Posts Tagged With: fiddle

St Stephens Day and the Wren Boys

In Ireland no one seems to talk about Boxing Day – It’s St Stephens Day. But when I ask who St Stephen was, it’s like asking an Irish trad musician the name of the tune they just played. I just get a blank look.

So I did some research. Stephen was in fact a Greek-speaking Hellenistic Jew who died around 34 AD and was the first martyr of Christianity. He was accused of blasphemy and stoned to death.  Thanks Wikipedia.

In Ireland though the day is also known as Lá an Dreoilín, meaning the Day of the Wren, an apparent reference to legends linking the wren to episodes in the life of Jesus. People (mainly kids) dress up in old clothes, wear straw hats and travel from door to door with fake wrens (previously real wrens were killed) and they dance, sing and play music.

It is also used by charitable organisations to raise funds so when Michael Talty asked me if I wanted to join the Wren Boys from the local Kilmurry-Ibrickane GAA I jumped at the chance. It meant getting up at 6.30, the morning after Christmas, which I had spent with friends in Connemara, and driving back to Quilty to be there at 10.00.  Not easy.

The weather was not good. Cold and the threat of rain. A number of musicians and dancers had congregated in the GAA clubrooms and we were split into two teams of three musicians and four dancers. The idea was to go door to door to every home in the Parish, do a quick half set and solicit donations. First we had to agree on a tune (I won’t mind if I don’t hear Sally Gardens again!) and a speed, so after a quick run through with Pat on flute and Gerard on whistle and my fiddle tucked under my coat we piled into a windowless van and hit the streets.

We stopped outside every house (except those that the locals knew to be unoccupied) and knocked on the door. Without ceremony we would launch into Sally Gardens, the dancers would do their thing and we would be off again. People were very generous; I saw the odd 50 drop into the tin. Many made a donation and out of sympathy for us in the cold waved us on without playing. And cold it was. Squalls of drizzly rain swept in as the temperature seemed to continue to drop during the day. Eventually I resorted to playing in gloves and after a bit of practice, made a decent fist of it. I would tuck my fiddle under my coat when not playing and managed to keep it out of the elements. The bow however was another story. Ever tried to play with a wet bow?

Occasionally we were invited inside and that was special, as tables and chairs were pushed aside and if you briefly closed your eyes you could imagine you were transported back fifty years to a kitchen ceili. Occasionally we were also offered beer or cider. In one house we were treated to slices made by Amish girls in traditional headgear and costumes. There must have been a dozen of them. The things you find in West Clare.

There was a welcome break at Cooney’s Pub in Quilty, who put on soup and sandwiches, and then it was back out in the afternoon continuing what was a very long and challenging day until darkness descended finishing on my own street, the Clogher Road. Very fitting.

Despite the privations I had a ball and enjoyed the whole experience – a window into an Ireland that foreigners would likely not see. Thanks Michael and all my fellow dancers and musicians who accepted me and made me feel part of the community. For the record we raised 2,200 euros.

 

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Categories: Stories, Trad Irish Music | Tags: , , , , , , , , , , , , , , , , , , | 3 Comments

The Connemara Hills are alive with the Sound of Music (and Galway too)

Last weekend I headed for Galway and Connemara. I had had a previous brief visit to Connemara when I attended the TraidPhicnic in Spiddal, but never Galway and I have to say I loved it.

The immediate reason was to attend a Master Class and House Concert by Maurice Lennon at Bridge Barker’s house deep in the wilds of remote Connemara. A great initiative from Bridge to open her house for this – hopefully the first of many.

