Here is a selection of images from Day 4. Please share if you want to.
This is why I am in Ireland!
But I did have a dilemma this last weekend . It was October Bank Holiday weekend and there were two Festivals within striking distance. Solution – go to both.
So Saturday I headed off to the Joe Cooley Weekend at Gort about an hour’s drive from Caherush. Gort is just over the border in Co Galway and a pretty town it is. There is a magnificent monastic ruin just down the road and the home of Lady Gregory nearby. The streets are unusually wide and it is situated around a spacious square with a number of pubs, all within a quick jog of each other. Necessary to avoid the wind and the rain! A perfect place for a Festival.
Where do you start when you arrive at 1:00 pm? Well you park the car and you wind the window down and listen and within moments you hear the strain of fiddles and accordions coming from inside O’Donnell’s Pub. So with my travelling companions, Danny and Nicolle, we headed in and immediately the circle widened to accommodate us. This doesn’t always happen and when it does you know you are in for a good session. It was led by box player Jim, who I am sure is the happiest man in Ireland, smiling and whooping his way through tune after tune and engaging all and sundry in continuous banter, and there were some older players and a good smattering of the next generation. So the music was a great mix and at a good pace. Plates of toasted ham cheese and tomato sandwiches kept arriving and even a special ‘order’ for vegetarian, Nicolle!
Around 3:00 we headed off to Sullivan’s Hotel for the highlight of the programme. This was the attempt on the Guinness World Record for the Largest Irish Band. The record is something around 270 held by nearby Kilfenora in Clare and only set earlier this year. There was palpable excitement as scores of musicians gathered outside the ballroom with their whistles, fiddles, banjos and pipes. Even a cahone (does that count?). Fevered last minute run-throughs of the chosen tunes created a somehow engaging dissonance, much as the expectation created by an orchestra tuning up. There was sheet music for those unsure of how the polkas went.
We all filed in shepherded by hi-vis vested marshals who almost outnumbered us, to take our places in rows of seats laid out for us. It looked like they were expecting around 300. There were cameras and videos including Irish TV there to record the event. Initially there was optimism but as the queues diminished and only half the seats were filled it became apparent to all that this was not to be the day. The scheduled start time of 4.00 pm went, perhaps in an attempt to scour the pubs for more musicians, and finally, it was after 4.30 when an excited announcer surprisingly proclaimed over the microphone “Congratulations! You have broken the record!” Looking at the empty seats I was a bit confused. “The largest Irish band in Connacht!”. There was excited applause as the crowd basked in the glory of being an ‘almost-Guiness World Record’ holder. To confirm the record we of course had to play and after a run through off we went launching into Maggie in the Woods. The sound was fantastic and it was actually quite thrilling to play with such a large ensemble, roughly in time and close enough to being in tune. There was genuine enthusiasm in the playing and in the reception from the assembled crowd, many of them proud parents. Then there were more tunes (not rehearsed!) and even a set dance. Was this the world record for the biggest Ceili Band playing to a set dance? Perhaps just in Connacht! Anyway it was all great crack and we queued up again on the way out to get a certificate to record the Attempt. There’s always next year!
The search resumed for the ‘killer’ session. So back to O’Donnelly’s where there was a new crowd of musicians but equally welcoming and then to Johnny Ward’s. This session was in a separate room with no bar and was as close to a house session as you could get. It was unfortunately marred by an extremely drunk bodhran player, with a Walton’s instrument and while it had a lovely celtic design the music did not match as he proceeded to beat it mercilessly and a whistle player who certainly made his presence felt. I watched as this man, already finding it hard to stand up demolished his next Guinness in two swigs. Despite these ‘distractions’ which contributed to a sometimes messy sound there were moments of absolute magic in the music. Concertina player, Patrick and a couple of box players and a banjo drove the session and I provided the only fiddle – an unusual event. Tunes were played fast but with a real skip which gave the music a lovely rhythmic lift. It was absolutely fantastic to play along with. After this session fizzled and a plate of Taco Chips from Supermac’s there was another great session at Sullivan’s populated mainly by Galway musicians and three hours went so quickly as we cycled through a familiar array of reels and jigs. Bed was very welcome at 3:00am after close to 12 hours of playing.
