes, you guessed it, Americans, led by 2014 All Ireland Senior Fiddle Champion Dylan Foley and the most gorgeous flute from Conal Ó Gráda with Colm Murphy backing on bodhran. I had never heard flute playing quite like that of Conal. It was light, full of energy and spirit and I was mesmerised. Performers at the other concerts included Angelina Carberry and Dan Broudar, Noel Hill and Liam O’Connor and Jesse Smith and Colm Gannon, and while it was disappointing not to see everyone, I was able to catch up with some of these at the various sessions.

I attended the fiddle workshop and in the allocated three hours we had an hour each from Jesse Smith, Dylan Foley and Conor McEvoy. This was nowhere near enough time and in particular Jesse Smiths’ insightful perspective was particularly helpful to me.

This festival however very much revolves around the virtually continuous sessions that take place from Friday night to the death on Sunday evening. It is a musicians’ festival and quality players turn up in droves and this brings a big contingent of international trad followers. It felt at times a bit like Willie Week without the baggage, if you know what I mean. Of course there were some sessions that didn’t deliver, just as in any festival – too much noise, too big, whatever; but there were so many that did. I played on the Saturday (not counting the workshop) from 2:30 to close at around 2am (after three hours sleep the night before) and again on the Sunday for twelve hours, exhausted but satisfied. There were both large sessions such as at Crowley’s on Saturday where despite there being possibly forty musicians, the music was fast and tight and had a good strong pulse, and there were small intimate sessions, such as with Stefan and Paolo at the Anglers Rest on Sunday or on Saturday where I had the great pleasure of playing with the incredibly talented Sarah, Ellen and Seamus O’Gorman, All Ireland champions from Waterford and the future of fiddle playing in Ireland. Great stuff. And I have to mention the Sunday evening session at the Angler’s Rest, with Derek Hickey, Claire Egan, Eoin O’Neill (box), Liam O’Brien, Dan Brouder, Angelina Carberry and Geraldine Cotter among others. This was sublime music played at a gentle pace and with wonderful restraint and despite the number of boxes you could hear each instrument clearly. It became almost hypnotic at times and a largely silent and appreciative crowd were treated to a memorable evening and a great finale to a weekend of wonderful music. Great to be part of it.

I caught up with a host of overseas musicians, some regular visitors to Clare who include Corofin on their must-visit list along with Willie Week and the Tradfest in Ennis and judging by the variety of inter-county number plates jostling for parking space there were visitors from all over Ireland drawn to this celebration of the best of Irish music. And as usual I made many new friends. Who wouldn’t want to be part of the traditional music scene?

There was not a bed to be had in Corofin as I discovered when my car was locked inside the Centra Car park, but that’s another story!

I only had one issue, and I mention it as something for the organisers to think about next time. There was a fantastic session going at Bofey Quinn’s on Saturday evening and the place was packed and buzzing. At 10pm the musicians who play at the regular scheduled session arrived and virtually mid-tune the session came to an abrupt end. As the regulars took over, the pub quickly cleared both of musicians and drinkers. This was not in the best interests of the Festival or the pub. I don’t know what the answer is but, like I say, I just mention it as something to think about.

Fair play to the O’Reilly brothers who seem to be the driving force behind this festival (I hope that’s not being unfair to others who contribute), while at the same time appear in the concerts, do MC’ing and turn up at sessions all over town as well as being at the end of the phone to answer requests for lost caps. Thank you.

So is it the best? Let me just say if it was a restaurant I’d give it three hats!

See you there next year.

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Categories: Festivals, Trad Irish Music | Tags: , , , , , , , , , | Leave a comment

Scoil Cheoil an Earraigh, Ballyferriter, Co Kerry

I have just returned from another festival/school, this time at Ballyferriter on the Dingle Peninsular in West Kerry.  And it really was a beauty.  It is called the Scoil Cheoil an Earraigh which translates slightly optimistically as Spring Music School.