The trip up from Clare was treacherous with my first experience of driving in sub-zero temperatures and on slippery roads. There was definitely no hurrying. I collected Maurice in Glaway on the way and became so engrossed in the conversation that we managed to end up on a detour along the shores of Lough Corib, that meant the trip took an extra hour. Once we got there the weather was kind enough, so that while Maurice took the kids’ class, I went for a short walk with Vince, Bridge’s partner. They live with their family in a stone cottage that, chameleon-like, blends into the rocky Connemara landscape. Bridge tells me it has been in her family for generations. They have turned a traditional stone cottage into a wonderfully warm and welcoming family home. Adjacent is an abandoned cottage, apparently formerly that of a tailor. It seems to have been empty for decades but still stands remarkably intact as a reminder of the hardship that must have been life in these parts. There was no road and customers would have to ride up the rocky ridges to be fitted. The house has a central room with a large fire place and a door on either side. One can imagine this was the kitchen and the centre of family life. Maybe even where music was played. On either side of this is what would have been the bedrooms each with a smaller fire. Relics of a tough existence are everywhere including bottles and empty containers, an old Singer sewing machine stand and empty and derelict hand crafted furniture. The roof is made of timbers nailed together and filled with bog material and then presumably covered in thatch but now corrugated iron. The windows small anyway are almost completely blocked with stone allowing only a tiny opening to minimise the ingress of rain and wind but making the house very dark. There were no windows on the western and southern sides speaking eloquently as to where the weather comes from. A marvellous window into a past world but not too far distant from the reality of living here now.

Nearby in the rocky bog-covered landscape was a delightful creek with water cascading over granite boulders and flowing through the brown tufts of grass, dotted with patches of bright green where richer glacial tills have provided more fertile ground. Numerous walled fields provide evidence of a much more intensive agriculture on the slopes of the barren hills.

This area was a renowned location for the manufacture of poteen, the famed liquor made traditionally from malted barley but later from corn or potatos. Poteen manufacture was and is of course illegal and so it prospered in remote areas like Connemara where unwelcome visitors could be seen coming for miles. It is said that from the top of the hill behind the house you could see someone coming from Oughterard, 20km away as the crow flies. Vince showed me an old still, one of four in the immediate area. These are used to build a turf fire and heat the wash for several days while guards stood watch ready to respond to anyone attracted by the smoke. The quality of the poteen was highly variable and it needed a fair bit of skill. A bad batch is said to cause blindness. I was given a taste by a fiddler friend when I visited Cork City recently, and I have to say it was terrific. Sure packed a punch though.

As the misty rain set in and hid the snow-capped hills in the distance we returned in time for me to join Maurice for the workshop. There were seven of us and it was a delight. Plenty of good advice on how to hold the bow and how to get a better sound and we learned a couple of Maurice’s own tunes in an intensive hour and a half. Then a quick trip to the nearest pub (about 20 minutes away) for a cleansing ale and some fresh air with Maurice. I don’t want to offend anyone who may come from this part of the world but you could hardly say we were welcomed, or if we were it was with suspicion. There was no small talk as the half dozen or so punters went about their business as If we weren’t there. Slightly uncomfortable.

Returning for some tunes and some curry we then settled in for a concert in the front room of Bridge’s house, in front of a roaring fire, comprising a couple of hours of solo fiddle and viola from Maurice. There was some inspired playing.  We all joined in for a couple of sets at the end. Really a special night with the stone walls reflecting a brilliant sound. Those who travelled into the Connemara wilderness were well rewarded.

I was very kindly put up by Bridge and even before the scrambled eggs were put on the stove next morning I joined Bridge and her talented daughter Siofra in some tunes around the kitchen table. When Maurice arrived back from his lodgings he joined in. A true ‘kitchen session’.

I had decided to spend a couple of extra days in Galway and catch some of the sessions of which so many people had raved. So dragging ourselves away at lunch time I returned with Maurice who was also staying in Galway. There was a slight detour as I stopped every now and then for some photos and a further delay as we caught the second half of the Manchester United – Liverpool game (won by Man U) in a pub in Oughterrard.

Arriving late in the afternoon I went on a search for music. I ended up meeting fellow Aussie friend , Alice at Taaffe’s Bar where there is a 5:30 session every day. So civilised. Why don’t they do this in Ennis? This was the first of three sessions I attended that night and over the three days I was there I went to eight. There was a memorable session late on Sunday at the Old Forge where we were entertained among other things by a Santa-clad mini-skirted drag queen doing an Irish step dance with a packet of Tayto’s in one hand. Brilliant. It was great craic everywhere and hopefully the pictures give some idea of it. I met some wonderful people with as much passion for the music as I see in Ennis. Plenty of blow-ins who have made Galway home. As well as Alice from Oz, there is Ana from Brazil, Brandon from England, Anders from Netherlands, Patrick and Sean from San Francisco, and others from Spain, Germany and the odd Irishman. Lots of interaction too between the musicians and the punters, many of them tourists hearing Irish music for the first time and having a fabulous time. I was kindly invited to a great house session on Tuesday, led by Sean Flanagan, a box player, designed for intermediate players to learn and share tunes. Brilliant idea. I returned to Ennis renewed and inspired and vowing to visit Galway again soon. Thanks to everyone who made me feel so welcome.