Sunday morning arrived, with all good intentions to head to the Willie Keane Weekend at Doonbeg (about ten minutes drive to the south of Caherush) in time for the Trad Breakfast, I have to admit the late night proved too much of a barrier and I didn’t get there until 2pm! There was music in four pubs on the main street of the village, famous more for the Donald Trump Resort a couple of kilometres out of town than anything else. But this weekend it was all about the music. Some of the best music you will hear and most of it coming from the unsung and the unheralded. Highlights for me included:
A wonderful set from Tony Linanne and Padraig Mac Doncha (in an Eb session) at Madigan’s, the brilliance of Andrew MacNamara and Mark Donnelly, the surprise packet that was Scaradaragh (a group of Sliabh Luachra musicians from North Cork), just so much fun to play with – bring on those polkas!, the brilliance of the young musicians from Tulla and Kilmaley (Amy & Gearoid McNamara and Yvonne & Pamela Queally, joined by friends including the Murphy sisters from Dublin) and then a great exhibition of sean nos dancing to wind up Sunday night.
On my way home after a fabulous day, I popped into the bar at Tubridy’s to the sight of a table of well primed revellers enjoying the music of Roisin & Conor Broderick and Deirdre Winrow. One of them saw me come in with my fiddle on my back and yelled. “Here he is. I have been reading about you” Taken off guard I asked what she meant. “In the brochure – you’re the fiddler!” They then engaged me in a random conversation in which it became apparent they were down from London for a weekend of golf at the Trump Resort. Luckily they didn’t stay long and on her way out I asked the girl what she meant. She explained that it was me in the programme as a “fiddler’ from 10pm and they were waiting for me. I looked to the corner where Dierdre was quite expertly pumping out a reel on her fiddle and pointed out “but there’s already a fiddler here.” “No” she said in all seriousness “that’s a violinist!” And she retreated with her companions to their five star room in the Lodge at Trumps…..
One other quick anecdote. Sitting, engrossed in my playing at the Igoe Inn (great name!) I felt a hand on my shoulder and a whisper in my ear. “Kevin Crawford” was all she said. I looked around to see a middle aged lady standing over me. “What about him?” I whispered back. [Kevin, of course, is the well know flute player from Lunasa]. “Is he here?” she said seriously. “I haven’t seen him”, was all I could think to say and apparently satisfied she wandered off. I later found out she had done this with every musician in the place! He should be very pleased he has such a devoted fan.
Anyway, home by 1.00 am after another ten hours of almost continuous sessioning on top of the previous day. So I think I put in a good shift. A quiet couple of weeks now but really looking forward to the Ennis Festival coming up. Stay tuned.
Here are some pictures from the weekend. …….
Last weekend I headed out to Moyasta for the Crotty Galvin Traditional Music weekend. It’s a mouthful I know and I don’t blame you if you dont know where Moyasta is. I didn’t. Head out to Kilrush on the south western tip of Clare and a few miles further on you’ll find it. But dont blink. There’s one pub and a school.
I have been to many festivals this year (small and big) but nothing really prepared me for Moyasta. Everything happened in Garrihy’s Bar. There were two session locations in the front bar and for much of the weekend there was continuous music in one or both. In fact in the time I was there the music only stopped for the All Ireland Hurling final. (For the record it was a breathtaking draw between Kilkenny and Tipperary that had the nation captivated). In the back was a large cavernous room with a small stage in the corner. There were continuous events there including more formal miked up sessions, ad hoc concerts and dancing. There didn’t appear to be a fixed programme and things just happened.
On the Saturday I played in the front bar from 4pm until I called it quits at 1230, That’s 8 ½ hours pretty much without a break. It went on to the small hours I believe. The session (or ‘sessiun’ as they call it in this part of the world) had a peculiar dynamic to it and as people came and went it ebbed and flowed sometimes the music being absolutely brilliant and at other times delightfully messy. It was a pleasure to play there although the pub got noisy and at times you could hardly hear yourself no one seemed to mind. Even the out of time bodhran playing was tolerated!
This was as close to an authentic rural Irish festival I have seen and as far from the Fleadh Ceoil as you could possibly get. One venue, so you missed nothing. Not a hint of commercialism. Just good honest craic. No big imported names and predominantly just locals from West Clare. There were drinks on the house for the musicians and an endless supply of delicious sandwiches, not just for the players but for the punters too, all coordinated by an amazing hard working committee. It had the feel of one big old fashioned house party where even the gate crashers were invited in.
Thanks to everyone who made me feel so welcome and to the many new friends I made. A definite for next year. The battery went dead on the camera so only a few pics but I’m sure you’ll get the feeling for the weekend from these.
Tubbercurry 2014. Alistair Cassidy. For my next trick…….