The Dingle version of Spring involved rain, hail, mist and wild winds whipping up the Atlantic, but in the warmth of one of the many sessions you didn’t notice. Ballyferriter is almost the classic Irish village, with mandatory three pubs, hotel, church and shop. What sets it apart is its glorious setting right at the western end of the peninsular sandwiched between Slea Head and Mt Brandon . When the rain stopped as it did on a couple of occasions and the mist lifts, Mt Brandon, all 952 metres of it, stands proud with is snow capped peak and to the west the beaches and hills beckon. It is obvious why this area was chosen to film the seminal classic Ryan’s Daughter. It is also very compact so everything is within staggering distance and this is important when you are trying to find your way home at 6am.

Everyone said I would love Kerry and I do. This festival was a wonderful introduction to the Kingdom and the music.  This blog is just about the Festival.   I will post some pictures later of Dingle’s spectacular scenery.

The Scoil Cheoil Earraigh seems to hold a special place for many people. For some it is the only festival they attend. Of course there is a strong local contingent but there are also visitors from many other counties and from the UK, France, Russia, Germany. So what is it that brings them here?

It is not a huge festival and it benefits from this. It was very well organised with no obvious hitches. The workshops over three days were with top class tutors. How many opportunities would a guitarist have spend three days with Steve Cooney? Many of the tutors performed in a number of impressive concerts along with other headline acts. The stamp of the Begleys was everywhere.  I’m not sure what the collective name for a lot of Begleys is – perhaps a boggle of Begleys but whatever it is it translates to pure musical genius. Along with Seamus and Breanndán with their vibrant and pulsating rhythms interspersed with wonderful soulful songs sung in Irish was Breanndán’s son Cormac displaying his virtuosity on a range of concertinas and other members of the extended Begley family popping up in various sessions. But it wasn’t just the Begley show. Other guests included Galway’s Páraic Mac Donnchadha on the banjo, Connie O’Connell renowned fiddler from Cork, Steve Cooney, back together in a big way with Seamus and adding his driving rhythms to a variety of other artists and in sessions, Harry Bradley , musician of the year last year, Tommy McCarthy a traveller singer with an extraordinary presence, and a huge repertoire of songs and fascinating stories and Brendan Powers from NZ master harmonica player across many genres stirring up the trad scene by utilising technology to take the music into uncharted territory. There were also informal concerts in cafes which was a great counterpoint to the frenetic energy of the sessions.

I just loved the way the whole festival was conducted in Irish. It didn’t seem to matter that you didn’t understand much of what was going on. This was West Kerry being West Kerry and while visitors were welcome it was very much a showcase for the unique heritage of this part of the world. This was reflected in the music which was of course riddled with polkas and slides, the spontaneous dancing of sets and half sets – vigorous and energetic, reflecting the music, the craic and the warm welcome all visitors received. I attended a lecture on the origins of polkas and while I didn’t understand a word I picked up enough from the slides and musical examples to be totally riveted.

The workshop was one of the best I have been to in the last year – and I have been to plenty. We had two tutors. Caoimhín Ó Raghallaigh, well known for his many musical collaborations including more recently the Gloaming, who explored dynamics and how to extract more feeling. We didn’t learn a tune but it was a revelation. And young Aiden Connolly showed the group (exclusively adults) how to play polkas and slides – something that had never been explained so clearly to me before. I came away inspired which is what a good School should do.

There was a concert on Saturday, in the wonderful setting of St Vincent’s church, of all the workshop groups led by their tutors. This was the most successful format of any I have seen where similar things have been tried. Everyone played in their seat eliminating massive logistical problems. The highlight was the finale with all groups led by Breanndán Begley playing a stirring version of Fáinne Geal an Lae.

What to say about the sessions. These were numerous and exhausting. All the ‘stars’ who appeared at the concert joined into various sessions. Something that doesn’t always happen. Those who were at the Bar an Bhuailtin on Saturday night will never forget the musical treat provided by Begley, Cooney, O’Connell and a host of others until six in the morning, There was a session in Tig an t-Saorsaig with a contingent of musicians from Thurles where sets of reels lasted forty minutes without a break and another session at Tigh Ui Cháthain led by Cormac Begley on his bass concertina and Páraic Mac Donnchadha on banjo which must have gone for eleven hours and it would not surprise me if they didn’t repeat a tune in that time. Spellbinding. But for me the real highlights were playing in quiet sessions such as with Alph Duggan on the Thursday and with Fergal, Breige and Anja on the Sunday with hardly an audience just sharing tunes and songs.