The sun shone briefly on Monday and I took the opportunity to go for a drive through the magnificent Connemara hills to Clifden. Glorious. I will post some photos from these travels soon in another blog. The photos here are all from near Bridge’s house or in Galway City.

Distant snow, Connemara

Distant snow, Connemara

Tailor's cottage, Connemara

Tailor’s cottage, Connemara

Tailor's Cottage, Connemara

Tailor’s Cottage, Connemara

Inside Tailor's Cottage, Connemara

Inside Tailor’s Cottage, Connemara

Poteen still, Connemara

Poteen still, Connemara

Cascade, Connemara

Cascade, Connemara

Barn, Connemara

Barn, Connemara

Maurice Lennon, Fiddle Master Class, Connemara

Maurice Lennon, Fiddle Master Class, Connemara

Maurice Lennon Fiddle  Master Class, Connemara

Maurice Lennon Fiddle Master Class, Connemara

Maurice Lennon Fiddle  Master Class, Connemara

Maurice Lennon Fiddle Master Class, Connemara

Maurice Lennon Fiddle  Master Class, Connemara

Maurice Lennon Fiddle Master Class, Connemara

Maurice Lennon, Adult Fiddle  Master Class, Connemara

Maurice Lennon, Adult Fiddle Master Class, Connemara

Maurice Lennon, Adult  Fiddle  Master Class, Connemara

Maurice Lennon, Adult Fiddle Master Class, Connemara

Maurice Lennon, Adult students Fiddle  Master Class, Connemara

Maurice Lennon, Adult students Fiddle Master Class, Connemara

Maurice Lennon, Kitchen session at Bridge Barker's, Connemara

Maurice Lennon, Kitchen session at Bridge Barker’s, Connemara

Maurice Lennon, Bridge Barker.  Kitchen Session

Maurice Lennon, Bridge Barker. Kitchen Session

Hungry sheep, Connemara

Hungry sheep, Connemara

Session, Taaffe's Pub, Galway

Session, Taaffe’s Pub, Galway

Session, Taaffe's Pub, Galway

Session, Taaffe’s Pub, Galway

Session, Taaffe's Pub, Galway.  Sandra

Session, Taaffe’s Pub, Galway. Sandra

Session, Taaffe's Pub, Galway. Alice

Session, Taaffe’s Pub, Galway. Alice

Session, Taaffe's Pub, Galway.  Happy listeners

Session, Taaffe’s Pub, Galway. Happy listeners

Session, Taaffe's Pub, Galway

Session, Taaffe’s Pub, Galway

Session. Tig Coili, Galway

Session. Tig Coili, Galway

Session, Taaffe's Pub, Galway.  Maurice Lennon

Session, Tig Coili, Galway. Maurice Lennon

Session, Tig Coili, Galway

Session, Tig Coili, Galway

Session, Old Forge Pub, Galway

Session, Old Forge Pub, Galway

Session, Old Forge Pub, Galway

Session, Old Forge Pub, Galway

Session, Old Forge Pub, Galway.  Dancing Santa

Session, Old Forge Pub, Galway. Dancing Santa

Session, Garvey's Pub Galway

Session, Garvey’s Pub Galway

Session, Garvey's Pub, Galway

Session, Garvey’s Pub, Galway

Visitors from Germany, Garvey's Pub Galway

Visitors from Germany, Garvey’s Pub Galway

House Session, Galway

House Session, Galway

Another session at Taaffe's Galway

Another session at Taaffe’s Galway

Categories: Sessions, Stories, Trad Irish Music | Tags: , , , , , , , , , , , , | Leave a comment

Sessions Sessions Sessions!