Willy Clancy Festival. Milltown Malbay 2014. Friels Hotel. Can’t compete with the World Cup and Brazil vs Germany.
Willie Clancy Week, Miltown Malbay 2014. Gerry Harrington demonstrating the Stroh Viol to James Kelly’s fiddle class

Willie Clancy Week, Miltown Malbay 2014. Let there be light. And there was. And it shone upon the fiddler
Willie Clancy Week, Miltown Malbay 2014. The genesis of a session, Coore.

Willie Clancy Week, Miltown Malbay 2014. The front bar at Friels. Gerard Callaghan, Rick Epping (in the mirror) Mick Creehan, Mick Hand

Willie Clancy Week, Miltown Malbay 2014. Stefan, Dermie Diamond, Angela Creehan, Sinnead Nic Dhonnachadgh

Willie Clancy Week, Miltown Malbay 2014. Pat Mullins, Macdaragh Mac Dhonnachadgh, Maurice Lennon, Sean Ryan

Willie Clancy Week, Miltown Malbay 2014. Lorraine O’Brien, Catherine McEvoy, a bemused Jackie Daly, Aoife Granville, Niall Kenny and Conal O’Grada. Revenge of the flutes.

Willie Calncy Week, Miltown Malbay 2014, Street Session with Leon Agnew, Antoin Mac Gabhann and Seamus Sands