As I say I have never played music in Kerry before so I should talk a little about my introduction to their music. While the Corca Dhuibhne (Dingle peninsular) is not part of the Sliabh Luachra, the more widely known home of polkas, the West Kerry Gaeltach has a long musical tradition and much in common. The music played here historically was for the West Kerry dance sets and comprised mainly polkas, slides and occasionally hornpipes. For many years this music was considered ‘foreign’ having been thought to have been brought in by the occupying military forces, but the Goodman collection of the late 19th Century demonstrated a rich tradition which was largely ignored by collectors such as O’Neill and Breathnach. Polkas were among the first tunes I learnt many years ago when starting out on the fiddle. They were considered easy. And of course in Australia no one knew how to play them properly so they were pretty awful. I couldn’t play reels, so in my various bush bands we used polkas instead. We got away with it with the unsophisticated Aussie audiences but it was hardly satisfying. So I developed a dislike for them and it seems this is shared by many over here as well. Even in Clare you rarely hear them unless you’re playing with someone from that tradition such as Jacky Daly. Hearing these tunes however delivered by masters steeped in this tradition and on its home turf was a revelation.   The tunes are full of an internal energy that drives the music forward all the time. They are infectious. The rhythm sucks you in and drags you onto the floor to dance. I wouldn’t say I have come away converted but I will take this body of music much more seriously and revisit those hackneyed tunes I rejected so many years ago. Thanks Ballyferriter.

I say well done to the organisers for a memorable experience. I understand the lure of this place and its music and I too will be back.

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Categories: Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 3 Comments

Brogan’s Bar Ennis

On Saturday 14th February Brogan’s Bar in Ennis will change management.  Over the last five decades it has been a go-to traditional music venue in this town and has achieved legendary status with Irish musicians all around the world.  Two of it’s regular stalwarts, Eoin O’Neill and Quentin Cooper,  had their last session there on Thursday.  It was a wonderful celebration and a fitting farewell.  I will have more to say on Brogan’s and what it meant to Ennis and traditional music in Clare and beyond in an upcoming blog and I will include a selection of my best photos from the last nine months, but in the meanwhile here are some images from that last magic night.

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Categories: Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , , , | 2 Comments

Feile Na Tana, Carlingford Co Louth.

Carlingford is the prettiest of towns in the very north of the Republic of Ireland. It is situated on a beautiful Lough and across the water is Northern Ireland in the shape of the Mountains of Mourne. It has ruined castles and abbeys and medieval gates and quaint contorted narrow streets and beautiful done up pubs and a backdrop of the Cooley Mountains dotted with the patchy remains of a recent snowfall. The perfect location for a Festival?

The Feile Na Tana is a new weekend winter school and was held in Carlingford on the first weekend of February. It is the brainchild of renowned fiddler Zoe Conway and her partner guitarist John McIntyre. She managed to assemble an extraordinary array of top class musicians for a programme of workshops and concerts. Zoe herself, Seamus Begley, Noel Hill, Mary Bergin, Gerry O’Connor and many others gave one day workshops to packed classes. There were a number of concerts where the talents of these musicians were on display to an enthusiastic audience of grateful locals.

The opening night had Zoe and John with some local young talent. I was blown away by the two youngsters who kicked off the night (sorry can’t remember their names) particularly the bright yellow bodhran doing a remarkable impersonation of John Joe Kelly. There was also a group of young musicians from Dublin, Caiseach, who put in a great set and Zoe and John did not disappoint.

Workshops the next day were split into two sessions – a great idea. I can only speak for the Fiddle but the tune choice from Zoe Conway was excellent and there was plenty of good advice to improve tone and feel. Well worth the trip alone.

The main concert was played to a packed house and was kicked off with a work entitled “Re imagining Songs and Music of Oriel”. It was performed by a huge ensemble of students from four local schools and included some of their own compositions. This was a wonderful experience for the kids and well received by the audience, filled no doubt with many proud parents. A great initiative and something that will hopefully stay with these kids and fan the musical fire within them. There was also a smaller group of young musicians from Wicklow and some wonderful songs from renowned local singer and author Padraigín Ní Uallacháin. And then the main act of the night, a brilliant performance from Seamus Begley and Donogh Hennessy joined later by the incomparable Noel Hill.