Session at The Diamond with Blackie O’Connell, Siobhan Peoples and Cyril O’Donoghue

Siobhan Peoples and Cyril O'Donoghue Fleadh Nua 2014

Siobhan Peoples and Cyril O’Donoghue Fleadh Nua 2014

Blackie and Siobhan

Blackie and Siobhan

Yvonne Casey and Josephine Marsh at Brogan's Fleadh Nua

Yvonne Casey and Josephine Marsh at Brogan’s Fleadh Nua

Siobhan Peoples and Tola Custy at Faffa's.  Final session at Fleadh Nua 2014

Siobhan Peoples and Tola Custy at Faffa’s. Final session at Fleadh Nua 2014

Yvonne Casey and Josephine Marsh

Yvonne Casey and Josephine Marsh

Mary and Scorcha

Mary and Scorcha

Session at Brogan's with Tom Delaney and Eric Healy and friends

Session at Brogan’s with Tom Delaney and Eric Healy and friends

Session at the Old Ground with Mary MacNamara and her daughter Scorcha and Geraldine Cotter.

Session at the Old Ground with Mary MacNamara and her daughter Scorcha and Geraldine Cotter.

Blackie O'Connells pipes at the Diamond Bar Ennis

Blackie O’Connells pipes at the Diamond Bar Ennis

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Session at THe Copper Jug Ennis with Andrew MacNamara and Tara Breen

The momentum of the Fleadh and the buzz around Ennis built as we approached the weekend. The crowds got bigger and the sessions got better.    I went to 24 sessions during the 8 days and I can honestly say I didn’t go to one I didn’t enjoy.

The Fleadh Nua has been a terrific way to start my Ireland journey. I have been overwhelmed by the people and the music and it is everything I had expected or hoped for.  I have played with most of Clare’s top musicians and others less heralded but just as good.  I have met a lot of interesting people from Europe and the US (Hi Veronika and Holger, Thomas, Thierry, Sally Ann, Caroline, Kieran, Jessica) all with a singular passion for Irish music and all keen to learn more in their own individual way.  I have been welcomed by most her who are happy to share the music.  I have met some wonderful Irish people who drive from all over to listen to the music for the Fleadh.  They are so knowledgeable and like it that you are interested. I have watched my fiddle playing grow.  The nerves are still there when asked to start a tune but a week ago I never dreamed I would be playing alongside the likes of Siobhan Peoples, Tola Custy, Blackie O’Connell, Josephine Marsh, Mary MacNamara or Eamonn Cotter and holding my own.  Or listening to some wonderful singing from Niamh Parsons and Noirin Lynch and many others. Or the impromptu dancing of the gorgeous Lenka. The variety of approaches to the music is incredible From the driving pipes and fiddle of Blackie and Siobhan to the gentle flowing pace of Mary Mac and Geraldine Cotter and the sweet tones of Yvonne Casey’s fiddle with Josephine’s exquisite box playing.

After this concentrated week the music is starting to get into my head.  I am recognising tunes and playing along (well sort of) after a few hearings.  Whether they stick is another matter but the process of learning by ear, something I have struggled with for many years is beginning to happen for me.  What helps is that they play tunes here often five or six times, sometimes more.  It is not until the third or fourth time that you can really feel the groove and the intensity builds and the music suddenly lifts.  This is lost when the tune is only played twice.  As Josephine said when I discussed this with her during a break after a particularly satisfying set “Why stop if you’re enjoying it?”

The way music is weaved in and out of the fabric of the culture in this part of the world is revealed every night and day.  One strikes up a conversation and it soon gets to “you here for the Fleadh?” And they will proceed to tell you where the best music is.

The pleasure that musicians get playing with each other is obvious as is the respect that they seem to hold for each other.  This is reflected in the multitude of different collaboration in the many different locations. For example I have seen Siobhan Peoples play with Murty Ryan, with Blackie O’Connell and Tola Custy at different times.

The Café sessions where the music is taken out of the pubs and away from the constant pub noise reveals its soul and demands undivided attention have been an unsung highlight.

I continue to be inspired.

Categories: Festivals, Sessions, Trad Irish Music | Tags: , , , , , , , , , , , , | 5 Comments

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