Willie Clancy Week, Miltown Malbay 2014. In the sunshine at the Blondes. Ciarán Mac Aodhagáin, Siún Ní Ghlacáin, Damien O’Reilly
Recently I completed my 100th continuous night of Sessions since I came to Ireland. Not something I set out to do but over the moon that it has panned out that way. Since I started at Tullamore on 15th May and then Ennis three days later for the Fleadh Nua I have not missed a night of playing Irish music and have not felt like missing one. My hundredth night was just a lovely quiet way to ‘celebrate’ with Joan Hanrahan and friends at Kelly’s Bar in Ennis – a classic Irish Pub with a long pedigree of traditional sessions.
It would be impossible to estimate how many sessions I have participated in as on some days such as in Miltown or any of the other festival for that matter I might have played in half a dozen. Quality has been variable as you would expect but at every session I felt privileged to be there.
I have played with musicians both ‘famous’ and unheralded (but not necessarily less talented), with musicians from all over Ireland and almost every part of the globe, musicians from 8 years old to 88 and beginners and masters of the tradition. And not only players but lovers of the music who might have travelled from Cork or Canada or Sligo or Sweden to just sit and listen for hours. All brought together to share this wonderful secret we all have that is Irish music. Shhh! Don’t tell anyone.
I have been to eleven festivals so far including Doolin, Willie Week, Spiddal TraidPhicnic, Tulla, Clare Fleadh at Kilaloe, Tubercurry, Drumshanbo, Achill, Feakle and the Fleadh Cheoil at Sligo. I have been to Workshops and Summer Schools and had lessons from fiddlers such as Maurice Lennon, James Kelly, Paddy Ryan, Tola Custy, Siobhan Peoples, John Daly, Liam O’Connor, Martin Hayes, Eileen O’Brien, Yvonne Kane and Yvonne Casey. So if I still can’t play the fiddle after all that then I have only myself to blame.
Whether I will continue at this pace I don’t know but for me the journey is not over and while I get something from each session I go to I will keep going.
I have put together 100 photos to celebrate these 100 days. Some are amongst my favourite photos and others are of the many wonderful people I have met, but collectively I hope they give some feel for the mood and magic that is an Irish music session. Photos come from Miltown, Tubercurry, Drumshanbo, Spiddal, Achill and Feakle. I have included photos from sessions before Willlie Week in my earlier blogs. Where possible I have tried to identify everyone. Thanks Niamh and Graham for your help. If I have missed anyone my apologies and please let me know and I will edit the caption, and if I have spelt your name wrong, apologies again.
Thanks for the tunes!
On first viewing there is not much to recommend Tulla. It’s like numerous other quaint Irish villages but it seems to have seen better days. At least that is the impression you get wandering around the streets. It is set on a hill with sweeping vistas so there is no obvious reason why this place has suffered more than others but many buildings are boarded up or in various states of neglect and there are very few people to be seen. I am told it used to have 18 pubs and there are now 3½! The half pub seems to open when it feels like. Is this a symbol of the post-Celtic Tiger hangover?
Tulla has an amazing musical heritage; it is of course the home of the famous Tulla Ceili Band, but ask where there is a traditional music session in Tulla and you will be directed to Feakle or Ennis or anywhere else. “How is this possible?” I asked a local musician who grew up in the town, “The publicans aren’t interested” was the reply, adding that it had always been this way with their family travelling to Feakle to hear or play music.
Yet for all this Tulla has a musical heart and it is beating loud and clear. And it was on display over the weekend of 27-29 June 2014 in its full glory at the Feile Chnoc an Gaoithe a Festival of traditional music and dance. This is only the third year the Festival has been run and it is low key compared with the international profile of festivals such as Willie Clancy week and Feakle but the quality of the music and the passion for it cannot be denied. The festival had a focus on fiddles with Maurice Lennon, Liam O’Connor, Bernadette and Anton MacGabhann, John Weir, Vincent Griffin, John Joe Tuttle, Mark Donnelan and Pat O’Connor all displaying their talents over the weekend. There were workshops and a wonderful lunchtime recital. The musicians of the next generation were on display at the Fiddle Feis competitions and the standard was amazing. It was a real treat to see some of the young musicians of the Gnoc na Gaoithe and the older generation of Vincent Griffin on the same bill at the recital.
The music of the East Clare style was very evident in the playing of many of the younger fiddlers. Many of these have been taught by the legendary Mary Mac who has done so much to inspire a generation of fiddlers and concertina players and keep alive this music.
As with any festival it is the craic and the sessions that make for a memorable event. And mighty it was. There were wall to wall sessions, CD launches and a Ceili on Saturday and Sunday night. At least for this one weekend the publicans welcomed the music and opened their doors. Just a few of the highlights of this weekend that will stay with me for a long time:
The organisers, Breda McNamara and her team, deserve to be warmly congratulated for putting on this event and I for one will be there next year. I hope these photos give you some of the flavour of the event.
Final day of a fabulous three day Festival saw an enthusiastic crowd wowed by Gavin Moore, Siobhan Peoples, Murty Ryan and Pat Marsh, Lisa O’Neill, the New Road, The Unwanted, Dezi Donnelly and Mike McGoldrick, Damien Dempsey and Blackie O’Connell and friends.
Well it just gets better! Highlights today were the talented Tommy McCarthy and Louise Costello, the delightful and inventive Twin Headed Wolf, the amazing Mick O’Brien and Caoimhin O Raghallaigh, the beautiful Whileaways, the energetic and dynamic Moxie and The Bonny Men, the unbelievable Mairtin O’Connor, Cathal Hayden and Seamie O’Dowd, the sensational Solas, a guest appearance from Luka Bloom and the captivating and charismatic Kila.
What a fabulous line up for the first day! Here are some highlights. The wonderful songs of Cillian King, the gorgeous Anna, Clare and Shiela of the Friel Sisters, The amazing Chris Droney with his family, the fabulous Ilis Kennedy and Pauline Scanlon who make up Lumiere, the legendary Paddy Glackin and Liam O’Flynn and the outrageous Seamus Begley and Jim Murray. Who could ask for more!
The momentum of the Fleadh and the buzz around Ennis built as we approached the weekend. The crowds got bigger and the sessions got better. I went to 24 sessions during the 8 days and I can honestly say I didn’t go to one I didn’t enjoy.
The Fleadh Nua has been a terrific way to start my Ireland journey. I have been overwhelmed by the people and the music and it is everything I had expected or hoped for. I have played with most of Clare’s top musicians and others less heralded but just as good. I have met a lot of interesting people from Europe and the US (Hi Veronika and Holger, Thomas, Thierry, Sally Ann, Caroline, Kieran, Jessica) all with a singular passion for Irish music and all keen to learn more in their own individual way. I have been welcomed by most her who are happy to share the music. I have met some wonderful Irish people who drive from all over to listen to the music for the Fleadh. They are so knowledgeable and like it that you are interested. I have watched my fiddle playing grow. The nerves are still there when asked to start a tune but a week ago I never dreamed I would be playing alongside the likes of Siobhan Peoples, Tola Custy, Blackie O’Connell, Josephine Marsh, Mary MacNamara or Eamonn Cotter and holding my own. Or listening to some wonderful singing from Niamh Parsons and Noirin Lynch and many others. Or the impromptu dancing of the gorgeous Lenka. The variety of approaches to the music is incredible From the driving pipes and fiddle of Blackie and Siobhan to the gentle flowing pace of Mary Mac and Geraldine Cotter and the sweet tones of Yvonne Casey’s fiddle with Josephine’s exquisite box playing.
After this concentrated week the music is starting to get into my head. I am recognising tunes and playing along (well sort of) after a few hearings. Whether they stick is another matter but the process of learning by ear, something I have struggled with for many years is beginning to happen for me. What helps is that they play tunes here often five or six times, sometimes more. It is not until the third or fourth time that you can really feel the groove and the intensity builds and the music suddenly lifts. This is lost when the tune is only played twice. As Josephine said when I discussed this with her during a break after a particularly satisfying set “Why stop if you’re enjoying it?”
The way music is weaved in and out of the fabric of the culture in this part of the world is revealed every night and day. One strikes up a conversation and it soon gets to “you here for the Fleadh?” And they will proceed to tell you where the best music is.
The pleasure that musicians get playing with each other is obvious as is the respect that they seem to hold for each other. This is reflected in the multitude of different collaboration in the many different locations. For example I have seen Siobhan Peoples play with Murty Ryan, with Blackie O’Connell and Tola Custy at different times.
The Café sessions where the music is taken out of the pubs and away from the constant pub noise reveals its soul and demands undivided attention have been an unsung highlight.
I continue to be inspired.