The tutor’s concert on the Sunday afternoon however was the highlight for me. An extraordinary line up of talent playing together and individually left the crowd wanting more.

I met some great new people especially at the Session on Sunday at Omeath, about ten kilometres away, including Rose, Clayton and Stuart from Boston, Kenji and Satoko from Japan and local musicians Gearoid, Ciaran and Andrew among others.

Thanks Zoe and John. See you next year.

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Categories: Festivals, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 3 Comments

Scoil Gheimhridh Ghaoth Dobhair. Winter School, Gweedore.

I posted the other day on the final night of the Winter School in Gweedore, County Donegal. Here is a selection of photographs from the earlier days of the Festival which ran from 27th December 2014 to 1st January 2015.

I am going to let the photos do the talking but as you will see it was a fabulous event. Can’t speak for the other workshops but Brid Harper’s fiddle was outstanding. Concerts and recitals from Boys of the Lough, Liz Carroll and Brid Harper, Harry Bradley, Brendan Begley, Seamus Begley, Seamie O’Dowd and great sessions where humble plebs like me could find themselves playing next to these guys or a host of others, perhaps less well known but just as good. A smooth, well-organised Festival. Great job Conor Byrne and all the volunteers who made it all happen. There were even a couple of days of sunshine.

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Categories: Festivals, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

St Stephens Day and the Wren Boys

In Ireland no one seems to talk about Boxing Day – It’s St Stephens Day. But when I ask who St Stephen was, it’s like asking an Irish trad musician the name of the tune they just played. I just get a blank look.

So I did some research. Stephen was in fact a Greek-speaking Hellenistic Jew who died around 34 AD and was the first martyr of Christianity. He was accused of blasphemy and stoned to death.  Thanks Wikipedia.

In Ireland though the day is also known as Lá an Dreoilín, meaning the Day of the Wren, an apparent reference to legends linking the wren to episodes in the life of Jesus. People (mainly kids) dress up in old clothes, wear straw hats and travel from door to door with fake wrens (previously real wrens were killed) and they dance, sing and play music.

It is also used by charitable organisations to raise funds so when Michael Talty asked me if I wanted to join the Wren Boys from the local Kilmurry-Ibrickane GAA I jumped at the chance. It meant getting up at 6.30, the morning after Christmas, which I had spent with friends in Connemara, and driving back to Quilty to be there at 10.00.  Not easy.

The weather was not good. Cold and the threat of rain. A number of musicians and dancers had congregated in the GAA clubrooms and we were split into two teams of three musicians and four dancers. The idea was to go door to door to every home in the Parish, do a quick half set and solicit donations. First we had to agree on a tune (I won’t mind if I don’t hear Sally Gardens again!) and a speed, so after a quick run through with Pat on flute and Gerard on whistle and my fiddle tucked under my coat we piled into a windowless van and hit the streets.

We stopped outside every house (except those that the locals knew to be unoccupied) and knocked on the door. Without ceremony we would launch into Sally Gardens, the dancers would do their thing and we would be off again. People were very generous; I saw the odd 50 drop into the tin. Many made a donation and out of sympathy for us in the cold waved us on without playing. And cold it was. Squalls of drizzly rain swept in as the temperature seemed to continue to drop during the day. Eventually I resorted to playing in gloves and after a bit of practice, made a decent fist of it. I would tuck my fiddle under my coat when not playing and managed to keep it out of the elements. The bow however was another story. Ever tried to play with a wet bow?

Occasionally we were invited inside and that was special, as tables and chairs were pushed aside and if you briefly closed your eyes you could imagine you were transported back fifty years to a kitchen ceili. Occasionally we were also offered beer or cider. In one house we were treated to slices made by Amish girls in traditional headgear and costumes. There must have been a dozen of them. The things you find in West Clare.

There was a welcome break at Cooney’s Pub in Quilty, who put on soup and sandwiches, and then it was back out in the afternoon continuing what was a very long and challenging day until darkness descended finishing on my own street, the Clogher Road. Very fitting.

Despite the privations I had a ball and enjoyed the whole experience – a window into an Ireland that foreigners would likely not see. Thanks Michael and all my fellow dancers and musicians who accepted me and made me feel part of the community. For the record we raised 2,200 euros.

 

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Categories: Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 3 Comments

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